light of a wretched lamp⁠—No, words cannot paint such a scene. My excessive justice to them seemed unjust. Well, if there be a Paradise, my father must now be happy.⁠—As for myself, I am loved as man was never loved before. Madame Firmiani has given me more than happiness; she has taught me a delicacy of feeling which perhaps I lacked. Indeed, I call her Dear Conscience, one of those loving names that are the outcome of certain secret harmonies of spirit. Honesty is said to pay; I hope ere long to be rich myself; at this moment I am bent on solving a great industrial problem, and if I succeed I shall make millions.”

“My boy, you have your mother’s soul,” said the old man, hardly able to restrain the tears that rose at the remembrance of his sister.

At this instant, in spite of the height above the ground of Octave’s room, the young man and his uncle heard the noise of a carriage driving up.

“It is she! I know her horses by the way they pull up.”

And it was not long before Madame Firmiani made her appearance.

“Oh!” she cried, with an impulse of annoyance on seeing Monsieur de Bourbonne. “But our uncle is not in the way,” she went on with a sudden smile. “I have come to kneel at my husband’s feet and humbly beseech him to accept my fortune. I have just received from the Austrian Embassy a document proving Firmiani’s death. The paper, drawn up by the kind offices of the Austrian envoy at Constantinople, is quite formal, and the will which Firmiani’s valet had in keeping for me is subjoined.⁠—There, you are richer than I am, for you have there,” and she tapped her husband’s breast, “treasures which only God can add to.” Then, unable to disguise her happiness, she hid her face in Octave’s bosom.

“My sweet niece, we made love when I was young,” said the uncle, “but now you love. You women are all that is good and lovely in humanity, for you are never guilty of your faults; they always originate with us.”

A Study of Woman

Dedicated to the Marquis Jean-Charles di Negro.

The Marquise de Listomère is a young woman brought up in the spirit of the Restoration. She has principles, she fasts in season, she takes the Sacrament, she goes very much dressed to balls, to the Bouffons, to the Opera; her spiritual director allows her to combine the sacred and the profane. Always on good terms with the Church and the world, she is an incarnation of the present time, and seems to have taken the word Legality for her motto. The Marquise’s conduct is marked by exactly enough devotion to enable her, under another Maintenon, to achieve the gloomy piety of the last days of Louis XIV, and enough worldliness to adopt the manners and gallantry of the earlier years of his reign, if they ever could return.

Just now she is virtuous from interest, or, perhaps, by taste. Married some seven years since to the Marquis de Listomère, a deputy who expects a peerage, she perhaps thinks that her conduct may promote the ambitions of the family. Some women wait to pass judgment on her till Monsieur de Listomère is made Pair de France, and till she is six-and-thirty⁠—a time of life when most women discover that they are the dupes of social laws.

The Marquis is an insignificant personage; he is in favor at Court; his good qualities, like his faults, are negative; the former can no more give him a reputation for virtue than the latter can give him the sort of brilliancy bestowed by vice. As a deputy he never speaks, but he votes “straight”; and at home, he behaves as he does in the Chamber. He is considered the best husband in France. Though he is incapable of enthusiasms, he never scolds, unless he is kept waiting. His friends nickname him “Cloudy weather”; and, in fact, there is in him no excessively bright light, and no utter darkness. He is exactly like all the Ministers that have succeeded each other in France since the Charter.

A woman with principles could hardly have fallen into better hands. Is it not a great thing for a virtuous woman to have married a man incapable of a folly? Dandies have been known to venture on the impertinence of slightly pressing the Marquise’s hand when dancing with her; they met only looks of scorn, and all have experienced that insulting indifference which, like spring frosts, chills the germs of the fairest hopes. Handsome men, witty men, coxcombs, sentimental men who derive nourishment from sucking the knob of their walking-sticks, men of name and men of fame, men of high birth and of low, all have blenched before her. She has won the right of talking as long and as often as she pleases with men whom she thinks intelligent, without being entered in the calendar of scandal. Some coquettes are capable of pursuing this plan for seven years on end, to gratify their fancy at last; but to ascribe such a covert motive to Madame de Listomère would be to calumniate her. I had been so happy as to meet this Phoenix of a Marquise; she talks well, I am a good listener. I pleased her, and I go to her evening parties. This was the object of my ambition.

Neither plain nor pretty, Madame de Listomère has white teeth, a brilliant complexion, and very red lips; she is tall and well made, has a small, slender foot, which she does not display; her eyes, far from being dulled, as most eyes are in Paris, have a soft gleam which becomes magical when by chance she is animated. You feel there is a soul under this ill-defined personality. When she is interested in the conversation, she reveals the grace that lies buried under the prudery of cold demeanor, and then she is charming. She does not

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