As the year of mourning was not quite over, the two betrothals were celebrated only in the family. But Gerda quickly became a celebrity in the town. Her person formed the chief subject of conversation on the Bourse, at the club, at the theatre, and in society. “Tip-top,” said the gallants, and clucked their tongues, for that was the latest Hamburg slang for a superior article, whether a brand of claret, a cigar, or a “deal.” But among the solid, respectable citizens there was much head-shaking. “Something queer about her,” they said. “Her hair, her face, the way she dresses—a little too unusual.” Sorenson expressed it: “She has a certain something about her!” He made a face as if he were on the Bourse and somebody had made him a doubtful proposition. But it was all just like Consul Buddenbrook: a little pretentious, not like his forebears. Everybody knew—not least Benthien the draper—that he ordered his clothes from Hamburg: not only the fine new-fashioned materials for his suits—and he had a great many of them, cloaks, coats, waistcoats, and trousers—but his hats and cravats and linen as well. He changed his shirt every day, sometimes twice a day, and perfumed his handkerchief and his moustache, which he wore cut like Napoleon III. All this was not for the sake of the firm, of course—the house of Johann Buddenbrook did not need that sort of thing—but to gratify his own personal taste for the superfine and aristocratic—or whatever you might call it. And then the quotations from Heine and other poets which he dropped sometimes in the most practical connections, in business or civic matters! And now, his bride—well, Consul Buddenbrook himself had “a certain something” about him! All this, of course, with the greatest respect; for the family was highly esteemed, the firm very, very “good,” and the head of it an able and charming man who loved his city and would still serve her well. It was really a devilishly fine match for him; there was talk of a hundred thousand thaler down; but of course. … Among the ladies there were some who found Gerda “silly”; which, it will be recalled, was a very severe judgment.
But the man who gazed with furious ardour at Thomas Buddenbrook’s bride, the first time he saw her on the street, was Gosch the broker. “Ah!” he said in the club or the Ships’ Company, lifting his glass and screwing up his face absurdly, “what a woman! Hera and Aphrodite, Brunhilda and Melusine all in one! Oh, how wonderful life is!” he would add. And not one of the citizens who sat about with their beer on the hard wooden benches of the old guild-house, under the models of sailing vessels and big stuffed fish hanging down from the ceiling, had the least idea what the advent of Gerda Arnoldsen meant in the yearning life of Gosch the broker.
The little company in Meng Street, not committed, as we have seen, to large entertainments, had the more leisure for intimacy with each other. Sievert Tiburtius, with Clara’s hand in his, talked about his parents, his childhood, and his future plans. The Arnoldsens told of their people, who came from Dresden, only one branch of them having been transplanted to Holland.
Madame Grünlich asked her brother for the key of the secretary in the landscape-room, and brought out the portfolio with the family papers, in which Thomas had already entered the new events. She proudly related the Buddenbrook history, from the Rostock tailor on; and when she read out the old festival verses:
Industry and beauty chaste
See we linked in marriage band:
Venus Anadyomene,
And cunning Vulcan’s busy hand
she looked at Tom and Gerda and let her tongue play over her lips. Regard for historical veracity also caused her to narrate events connected with a certain person whose name she did not like to mention!
On Thursday at four o’clock the usual guests came. Uncle Justus brought his feeble wife, with whom he lived an unhappy existence. The wretched mother continued to scrape together money out of the housekeeping to send to the degenerate and disinherited Jacob in America, while she and her husband subsisted on almost nothing but porridge. The Buddenbrook ladies from Broad Street also came; and their love of truth compelled them to say, as usual, that Erica Grünlich was not growing well and that she looked more than ever like her wretched father. Also that the Consul’s bride wore a rather conspicuous coiffure. And Sesemi Weichbrodt came too, and standing on her tiptoes, kissed Gerda with her little explosive kiss on the forehead and said with emotion: “Be happy, my dear child.”
At table Herr Arnoldsen gave one of his witty and fanciful toasts in honour of the two bridal pairs. While the rest drank their coffee he played the violin, like a gipsy, passionately, with abandonment—and with what dexterity! … Gerda fetched her Stradivarius and accompanied him in his passages with her sweet cantilena. They performed magnificent duets at the little organ in the landscape-room, where once the Consul’s grandfather had played his simple melodies on the flute.
“Sublime!” said Tony, lolling back in her easy-chair. “Oh, heavens, how sublime that is!” And she rolled up her eyes to the ceiling to express her emotions. “You know how it is in life,” she went on, weightily. “Not everybody is given such a gift. Heaven has unfortunately denied it to me, though I used to pray for it at night. I am a goose, a silly creature. You know, Gerda—I am the elder and have learned to know life—let
