much good to the blind girl, to Christophe, and doubtless to many others who would be forever unknown, it was because, instead of bringing the customary words of the revolt of man against nature, he brought something of the indifferent peace of Nature, and reconciled the submissive soul with her. He did good like the fields, the woods, all Nature with which he was impregnated. Christophe remembered the evenings he had spent with Gottfried in the country, his walks as a child, the stories and songs in the night. He remembered also the last walk he had taken with his uncle, on the hill above the town, on a cold winter’s morning, and the tears came to his eyes once more. He did not try to sleep, so as to remain with his memories. He did not wish to lose one moment of that night in the little place, filled with the soul of Gottfried, to which he had been led as though impelled by some unknown force. But while he lay listening to the irregular trickling of the fountain and the shrill cries of the bats, the healthy fatigue of youth mastered his will, and he fell asleep.

When he awoke the sun was shining: everybody on the farm was already at work. In the hall he found only the old woman and the children. The young couple were in the fields, and Modesta had gone to milk. They looked for her in vain. She was nowhere to be found. Christophe said he would not wait for her return. He did not much want to see her, and he said that he was in a hurry. He set out after telling the old woman to bid the others goodbye for him.

As he was leaving the village at a turn of the road he saw the blind girl sitting on a bank under a hawthorn hedge. She got up as she heard him coming, approached him smiling, took his hand, and said:

“Come.”

They climbed up through meadows to a little shady flowering field filled with tombstones, which looked down on the village. She led him to a grave and said:

“He is there.”

They both knelt down. Christophe remembered another grave by which he had knelt with Gottfried, and he thought:

“Soon it will be my turn.”

But there was no sadness in his thought. A great peace was ascending from the earth. Christophe leaned over the grave and said, in a whisper to Gottfried:

“Enter into me!⁠ ⁠…”

Modesta was praying, with her hands clasped and her lips moving in silence. Then she went round the grave on her knees, feeling the ground and the grass and the flowers with her hands. She seemed to caress them, her quick fingers seemed to see. They gently plucked the dead stalks of the ivy and the faded violets. She laid her hand on the curb to get up. Christophe saw her fingers pass furtively over Gottfried’s name, lightly touching each letter. She said:

“The earth is sweet this morning.”

She held out her hand to him. He gave her his. She made him touch the moist warm earth. He did not loose her hand. Their locked fingers plunged into the earth. He kissed Modesta. She kissed him, too.

They both rose to their feet. She held out to him a few fresh violets she had gathered, and put the faded ones into her bosom. They dusted their knees and left the cemetery without a word. In the fields the larks were singing. White butterflies danced about their heads. They sat down in a meadow a few yards away from each other. The smoke of the village was ascending direct to the sky that was washed by the rain. The still canal glimmered between the poplars. A gleaming blue mist wrapped the meadows and woods in its folds.

Modesta broke the silence. She spoke in a whisper of the beauty of the day as though she could see it. She drank in the air through her half-open lips; she listened for the sounds of creatures and things. Christophe also knew the worth of such music. He said what she was thinking and could not have said. He named certain of the cries and imperceptible tremors that they could hear in the grass, in the depths of the air. She said:

“Ah! You see that, too?”

He replied that Gottfried had taught him to distinguish them.

“You, too?” she said a little crossly.

He wanted to say to her:

“Do not be jealous.”

But he saw the divine light smiling all about them: he looked at her blind eyes and was filled with pity.

“So,” he asked, “it was Gottfried taught you?”

She said “Yes,” and that they gave her more delight than ever before.⁠ ⁠… She did not say before “what.” She never mentioned the words “eyes” or “blind.”

They were silent for a moment. Christophe looked at her in pity. She felt that he was looking at her. He would have liked to tell her how much he pitied her. He would have liked her to complain, to confide in him. He asked kindly:

“You have been very unhappy?”

She sat dumb and unyielding. She plucked the blades of grass and munched them in silence. After a few moments⁠—(the song of a lark was going farther and farther from them in the sky)⁠—Christophe told her how he too had been unhappy, and how Gottfried had helped him. He told her all his sorrows, his trials, as though he were thinking aloud or talking to a sister. The blind girl’s face lit up as he told his story, which she followed eagerly. Christophe watched her and saw that she was on the point of speaking. She made a movement to come near him and hold his hand. He moved, too⁠—but already she had relapsed into her impassiveness, and when he had finished, she only replied with a few banal words. Behind her broad forehead, on which there was not a line, there was the obstinacy of a peasant, hard as a stone. She said that she must

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