own “humble den.” “This is an admirable house to visit. But I should die of misery if I had to stay behind and sleep in rooms that have witnessed so many historic events. It would give me the feeling of having been left after closing-time, forgotten, in the Château of Blois, or Fontainebleau, or even the Louvre, with no antidote to my depression except to tell myself that I was in the room in which Monaldeschi was murdered. As a sedative, that is not good enough. Why, here comes Mme. de Saint-Euverte. We’ve just been dining with her. As she is giving her great annual beanfeast tomorrow, I supposed she would be going straight to bed. But she can never miss a party. If this one had been in the country, she would have jumped on a lorry rather than not go to it.”

As a matter of fact, Mme. de Saint-Euverte had come this evening, less for the pleasure of not missing another person’s party than in order to ensure the success of her own, recruit the latest additions to her list, and, so to speak, hold an eleventh hour review of the troops who were on the morrow to perform such brilliant evolutions at her garden party. For, in the long course of years, the guests at the Saint-Euverte parties had almost entirely changed. The female celebrities of the Guermantes world, formerly so sparsely scattered, had⁠—loaded with attentions by their hostess⁠—begun gradually to bring their friends. At the same time, by an enterprise equally progressive, but in the opposite direction, Mme. de Saint-Euverte had, year by year, reduced the number of persons unknown to the world of fashion. You had ceased to see first one of them, then another. For some time the “batch” system was in operation, which enabled her, thanks to parties over which a veil of silence was drawn, to summon the ineligibles separately to entertain one another, which dispensed her from having to invite them with the nice people. What cause had they for complaint? Were they not given (panem et circenses) light refreshments and a select musical programme? And so, in a kind of symmetry with the two exiled duchesses whom, in years past, when the Saint-Euverte salon was only starting, one used to see holding up, like a pair of Caryatides, its unstable crest, in these later years one could distinguish, mingling with the fashionable throng, only two heterogeneous persons, old Mme. de Cambremer and the architect’s wife with a fine voice who was always having to be asked to sing. But, no longer knowing anybody at Mme. de Saint-Euverte’s, bewailing their lost comrades, feeling that they were in the way, they stood about with a frozen-to-death air, like two swallows that have not migrated in time. And so, the following year, they were not invited; Mme. de Franquetot made an attempt on behalf of her cousin, who was so fond of music. But as she could obtain for her no more explicit reply than the words: “Why, people can always come in and listen to music, if they like; there is nothing criminal about that!” Mme. de Cambremer did not find the invitation sufficiently pressing, and abstained.

Such a transformation having been effected by Mme. de Saint-Euverte, from a leper hospice to a gathering of great ladies (the latest form, apparently in the height of fashion, that it had assumed), it might seem odd that the person who on the following day was to give the most brilliant party of the season should need to appear overnight to address a last word of command to her troops. But the fact was that the preeminence of Mme. de Saint-Euverte’s drawing-room existed only for those whose social life consists entirely in reading the accounts of afternoon and evening parties in the Gaulois or Figaro, without ever having been present at one. To these worldlings who see the world only as reflected in the newspapers, the enumeration of the British, Austrian, etc., Ambassadresses, of the Duchesses d’Uzès, de la Trémoïlle, etc., etc., was sufficient to make them instinctively imagine the Saint-Euverte drawing-room to be the first in Paris, whereas it was among the last. Not that the reports were mendacious. The majority of the persons mentioned had indeed been present. But each of them had come in response to entreaties, civilities, services, and with the sense of doing infinite honour to Mme. de Saint-Euverte. Such drawing-rooms, shunned rather than sought after, to which people are so to speak roped in, deceive no one but the fair readers of the “Society” column. They pass over a really fashionable party, the sort at which the hostess, who could have had all the duchesses in existence, they being athirst to be “numbered among the elect,” invites only two or three and does not send any list of her guests to the papers. And so these hostesses, ignorant or contemptuous of the power that publicity has acquired today, are considered fashionable by the Queen of Spain but are overlooked by the crowd, because the former knows and the latter does not know who they are.

Mme. de Saint-Euverte was not one of these women, and, with an eye to the main chance, had come to gather up for the morrow everyone who had been invited. M. de Charlus was not among these, he had always refused to go to her house. But he had quarrelled with so many people that Mme. de Saint-Euverte might put this down to his peculiar nature.

Assuredly, if it had been only Oriane, Mme. de Saint-Euverte need not have put herself to the trouble, for the invitation had been given by word of mouth, and, what was more, accepted with that charming, deceiving grace in the exercise of which those Academicians are unsurpassed from whose door the candidate emerges with a melting heart, never doubting that he can count upon their support. But there were others as well. The Prince d’Agrigente, would he come?

Вы читаете In Search of Lost Time
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату