“It’s hailing,” somebody said, quite loudly. Herr Modersohn appeared to believe this, for he went without more ado to the platform and asked for the register. He needed it to call the names from, for, though he had been teaching the class for five or six weeks, he hardly knew any of them by name.
“Feddermann,” he said, “will you please recite the poem?”
“Absent,” shouted a chorus of voices. And there sat Feddermann, large as life, in his place, shooting peas with great skill and accuracy.
Herr Modersohn blinked again and selected a new name. “Wasservogel,” he said.
“Dead,” shouted Petersen, attacked by a grim humour. And the chorus, grunting, crowing, and with shouts of derision, asseverated that Wasservogel was dead.
Herr Modersohn blinked afresh. He looked about him, drew down his mouth, and put his finger on another name in the register. “Perlemann,” he said, without much confidence.
“Unfortunately, gone mad,” uttered Kai, Count Mölln, with great clarity and precision. And this also was confirmed by the chorus amid an ever-increasing tumult.
Then Herr Modersohn stood up and shouted in to the hubbub: “Buddenbrook, you will do me a hundred lines imposition. If you laugh again, I shall be obliged to mark you.”
Then he sat down again. It was true that Hanno had laughed. He had been seized by a quiet but violent spasm of laughter, and went on because he could not stop. He had found Kai’s joke so good—the “unfortunately” had especially appealed to him. But he became quiet when Herr Modersohn attacked him, and sat looking solemnly into the Candidate’s face. He observed at that moment every detail of the man’s appearance: saw every pathetic little hair in his scanty beard, which showed the skin through it; saw his brown, empty, disconsolate eyes; saw that he had on what appeared to be two pairs of cuffs, because the sleeves of his shirt came down so long; saw the whole pathetic, inadequate figure he made. He saw more: he saw into the man’s inner self. Hanno Buddenbrook was almost the only pupil whom Herr Modersohn knew by name, and he availed himself of the knowledge to call him constantly to order, give him impositions, and tyrannize over him. He had distinguished Buddenbrook from the others simply because of his quieter behaviour—and of this he took advantage to make him feel his authority, an authority he did not dare exert upon the real offenders. Hanno looked at him and reflected that Herr Modersohn’s lack of fine feeling made it almost impossible even to pity him! “I don’t bully you,” he addressed the Candidate, in his thoughts: “I don’t share in the general tormenting like the others—and how do you repay me? But so it is, and so will it be, always and everywhere,” he thought; and fear, and that sensation almost amounting to physical nausea, rose again in him. “And the most dreadful thing is that I can’t help seeing through you with such disgusting clearness!”
At last Herr Modersohn found someone who was neither dead nor crazy, and who would take it upon himself to repeat the English verse. This was a poem called “The Monkey,” a poor childish composition, required to be committed to memory by these growing lads whose thoughts were already mostly bent on business, on the sea, on the coming conflicts of actual life.
“Monkey, little, merry fellow,
Thou art nature’s punchinello. …”
There were endless verses—Kassbaum read them, quite simply, out of his book. Nobody needed to trouble himself about what Herr Modersohn thought. The noise grew worse and worse, the feet shuffled and scraped on the dusty floor, the cock crowed, the pig grunted, peas filled the air. The five-and-twenty were drunk with disorder. And the unregulated instincts of their years awoke. They drew obscene pictures on pieces of paper, passed them about, and laughed at them greedily.
All at once everything was still. The pupil who was then reciting interrupted himself; even Herr Modersohn got up and listened. They heard something charming: a pure, bell-like sound, coming from the bottom of the room and flowing sweetly, sensuously, with indescribably tender effect, on the sudden silence. It was a music-box which somebody had brought, playing “Du, du, liegst mir am Herzen” in the middle of the English lesson. But precisely at that moment when the little melody died away, something frightful ensued. It broke like a sudden storm over the heads of the class, unexpected, cruel, overwhelming, paralyzing.
Without anybody’s having knocked, the door opened wide with a great shove, and a presence came in, high and huge, growled, and stood with a single stride in front of the benches. It was the Lord God.
Herr Modersohn grew ashy pale and dragged down the chair from the platform, dusting it with his handkerchief. The pupils had sprung up like one man. They pressed their arms to their sides, stood on their tiptoes, bent their heads, and bit their tongues in the fervour of their devotion. The deepest silence reigned. Somebody gasped with the effort he made—then all was still again.
Director Wulicke measured the saluting columns for a while with his eye. He lifted his arm with its dirty funnel-shaped cuff, and let it fall with the fingers spread out, as if he were attacking a keyboard. “Sit down,” he said in his double-bass voice.
The pupils sank back into their seats. Herr Modersohn pulled up the chair with trembling hands, and the Director sat down beside the dais. “Please proceed,” he said. That was all, but it sounded as frightful as if the words he uttered had been “Now we shall see, and woe to him who—”
The reason for his coming was clear. Herr Modersohn was to give evidence of his ability to teach, to show what the lower second had learned in the six or seven hours he had been
