A Sicilian Romance

breakfast-room, scarcely conscious of motion; but, as she entered it, a soft confusion overcame her; she blushed, and almost feared to meet the eyes of Vereza. She was presently relieved, however, for the Count was not there. The company assembled⁠—Julia watched the entrance of every person with painful anxiety, but he for whom she looked did not appear. Surprised and uneasy, she fixed her eyes on the door, and whenever it opened, her heart beat with an expectation which was as often checked by disappointment. In spite of all her efforts, her vivacity sunk into languor, and she then perceived that love may produce other sensations than those of delight. She found it possible to be unhappy, though loved by Hippolitus; and acknowledged with a sigh of regret, which was yet new to her, how tremblingly her peace depended upon him. He neither appeared nor was mentioned at breakfast; but though delicacy prevented her enquiring after him, conversation soon became irksome to her, and she retired to the apartment of Madame de Menon. There she employed herself in painting, and endeavoured to beguile the time till the hour of dinner, when she hoped to see Hippolitus. Madame was, as usual, friendly and cheerful, but she perceived a reserve in the conduct of Julia, and penetrated without difficulty into its cause. She was, however, ignorant of the object of her pupil’s admiration. The hour so eagerly desired by Julia at length arrived, and with a palpitating heart she entered the hall. The Count was not there, and in the course of conversation, she learned that he had that morning sailed for Naples. The scene which so lately appeared enchanting to her eyes, now changed its hue; and in the midst of society, and surrounded by gaiety, she was solitary and dejected. She accused herself of having suffered her wishes to mislead her judgment; and the present conduct of Hippolitus convinced her, that she had mistaken admiration for a sentiment more tender. She believed, too, that the musician who had addressed her in his sonnet, was not the Count; and thus at once was dissolved all the ideal fabric of her happiness. How short a period often reverses the character of our sentiments, rendering that which yesterday we despised, today desirable. The tranquil state which she had so lately delighted to quit, she now reflected upon with regret. She had, however, the consolation of believing that her sentiments towards the Count were unknown, and the sweet consciousness that her conduct had been governed by a nice sense of propriety.

The public rejoicings at the castle closed with the week; but the gay spirit of the marchioness forbade a return to tranquillity; and she substituted diversions more private, but in splendour scarcely inferior to the preceding ones. She had observed the behaviour of Hippolitus on the night of the concert with chagrin, and his departure with sorrow; yet, disdaining to perpetuate misfortune by reflection, she sought to lose the sense of disappointment in the hurry of dissipation. But her efforts to erase him from her remembrance were ineffectual. Unaccustomed to oppose the bent of her inclinations, they now maintained unbounded sway; and she found too late, that in order to have a due command of our passions, it is necessary to subject them to early obedience. Passion, in its undue influence, produces weakness as well as injustice. The pain which now recoiled upon her heart from disappointment, she had not strength of mind to endure, and she sought relief from its pressure in afflicting the innocent. Julia, whose beauty she imagined had captivated the count, and confirmed him in indifference towards herself, she incessantly tormented by the exercise of those various and splenetic little arts which elude the eye of the common observer, and are only to be known by those who have felt them. Arts, which individually are inconsiderable, but in the aggregate amount to a cruel and decisive effect.

From Julia’s mind the idea of happiness was now faded. Pleasure had withdrawn her beam from the prospect, and the objects no longer illumined by her ray, became dark and colourless. As often as her situation would permit, she withdrew from society, and sought the freedom of solitude, where she could indulge in melancholy thoughts, and give a loose to that despair which is so apt to follow the disappointment of our first hopes.

Week after week elapsed, yet no mention was made of returning to Naples. The marquis at length declared it his intention to spend the remainder of the summer in the castle. To this determination the marchioness submitted with decent resignation, for she was here surrounded by a croud of flatterers, and her invention supplied her with continual diversions: that gaiety which rendered Naples so dear to her, glittered in the woods of Mazzini, and resounded through the castle.

The apartments of Madame de Menon were spacious and noble. The windows opened upon the sea, and commanded a view of the straits of Messina, bounded on one side by the beautiful shores of the isle of Sicily, and on the other by the high mountains of Calabria. The straits, filled with vessels whose gay streamers glittered to the sunbeam, presented to the eye an ever-moving scene. The principal room opened upon a gallery that overhung the grand terrace of the castle, and it commanded a prospect which for beauty and extent has seldom been equalled. These were formerly considered the chief apartments of the castle; and when the Marquis quitted them for Naples, were allotted for the residence of Madame de Menon, and her young charge. The marchioness, struck with the prospect which the windows afforded, and with the pleasantness of the gallery, determined to restore the rooms to their former splendour. She signified this intention to madame, for whom other apartments were provided. The chambers of Emilia and Julia forming part of the suite, they were also claimed by the marchioness, who left Julia only her favorite closet. The rooms to which