from habit⁠—and finally, once he was seated, he did not quite know how to get up and take his leave. He would have stayed all night had not Frau von Kerich sent him away herself, without ceremony, but kindly.

He went, carrying in his heart the soft light of the brown eyes of Frau von Kerich and the blue eyes of Minna; on his hands he felt the sweet contact of soft fingers, soft as flowers, and a subtle perfume, which he had never before breathed, enveloped him, bewildered him, brought him almost to swooning.


He went again two days later, as was arranged, to give Minna a music-lesson. Thereafter, under this arrangement, he went regularly twice a week in the morning, and very often he went again in the evening to play and talk.

Frau von Kerich was glad to see him. She was a clever and a kind woman. She was thirty-five when she lost her husband, and although young in body and at heart, she was not sorry to withdraw from the world in which she had gone far since her marriage. Perhaps she left it the more easily because she had found it very amusing, and thought wisely that she could not both eat her cake and have it. She was devoted to the memory of Herr von Kerich, not that she had felt anything like love for him when they married; but good-fellowship was enough for her; she was of an easy temper and an affectionate disposition.

She had given herself up to her daughter’s education; but the same moderation which she had had in her love, held in check the impulsive and morbid quality which is sometimes in motherhood, when the child is the only creature upon whom the woman can expend her jealous need of loving and being loved. She loved Minna much, but was clear in her judgment of her, and did not conceal any of her imperfections any more than she tried to deceive herself about herself. Witty and clever, she had a keen eye for discovering at a glance the weakness, and ridiculous side, of any person; she took great pleasure in it, without ever being the least malicious, for she was as indulgent as she was scoffing, and while she laughed at people she loved to be of use to them.

Young Jean-Christophe gave food both to her kindness and to her critical mind. During the first days of her sojourn in the little town, when her mourning kept her out of society, Jean-Christophe was a distraction for her⁠—primarily by his talent. She loved music, although she was no musician; she found in it a physical and moral well-being in which thoughts could idly sink into a pleasant melancholy. Sitting by the fire⁠—while Jean-Christophe played⁠—a book in her hands, and smiling vaguely, she took a silent delight in the mechanical movements of his fingers, and the purposeless wanderings of her reverie, hovering among the sad, sweet images of the past.

But more even than the music, the musician interested her. She was clever enough to be conscious of Jean-Christophe’s rare gifts, although she was not capable of perceiving his really original quality. It gave her a curious pleasure to watch the waking of those mysterious fires which she saw kindling in him. She had quickly appreciated his moral qualities, his uprightness, his courage, the sort of Stoicism in him, so touching in a child. But for all that she did not view him the less with the usual perspicacity of her sharp, mocking eyes. His awkwardness, his ugliness, his little ridiculous qualities amused her; she did not take him altogether seriously; she did not take many things seriously. Jean-Christophe’s antic outbursts, his violence, his fantastic humor, made her think sometimes that he was a little unbalanced; she saw in him one of the Kraffts, honest men and good musicians, but always a little wrong in the head. Her light irony escaped Jean-Christophe; he was conscious only of Frau von Kerich’s kindness. He was so unused to anyone being kind to him! Although his duties at the Palace brought him into daily contact with the world, poor Jean-Christophe had remained a little savage, untutored and uneducated. The selfishness of the Court was only concerned in turning him to its profit and not in helping him in any way. He went to the Palace, sat at the piano, played, and went away again, and nobody ever took the trouble to talk to him, except absently to pay him some banal compliment. Since his grandfather’s death, no one, either at home or outside, had ever thought of helping him to learn the conduct of life, or to be a man. He suffered cruelly from his ignorance and the roughness of his manners. He went through an agony and bloody sweat to shape himself alone, but he did not succeed. Books, conversation, example⁠—all were lacking. He would fain have confessed his distress to a friend, but could not bring himself to do so. Even with Otto he had not dared, because at the first words he had uttered, Otto had assumed a tone of disdainful superiority which had burned into him like hot iron.

And now with Frau von Kerich it all became easy. Of her own accord, without his having to ask anything⁠—it cost Jean-Christophe’s pride so much!⁠—she showed him gently what he should not do, told him what he ought to do, advised him how to dress, eat, walk, talk, and never passed over any fault of manners, taste, or language; and he could not be hurt by it, so light and careful was her touch in the handling of the boy’s easily injured vanity. She took in hand also his literary education without seeming to be concerned with it; she never showed surprise at his strange ignorance, but never let slip an opportunity of correcting his mistakes simply, easily, as if it were natural for him to have been in error; and, instead of alarming him with

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