This couple had one child, a daughter, the Señorita Inez, born long ago and still unmarried. Indeed, it was generally understood that she would never marry. Though she had not taken the veil, her life was that of a nun. She was very plain and had none of her mother’s social graces, but she had a beautiful contralto voice. She sang in the Cathedral choir in New Orleans, and taught singing in a convent there. She came to visit her parents only once after they settled in Santa Fe, and she was a somewhat sombre figure in that convivial household. Doña Isabella seemed devotedly attached to her, but afraid of displeasing her. While Inez was there, her mother dressed very plainly, pinned back the little curls that hung over her right ear, and the two women went to church together all day long.
Antonio Olivares was deeply interested in the Bishop’s dream of a cathedral. For one thing, he saw that Father Latour had set his heart on building one, and Olivares was the sort of man who liked to help a friend accomplish the desire of his heart. Furthermore, he had a deep affection for his native town, he had travelled and seen fine churches, and he wished there might some day be one in Santa Fe. Many a night he and Father Latour talked of it by the fire; discussed the site, the design, the building stone, the cost and the grave difficulties of raising money. It was the Bishop’s hope to begin work upon the building in 1860, ten years after his appointment to the Bishopric. One night, at a long-remembered New Year’s party in his house, Olivares announced in the presence of his guests that before the new year was gone he meant to give to the Cathedral fund a sum sufficient to enable Father Latour to carry out his purpose.
That supper party at the Olivares’ was memorable because of this pledge, and because it marked a parting of old friends. Doña Isabella was entertaining the officers at the Post, two of whom had received orders to leave Santa Fe. The popular Commandant was called back to Washington, the young lieutenant of cavalry, an Irish Catholic, lately married and very dear to Father Latour, was to be sent farther west. (Before the next New Year’s Day came round he was killed in Indian warfare on the plains of Arizona.)
But that night the future troubled nobody; the house was full of light and music, the air warm with that simple hospitality of the frontier, where people dwell in exile, far from their kindred, where they lead rough lives and seldom meet together for pleasure. Kit Carson, who greatly admired Madame Olivares, had come the two days’ journey from Taos to be present that night, and brought along his gentle half-breed daughter, lately home from a convent school in St. Louis. On this occasion he wore a handsome buckskin coat, embroidered in silver, with brown velvet cuffs and collar. The officers from the Fort were in dress uniform, the host as usual wore a broadcloth frock-coat. His wife was in a hoop-skirt, a French dress from New Orleans, all covered with little garlands of pink satin roses. The military ladies came out to the Olivares place in an army wagon, to keep their satin shoes from the mud. The Bishop had put on his violet vest, which he seldom wore, and Father Vaillant had donned a fresh new cassock, made by the loving hands of his sister Philomène, in Riom.
Father Latour had used to feel a little ashamed that Joseph kept his sister and her nuns so busy making cassocks and vestments for him; but the last time he was in France he came to see all this in another light. When he was visiting Mother Philomène’s convent, one of the younger Sisters had confided to him what an inspiration it was to them, living in retirement, to work for the faraway missions. She told him also how precious to them were Father Vaillant’s long letters, letters in which he told his sister of the country, the Indians, the pious Mexican women, the Spanish martyrs of old. These letters, she said, Mother Philomène read aloud in the evening. The nun took Father Latour to a window that jutted out and looked up the narrow street to where the wall turned at an angle, cutting off further view. “Look,” she said, “after the Mother has read us one of those letters from her brother, I come and stand in this alcove and look up our little street with its one lamp, and just beyond the turn there, is New Mexico; all that he has written us of those red deserts and blue mountains, the great plains and the herds of bison, and the canyons more profound than our deepest mountain gorges. I can feel that I am there, my heart beats faster, and it seems but a moment until the retiring-bell cuts short my dreams.” The Bishop went away believing that it was good for these Sisters to work for Father Joseph.
Tonight, when Madame Olivares was complimenting Father Vaillant on the sheen of his poplin and velvet, for some reason Father Latour recalled that moment with the nun in her alcove window, her white face, her burning eyes, and sighed.
After supper was over and the toasts had been drunk, the boy Pablo was called in to play for the company while the gentlemen smoked. The banjo always remained a foreign instrument to Father Latour; he found it more than a little savage. When this strange yellow boy played it, there was softness and languor in the wire strings—but there was
