True, he took part in the Turkish campaign of 1828; but he managed to remain all the time on the staff of the chief commander; and if we children, taking advantage of a moment when he was in a particularly good temper, asked him to tell us something about the war, he had nothing to tell but of a fierce attack of hundreds of Turkish dogs which one night assailed him and his faithful servant, Frol, as they were riding with dispatches through an abandoned Turkish village. They had to use swords to extricate themselves from the hungry beasts. Bands of Turks would assuredly have better satisfied our imagination, but we accepted the dogs as a substitute. When, however, pressed by our questions, our father told us how he had won the cross of Saint Anne “for gallantry,” and the golden sword which be wore, I must confess we felt really disappointed. His story was decidedly too prosaic. The officers of the general staff were lodged in a Turkish village, when it took fire. In a moment the houses were enveloped in flames, and in one of them a child had been left behind. Its mother uttered despairing cries. Thereupon, Frol, who always accompanied his master, rushed into the flames and saved the child. The chief commandeer, who saw the act, at once gave father the cross for gallantry.
“But, father,” we exclaimed, “it was Frol who saved the child!”
“What of that?” replied he, in the most naive way. “Was he not my man? It is all the same.”
He also took some part in the campaign of 1831, during the Polish Revolution, and in Warsaw he made the acquaintance of, and fell in love with, the youngest daughter of the commander of an army corps, General Sulíma. The marriage was celebrated with great pomp, in the Lazienki palace; the lieutenant-governor, Count Paskiéwich, acting as nuptial godfather on the bridegroom’s side. “But your mother,” our father used to add, “brought me no fortune whatever.”
This was true. Her father, Nikolái Semyónovich Sulíma, was not versed in the art of making a career or a fortune. He must have had in him too much of the blood of those Cossacks of the Dnieper, who knew how to fight the well-equipped, warlike Poles or armies of the Turks, three times more than themselves, but knew not how to avoid the snares of the Moscow diplomacy, and, after having fought against the Poles in the terrible insurrection of 1648, which was the beginning of the end for the Polish republic, lost all their liberties in falling under the dominion of the Russian Tsars. One Sulíma was captured by the Poles and tortured to death at Warsaw, but the other “colonels” of the same stock only fought the more fiercely on that account, and Poland lost Little Russia. As to our grandfather, during Napoleon I’s invasion he had cut his way, at the head of his regiment of cuirassiers, into a French infantry square bristling with bayonets, and, after having been left for dead on the battlefield, had recovered with a deep cut in his head; but he could not become a valet to the favorite of Alexander I, the omnipotent Arakcheyev, and was consequently sent into a sort of honorary exile, first as a governor-general of West Siberia, and later of East Siberia. In those times such a position was considered more lucrative than a gold mine, but our grandfather returned from Siberia as poor as he went, and left only modest fortunes to his three sons and three daughters. When I went to Siberia, in 1862, I often heard his name mentioned with respect. He was driven to despair by the wholesale stealing which went on in those provinces, and which he had no means to repress.
Our mother was undoubtedly a remarkable woman for the times she lived in. Many years after her death, I discovered, in a corner of a storeroom of our country-house, a mass of papers covered with her firm but pretty handwriting: diaries in which she wrote with delight of the scenery of Germany, and spoke of her sorrows and her thirst for happiness; books which she had filled with Russian verses, prohibited by censorship—among them the beautiful historical ballads of Ryleyev, the poet, whom Nicholas I hanged in 1826; other books containing music, French dramas, verses of Lamartine, and Byron’s poems that she had copied; and a great number of watercolor paintings.
Tall, slim, adorned with a mass of dark chestnut hair, with dark brown eyes and a tiny mouth, she looks quite lifelike in a portrait in oils that was painted con amore by a good artist. Always lively and often careless, she was fond of dancing, and the peasant women in our village would tell us how she would admire from a balcony their ring-dances—slow and full of grace—and how finally she would herself join in them. She had the nature of an artist. It was at a ball that she caught the cold that produced the inflammation of the lungs which brought her to the grave.
All who knew her loved her. The servants worshiped her memory. It was in her name that Madame Búrman took care of us, and in her name the Russian nurse bestowed upon us her love. While combing our hair, or signing us with the cross in our beds, Uliana would often say, “And your mamma must now look upon you from the skies, and shed tears on seeing you, poor orphans.” Our whole childhood is irradiated by her memory. How often, in some dark passage, the hand of a servant would touch Alexander or me with a caress; or a peasant woman, on meeting us in the fields, would ask, “Will you be as good as your
