one I have described, although several are from the hand of the sculptor and engineer, King Rademas.

In the exact centre of the hall was a solid mass of black marble about the size of a baby’s armchair, which it rather resembled in appearance. This, as we afterwards learned, was the sacred stone of this remarkable people, and on it their monarchs laid their hand after the ceremony of coronation, and swore by the sun to safeguard the interests of the empire, and to maintain its customs, traditions, and laws. This stone was evidently exceedingly ancient (as indeed all stones are), and was scored down its sides with long marks or lines, which Sir Henry said proved it to have been a fragment that at some remote period in its history had been ground in the iron jaws of glaciers. There was a curious prophecy about this block of marble, which was reported among the people to have fallen from the sun, to the effect that when it was shattered into fragments a king of alien race should rule over the land. As the stone, however, looked remarkably solid, the native princes seemed to have a fair chance of keeping their own for many a long year.

At the end of the hall is a dais spread with rich carpets, on which two thrones are set side by side. These thrones are shaped like great chairs, and made of solid gold. The seats are richly cushioned, but the backs are left bare, and on each is carved the emblem of the sun, shooting out his fiery rays in all directions. The footstools are golden lions couchant, with yellow topazes set in them for eyes. There are no other gems about them.

The place is lighted by numerous but narrow windows, placed high up, cut on the principle of the loopholes to be seen in ancient castles, but innocent of glass, which was evidently unknown here.

Such is a brief description of this splendid hall in which we now found ourselves, compiled, of course, from our subsequent knowledge of it. On this occasion we had but little time for observation, for when we entered we perceived that a large number of men were gathered together in front of the two thrones, which were unoccupied. The principal among them were seated on carved wooden chairs ranged to the right and the left of the thrones, but not in front of them, and were dressed in white tunics, with various embroideries and different coloured edgings, and armed with the usual pierced and gold-inlaid swords. To judge from the dignity of their appearance, they seemed one and all to be individuals of very great importance. Behind each of these great men stood a small knot of followers and attendants.

Seated by themselves, in a little group to the left of the throne, were six men of a different stamp. Instead of wearing the ordinary kilt they were clothed in long robes of pure white linen, with the same symbol of the sun that is to be seen on the back of the chairs, emblazoned in gold thread upon the breast. This garment was girt up at the waist with a simple golden curb-like chain, from which hung long elliptic plates of the same metal, fashioned in shiny scales like those of a fish, that, as their wearers moved, jingled and reflected the light. They were all men of mature age and of a severe and impressive cast of features, which was rendered still more imposing by the long beards they wore.

The personality of one individual among them, however, impressed us at once. He seemed to stand out among his fellows and refuse to be overlooked. He was very old⁠—eighty at least⁠—and extremely tall, with a long snow-white beard that hung nearly to his waist. His features were aquiline and deeply cut, and his eyes were grey and cold-looking. The heads of the others were bare, but this man wore a round cap entirely covered with gold embroidery, from which we judged that he was a person of great importance; and, indeed, we afterwards discovered that he was Agon, the High Priest of the country. As we approached, all these men including the priests, rose and bowed to us with the greatest courtesy, at the same time placing the two fingers across the lips in salutation. Then soft-footed attendants advanced from between the pillars, bearing seats, which were placed in a line in front of the thrones. We three sat down, Alphonse and Umslopogaas standing behind us. Scarcely had we done so when there came a blare of trumpets from some passage to the right, and a similar blare from the left. Next a man with a long white wand of ivory appeared just in front of the right-hand throne, and cried out something in a loud voice, ending with the word Nyleptha, repeated three times; and another man, similarly attired, called out a similar sentence before the other throne, but ending with the word Sorais, also repeated thrice. Then came the tramp of armed men from each side entrance, and in filed about a score of picked and magnificently accoutred guards, who formed up on each side of the thrones, and let their heavy iron-handled spears fall simultaneously with a clash upon the black marble flooring. Another double blare of trumpets, and in from either side, each attended by six maidens, swept the two Queens of Zu-Vendis, everybody in the hall rising to greet them as they came.

I have seen beautiful women in my day, and am no longer thrown into transports at the sight of a pretty face, but language fails me when I try to give some idea of the blaze of loveliness that then broke upon us in the persons of these sister Queens. Both were young⁠—perhaps five-and-twenty years of age⁠—both were tall and exquisitely formed, but there the likeness stopped. One, Nyleptha, was a woman of dazzling fairness; her right arm and breast bare, after

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