at least as a general rule.” I can see all that departing crowd now, I can see, if I be not mistaken in placing him upon that staircase, a portrait detached from its frame, the Prince de Sagan, whose last appearance in society this must have been, baring his head to offer his homage to the Duchess, with so sweeping a revolution of his tall hat in his white-gloved hand (harmonising with the gardenia in his buttonhole), that one felt surprised that it was not a plumed felt hat of the old regime, several ancestral faces from which were exactly reproduced in the face of this great gentleman. He stopped for but a short time in front of her, but even his momentary attitudes were sufficient to compose a complete tableau vivant, and, as it were, an historical scene. Moreover, as he has since then died, and as I never had more than a glimpse of him in his lifetime, he has so far become for me a character in history, social history at least, that I am quite astonished when I think that a woman and a man whom I know are his sister and nephew.

While we were going downstairs, there came up, with an air of weariness that became her, a woman who appeared to be about forty, but was really older. This was the Princesse d’Orvillers, a natural daughter, it was said, of the Duke of Parma, whose pleasant voice rang with a vaguely Austrian accent. She advanced, tall, stooping, in a gown of white flowered silk, her exquisite, throbbing, cankered bosom heaving beneath a harness of diamonds and sapphires. Tossing her head like a royal palfrey embarrassed by its halter of pearls, of an incalculable value but an inconvenient weight, she let fall here and there a gentle, charming gaze, of an azure which, as time began to fade it, became more caressing than ever, and greeted most of the departing guests with a friendly nod. “You choose a nice time to arrive, Paulette!” said the Duchess. “Yes, I am so sorry! But really it was a physical impossibility,” replied the Princesse d’Orvillers, who had acquired this sort of expression from the Duchesse de Guermantes, but added to it her own natural sweetness and the air of sincerity conveyed by the force of a remotely Teutonic accent in so tender a voice. She appeared to be alluding to complications of life too elaborate to be related, and not merely to evening parties, although she had just come on from a succession of these. But it was not they that obliged her to come so late. As the Prince de Guermantes had for many years forbidden his wife to receive Mme. d’Orvillers, that lady, when the ban was withdrawn, contented herself with replying to the other’s invitations, so as not to appear to be thirsting after them, by simply leaving cards. After two or three years of this method, she came in person, but very late, as though after the theatre. In this way she gave herself the appearance of attaching no importance to the party, nor to being seen at it, but simply of having come to pay the Prince and Princess a visit, for their own sakes, because she liked them, at an hour when, the great majority of their guests having already gone, she would “have them more to herself.”

“Oriane has really sunk very low,” muttered Mme. de Gallardon. “I cannot understand Basin’s allowing her to speak to Mme. d’Orvillers. I am sure M. de Gallardon would never have allowed me.” For my part, I had recognised in Mme. d’Orvillers the woman who, outside the Hôtel Guermantes, used to cast languishing glances at me, turn round, stop and gaze into shop windows. Mme. de Guermantes introduced me, Mme. d’Orvillers was charming, neither too friendly nor annoyed. She gazed at me as at everyone else out of her gentle eyes.⁠ ⁠… But I was never again, when I met her, to receive from her one of those overtures with which she had seemed to be offering herself. There is a special kind of glance, apparently of recognition, which a young man never receives from certain women⁠—nor from certain men⁠—after the day on which they have made his acquaintance and have learned that he is the friend of people with whom they too are intimate.

We were told that the carriage was at the door. Mme. de Guermantes gathered up her red skirt as though to go downstairs and get into the carriage, but, seized perhaps by remorse, or by the desire to give pleasure, and above all to profit by the brevity which the material obstacle to prolonging it imposed upon so boring an action, looked at Mme. de Gallardon; then, as though she had only just caught sight of her, acting upon a sudden inspiration, before going down tripped across the whole width of the step and, upon reaching her delighted cousin, held out her hand. “Such a long time,” said the Duchess who then, so as not to have to develop all the regrets and legitimate excuses that this formula might be supposed to contain, turned with a look of alarm towards the Duke, who as a matter of fact, having gone down with me to the carriage, was storming with rage when he saw that his wife had gone over to Mme. de Gallardon and was holding up the stream of carriages behind. “Oriane is still very good looking, after all!” said Mme. de Gallardon. “People amuse me when they say that we have quarrelled; we may (for reasons which we have no need to tell other people) go for years without seeing one another, we have too many memories in common ever to be separated, and in her heart she must know that she cares far more for me than for all sorts of people whom she sees every day and who are not of her rank.” Mme. de Gallardon was in

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