“Won’t you let me give you a cup of tea or a little of this cake; it is so good?” Mme. de Guermantes asked me, anxious to have shown herself as friendly as possible. “I do the honours in this house just as if it was mine,” she explained in an ironical tone which gave a slightly guttural sound to her voice, as though she were trying to stifle a hoarse laugh.
“Sir,” said Mme. de Villeparisis to M. de Norpois, “you won’t forget that you have something to say to the Prince about the Academy?”
Mme. de Guermantes lowered her eyes and gave a semicircular turn to her wrist to look at the time.
“Gracious! I must fly at once if I’m to get to Mme. de Saint-Ferréol’s, and I’m dining with Mme. Leroi.”
And she rose without bidding me goodbye. She had just caught sight of Mme. Swann, who appeared considerably embarrassed at finding me in the room. She remembered, doubtless, that she had been the first to assure me that she was convinced of Dreyfus’s innocence.
“I don’t want my mother to introduce me to Mme. Swann,” Saint-Loup said to me. “She’s an ex-whore. Her husband’s a Jew, and she comes here to pose as a Nationalist. Hallo, here’s uncle Palamède.”
The arrival of Mme. Swann had a special interest for me, due to an incident which had occurred a few days earlier and which I am obliged to record on account of the consequences which it was to have at a much later date, as the reader will learn in due course. Well, a few days before this visit to Mme. de Villeparisis, I had myself received a visitor whom I little expected, namely Charles Morel, the son (though I had never heard of his existence) of my great-uncle’s old servant. This great-uncle (he in whose house I had met the lady in pink) had died the year before. His servant had more than once expressed his intention of coming to see me; I had no idea of the object of his visit, but should have been glad to see him for I had learned from Françoise that he had a genuine veneration for my uncle’s memory and made a pilgrimage regularly to the cemetery in which he was buried. But, being obliged, for reasons of health, to retire to his home in the country, where he expected to remain for some time, he delegated the duty to his son. I was surprised to see come into my room a handsome young fellow of eighteen, dressed with expensive rather than good taste, but looking, all the same, like anything in the world except the son of a gentleman’s servant. He made a point, moreover, at the start of our conversation, of severing all connection with the domestic class from which he sprang, by informing me, with a smile of satisfaction, that he had won the first prize at the Conservatoire. The object of his visit to me was as follows: his father, when going through the effects of my uncle Adolphe, had set aside some which, he felt, could not very well be sent to my parents but were at the same time of a nature likely to interest a young man of my age. These were the photographs of the famous actresses, the notorious courtesans whom my uncle had known, the last fading pictures of that gay life of a man about town which he divided by a watertight compartment from his family life. While young Morel was showing them to me, I noticed that he addressed me as though he were speaking to an equal. He derived from saying “you” to me as often, and “sir” as seldom as possible the pleasure natural in one whose father had never ventured, when addressing my parents, upon anything but the third person. Almost all these photographs bore an inscription such as: “To my best friend.” One actress, less grateful and more circumspect than the rest, had written: “To the best of friends,” which enabled her (so I was assured) to say afterwards that my uncle was in no sense and had never been her best friend but was merely the friend who had done the most little services for her, the friend she made use of, a good, kind man, in other words an old fool. In vain might young Morel seek to divest himself of his lowly origin, one felt that the shade of my uncle Adolphe, venerable and gigantic in the eyes of the old servant, had never ceased to hover, almost a holy vision, over the childhood and boyhood of the son. While I was turning over the photographs Charles Morel examined my room. And as I was looking for some place in which I might keep them, “How is it,” he asked me (in a tone in which the reproach had no need to find expression, so implicit was it in the words themselves), “that I don’t see a single photograph of your uncle in your room?” I felt the blood rise to my cheeks and stammered: “Why, I don’t believe I have such a thing.” “What, you haven’t one photograph of your uncle Adolphe, who was so devoted to you! I will send you one of my governor’s—he has quantities of them—and I hope you will set it up in the place of honour above that chest of drawers, which came to you from your uncle.” It is true that, as I had not even a
