“That’s a good creature!” said Christophe, getting up from the piano. “She is right. There is nothing so intolerable as an audience arriving in the middle of a concert.”
They sat at table. There was an enormous and delicious repast. Schulz had touched Salome’s vanity and she only asked an excuse to display her art. There was no lack of opportunity for her to exercise it. The old friends were tremendous feeders. Kunz was a different man at table; he expanded like a sun; he would have done well as a sign for a restaurant. Schulz was no less susceptible to good cheer; but his ill health imposed more restraint upon him. It is true that generally he did not pay much heed to that; and he had to pay for it. In that event he did not complain, if he were ill at least he knew why. Like Kunz he had recipes of his own handed down from father to son for generations. Salome was accustomed therefore to work for connoisseurs. But on this occasion, she had contrived to include all her masterpieces in one menu; it was like an exhibition of the unforgettable cooking of Germany, honest and unsophisticated, with all the scents of all the herbs, and thick sauces, substantial soups, perfect stews, wonderful carp, sauerkraut, geese, plain cakes, aniseed and caraway seed bread. Christophe was in raptures with his mouth full, and he ate like an ogre; he had the formidable capacity of his father and grandfather, who would have devoured a whole goose. But he could live just as well for a whole week on bread and cheese, and cram when occasion served. Schulz was cordial and ceremonious and watched him with kind eyes, and plied him with all the wines of the Rhine. Kunz was shining and recognized him as a brother. Salome’s large face was beaming happily. At first she had been deceived when Christophe came. Schulz had spoken about him so much beforehand that she had fancied him as an Excellency, laden with letters and honors. When she saw him she cried out:
“What! Is that all?”
But at table Christophe won her good graces; she had never seen anybody so splendidly do justice to her talent. Instead of going back to her kitchen she stayed by the door to watch Christophe, who was saying all sorts of absurd things without missing a bite, and with her hands on her hips she roared with laughter. They were all glad and happy. There was only one shadow over their joy: the absence of Pottpetschmidt. They often returned to it.
“Ah! If he were here! How he would eat! How he would drink! How he would sing!”
Their praises of him were inexhaustible.
“If only Christophe could see him! … But perhaps he would be able to. Perhaps Pottpetschmidt would return in the evening, on that night at latest. …”
“Oh! I shall be gone tonight,” said Christophe.
A shadow passed over Schulz’s beaming face.
“What! Gone!” he said in a trembling voice. “But you are not going.”
“Oh, yes,” said Christophe gaily. “I must catch the train tonight.”
Schulz was in despair. He had counted on Christophe spending the night, perhaps several nights, in his house. He murmured:
“No, no. You can’t go! …”
Kunz repeated:
“And Pottpetschmidt! …”
Christophe looked at the two of them; he was touched by the dismay on their kind friendly faces and said:
“How good you are! … If you like I will go tomorrow morning.”
Schulz took him by the hand.
“Ah!” he said. “How glad I am! Thank you! Thank you!”
He was like a child to whom tomorrow seems so far, so far, that it will not bear thinking on. Christophe was not going today; today was theirs; they would spend the whole evening together; he would sleep under his roof; that was all that Schulz saw; he would not look further.
They became merry again. Schulz rose suddenly, looked very solemn, and excitedly and slowly proposed the toast of their guest, who had given him the immense joy and honor of visiting the little town and his humble house; he drank to his happy return, to his success, to his glory, to every happiness in the world, which with all his heart he wished him. And then he proposed another toast “to noble music,”—another to his old friend Kunz—another to spring—and he did not forget Pottpetschmidt. Kunz in his turn drank to Schulz and the others, and Christophe, to bring the toasts to an end, proposed the health of dame Salome, who blushed crimson. Upon that, without giving the orators time to reply, he began a familiar song which the two old men took up; after that another, and then another for three parts which was all about friendship and music and wine; the whole was accompanied by loud laughter and the clink of glasses continually touching.
It was half-past three when they got up from the table. They were rather drowsy. Kunz sank into a chair; he was longing to have a sleep. Schulz’s legs were worn out by his exertions of the morning and by standing for his toasts. They both hoped that Christophe would sit at the piano again and go on playing for hours. But the terrible boy, who was in fine form, first struck two or three chords on the piano, shut it abruptly, looked out of the window, and asked if they could not go for a walk until supper. The country attracted him. Kunz showed little enthusiasm, but Schulz at once thought it an excellent idea and declared that he must show their guest the walk round the Schönbuchwälder. Kunz made a face; but he did not protest and got up with the others; he was as desirous as Schulz of showing Christophe the beauties of the country.
They went out. Christophe took Schulz’s arm and made him walk a little faster than the old man liked. Kunz followed mopping his brow. They talked
