“This, of course, applies only to passion; in any other sense it would be socially wrong. Nothing more clearly proves the necessity for indissoluble marriage than the instability of passion. The two sexes must be chained up, like wild beasts as they are, by inevitable law, deaf and mute. Eliminate revenge, and infidelity in love is nothing. Those who believe that for them there is but one woman in the world must be in favor of vengeance, and then there is but one form of it—that of Othello.
“Mine was different.”
The words produced in each of us the imperceptible movement which newspaper writers represent in Parliamentary reports by the words: great sensation.
“Cured of my cold, and of my pure, absolute, divine love, I flung myself into an adventure, of which the heroine was charming, and of a style of beauty utterly opposed to that of my deceiving angel. I took care not to quarrel with this clever woman, who was so good an actress, for I doubt whether true love can give such gracious delights as those lavished by such a dexterous fraud. Such refined hypocrisy is as good as virtue.—I am not speaking to you Englishwomen, my lady,” said the Minister, suavely, addressing Lady Barimore, Lord Dudley’s daughter. “I tried to be the same lover.
“I wished to have some of my hair worked up for my new angel, and I went to a skilled artist who at that time dwelt in the Rue Boucher. The man had a monopoly of capillary keepsakes, and I mention his address for the benefit of those who have not much hair; he has plenty of every kind and every color. After I had explained my order, he showed me his work. I then saw achievements of patience surpassing those which the story books ascribe to fairies, or which are executed by prisoners. He brought me up to date as to the caprices and fashions governing the use of hair. ‘For the last year,’ said he, ‘there has been a rage for marking linen with hair; happily I had a fine collection of hair and skilled needlewomen.’—On hearing this a suspicion flashed upon me; I took out my handkerchief and said, ‘So this was done in your shop, with false hair?’—He looked at the handkerchief, and said, ‘Ay! that lady was very particular, she insisted on verifying the tint of the hair. My wife herself marked those handkerchiefs. You have there, sir, one of the finest pieces of work we have ever executed.’ Before this last ray of light I might have believed something—might have taken a woman’s word. I left the shop still having faith in pleasure, but where love was concerned I was as atheistical as a mathematician.
“Two months later I was sitting by the side of the ethereal being in her boudoir, on her sofa; I was holding one of her hands—they were very beautiful—and we scaled the Alps of sentiment, culling their sweetest flowers, and pulling off the daisy-petals; there is always a moment when one pulls daisies to pieces, even if it is in a drawing-room and there are no daisies. At the intensest moment of tenderness, and when we are most in love, love is so well aware of its own short duration that we are irresistibly urged to ask, ‘Do you love me? Will you love me always?’ I seized the elegiac moment, so warm, so flowery, so full-blown, to lead her to tell her most delightful lies, in the enchanting language of rapturous exaggeration and high-flown poetry peculiar to love. Charlotte displayed her choicest allurements: She could not live without me; I was to her the only man in the world; she feared to weary me, because my presence bereft her of all her wits; with me all her faculties were lost in love; she was indeed too tender to escape alarms; for the last six months she had been seeking some way to bind me to her eternally, and God alone knew that secret; in short, I was her god!”
The women who heard de Marsay seemed offended by seeing themselves so well acted, for he seconded the words by airs, and sidelong attitudes, and mincing grimaces which were quite illusory.
“At the very moment when I might have believed these adorable falsehoods, as I still held her right hand in mine, I said to her, ‘When are you to marry the Duke?’
“The thrust was so direct, my gaze met hers so boldly, and her hand lay so tightly in mine, that her start, slight as it was, could not be disguised; her eyes fell before mine, and a faint blush colored her cheeks.—‘The Duke! What do you mean?’ she said, affecting great astonishment.—‘I know everything,’ replied I; ‘and in my opinion, you should delay no longer; he is rich; he is a duke; but he is more than devout, he is religious! I am sure, therefore, that you have been faithful to me, thanks to his scruples. You cannot imagine how urgently necessary it is that you should compromise him with himself and with God; short of that you will never bring him to the point.’—‘Is this a dream?’ said she, pushing her hair from her forehead, fifteen years before Malibran, with the gesture which Malibran has made so famous.—‘Come, do not be childish, my angel,’ said I, trying to take her hands; but she folded them before her with a little prudish and indignant mein.—‘Marry him, you have my permission,’ said I, replying to this gesture by using the formal vous instead of
