it, and deducing every possible consequence. Thus this incident was destined to give rise to serious inferences, and to be the opening of one of those obscure dramas which are played out in the family, but which are none the less terrible for being unseen⁠—if indeed the name of drama may be applied to this tragedy of home-life.

Pierrette did not get into bed again. To her Brigaut’s arrival was an event of immense importance. During the night⁠—the Eden of the wretched⁠—she escaped from the annoyances and faultfinding she had to endure all day. Like the hero of some German or Russian ballad, to her sleep seemed a happy life, and the day a bad dream. This morning, for the first time in three years, she had had a happy waking. The memories of infancy had sweetly sung their poetry to her soul. She had heard the first verse in her dreams; the second had roused her with a start; at the third she had doubted⁠—the unfortunate are of the school of Saint Thomas; at the fourth verse, standing at her window, barefoot, and in her shift, she had recognized Brigaut, the friend of her childhood.

Yes, that was indeed the short square jacket with quaint little tails and pockets swinging just over the hips, the classical blue-cloth jacket of the Breton; the waistcoat of coarse knit, the linen shirt buttoned with a golden heart, the wide-rolled collar, the earrings, heavy shoes, trousers of blue drill, mottled in streaks of lighter shades; in short, all the humble and durable items of a poor Breton’s costume. The large white horn buttons of the jacket and waistcoat had set Pierrette’s heart beating. At the sight of the branch of furze the tears had started to her eyes; then a spasm of terror clutched her heart, crushing the flowers of remembrance that had blossomed for a moment. It struck her that her cousin might have heard her rise and go to the window. She knew the old woman, and made the signal of alarm to Brigaut, which the poor boy had hastened to obey without understanding it. Does not this instinctive obedience betray one of those innocent and mastering affections such as are to be seen once in an age, on this earth where they bloom, like the aloe-trees on Isola Bella, but two or three times in a century? Anyone seeing Brigaut fly would have admired the artless heroism of a most artless love.

Jacques Brigaut was worthy of Pierrette Lorrain, who was now nearly fourteen⁠—two children! Pierrette could not help weeping as she saw him take to his heels with the terror inspired by her warning gesture.

She then sat down in a rickety armchair, in front of a looking-glass above a little table. On this she set her elbows, and remained pensive for an hour, trying to recall the Marais, the hamlet of Pen-Hoël, the adventurous voyages on a pond in a boat untied from an old willow-tree by little Jacques; then the old faces⁠—her grandmother and grandfather, her mother’s look of suffering, and General Brigaut’s handsome head; a whole childhood of careless joy! And this again was a dream⁠—the lights of happiness against a gray background.

She had fine light-brown hair, all in disorder, under a little nightcap tumbled in her sleep, a little cambric cap with frills that she herself had made. On each side curls fell over her temples, escaping from their gray papers. At the back of her head a thick plait hung down to her shoulders. The excessive pallor of her face showed that she was a victim to a girlish ailment to which medical science gives the pretty name of chlorosis, which robs the blood of its natural hue, disturbing the appetite, and betraying much disorderment of the whole system. This waxen hue was apparent in all the flesh-tints. The whiteness of her neck and shoulders, the colorlessness of an etiolated plant, accounted for the thinness of her arms crossed in front of her. Pierrette’s feet even looked weak and shrunken by disease; her shift, falling only on her calf, showed the relaxed sinews, blue veins, and bloodless muscles. As the cold air chilled her, her lips turned purple. The mournful smile that parted her fairly delicate mouth showed teeth of ivory whiteness, even and small, pretty transparent teeth, in harmony with well-shaped ears and a nose that was elegant, if a little sharp; her face, though perfectly round, was very sweet. All the life of this charming countenance lay in the eyes; the iris, of a bright snuff-brown mottled with black, shone with golden lights round a deep bright retina. Pierrette ought to have been gay; she was sad. Her vanished gaiety lingered in the vivid modeling of her eyes, in the ingenuous form of her brow, and the moulding of her short chin. The long eyelashes lay like brushes on the cheeks worn by debility; the whiteness, too lavishly diffused, gave great purity to the lines and features of her countenance. The ear was a little masterpiece of modeling; it might have been of marble.

Pierrette suffered in many ways. Perhaps you would like to have her story? Here it is.

Pierrette’s mother was a Demoiselle Auffray of Provins, half-sister to Madame Rogron, the mother of the present owners of this house. Monsieur Auffray, after marrying for the first time at the age of eighteen, took a second wife at the age of sixty-nine. The child of his first marriage was an only daughter, ugly enough, who, when she was sixteen, married an innkeeper of Provins named Rogron. By his second marriage old Auffray had another daughter, but she was very pretty. Thus the quaint result was an enormous difference in age between Monsieur Auffray’s two daughters. The child of his first wife was fifty when the second was born. By the time her father gave her a sister Madame Rogron had two children of her own, both of full age.

The uxorious old man’s younger child was married for

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