CCX
But soon Philosophy came to my aid,
And whispered, “Think of every sacred tie!”
“I will, my dear Philosophy!” I said,
“But then her teeth, and then, oh, Heaven! her eye!
I’ll just inquire if she be wife or maid,
Or neither—out of curiosity.”
“Stop!” cried Philosophy, with air so Grecian,
(Though she was masqued then as a fair Venetian;)
CCXI
“Stop!” so I stopped.—But to return: that which
Men call inconstancy is nothing more
Than admiration due where Nature’s rich
Profusion with young beauty covers o’er
Some favoured object; and as in the niche
A lovely statue we almost adore,
This sort of adoration of the real
Is but a heightening of the beau ideal.
CCXII
’Tis the perception of the Beautiful,
A fine extension of the faculties,
Platonic, universal, wonderful,
Drawn from the stars, and filtered through the skies,
Without which Life would be extremely dull;
In short, it is the use of our own eyes,
With one or two small senses added, just
To hint that flesh is formed of fiery dust.260
CCXIII
Yet ’tis a painful feeling, and unwilling,
For surely if we always could perceive
In the same object graces quite as killing
As when she rose upon us like an Eve,
’T would save us many a heartache, many a shilling,
(For we must get them anyhow, or grieve),
Whereas if one sole lady pleased for ever,
How pleasant for the heart, as well as liver!
CCXIV
The Heart is like the sky, a part of Heaven,
But changes night and day, too, like the sky;
Now o’er it clouds and thunder must be driven,
And Darkness and Destruction as on high:
But when it hath been scorched, and pierced, and riven,
Its storms expire in water-drops; the eye
Pours forth at last the Heart’s blood turned to tears,
Which make the English climate of our years.
CCXV
The liver is the lazaret of bile,
But very rarely executes its function,
For the first passion stays there such a while,
That all the rest creep in and form a junction,
Like knots of vipers on a dunghill’s soil—261
Rage, fear, hate, jealousy, revenge, compunction—
So that all mischiefs spring up from this entrail,
Like Earthquakes from the hidden fire called “central.”
CCXVI
In the mean time, without proceeding more
In this anatomy, I’ve finished now
Two hundred and odd stanzas as before,262
That being about the number I’ll allow
Each canto of the twelve, or twenty-four;
And, laying down my pen, I make my bow,
Leaving Don Juan and Haidée to plead
For them and theirs with all who deign to read.
Canto III263
I
Hail, Muse! et cetera.—We left Juan sleeping,
Pillowed upon a fair and happy breast,
And watched by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soiled the current of her sinless years,
And turned her pure heart’s purest blood to tears!
II
Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah why
With cypress branches hast thou wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast—but place to die—
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.
III
In her first passion Woman loves her lover,
In all the others all she loves is Love,
Which grows a habit she can ne’er get over,
And fits her loosely—like an easy glove,264
As you may find, whene’er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.
IV
I know not if the fault be men’s or theirs;
But one thing’s pretty sure; a woman planted
(Unless at once she plunge for life in prayers)—
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne’er end with only one.265
V
’Tis melancholy, and a fearful sign
Of human frailty, folly, also crime,
That Love and Marriage rarely can combine,
Although they both are born in the same clime;
Marriage from Love, like vinegar from wine—
A sad, sour, sober beverage—by Time
Is sharpened from its high celestial flavour
Down to a very homely household savour.
VI
There’s something of antipathy, as ’twere,
Between their present and their future state;
A kind of flattery that’s hardly fair
Is used until the truth arrives too late—
Yet what can people do, except despair?
The same things change their names at such a rate;
For instance—Passion in a lover’s glorious,
But in a husband is pronounced uxorious.
VII
Men grow ashamed of being so very fond;
They sometimes also get a little tired
(But that, of course, is rare), and then despond:
The same things cannot always be admired,
Yet ’tis “so nominated in the bond,”266
That both are tied till one shall have expired.
Sad thought! to lose the spouse that was adorning
Our days, and put one’s servants into mourning.
VIII
There’s doubtless something in domestic doings
Which forms, in fact, true Love’s antithesis;
Romances paint at full length people’s wooings,
But only give a bust of marriages;
For no one cares for matrimonial cooings,
There’s nothing wrong in a connubial kiss:
Think you, if Laura had been Petrarch’s wife,
He would have written sonnets all his life?267
IX
All tragedies are finished by a death,
All comedies are ended by a marriage;
The future states of both are left to faith,
For authors fear description might disparage
The worlds to come of both, or fall beneath,
And then both worlds would punish their miscarriage;
So leaving each their priest and prayer-book ready,
They say
