The house, I knew, would contain divans, yataks, cushions, foods, wines, sherbets, henna, saffron, mastic, raki, haschish, costumes, and a hundred luxuries still good. There was an outer wall, but the foliage over it had been singed away, and the gate all charred. It gave way at a push from my palm. The girl was close behind me. I next threw open a little green lattice-door in the façade under the shaknisier, and entered. Here it was dark, and the moment that she, too, was within, I slipped out quickly, slammed the door in her face, and hooked it upon her by a little hook over the latch.
I now walked some yards beyond the court, then stopped, listening for her expected cry: but all was still: five minutes—ten—I waited: but no sound. I then continued my morose and melancholy way, hollow with hunger, intending to start that night for Imbros.
But this time I had hardly advanced twenty steps, when I heard a frail and strangled cry, apparently in midair behind me, and glancing, saw the creature lying at the gateway, a white thing in black stubble-ashes. She had evidently jumped, well outward, from a small casement of lattice on a level with the little shaknisier grating, through which once peeped bright eyes, thirty feet aloft.
I hardly believe that she was conscious of any danger in jumping, for all the laws of life are new to her, and, having sought and found the opening, she may have merely come with blind instinctiveness after me, taking the first way open to her. I walked back, pulled at her arm, and found that she could not stand. Her face was screwed with silent pain—she did not moan. Her left foot, I could see, was bleeding: and by the wounded ankle I took her, and dragged her so through the ashes across the narrow court, and tossed her like a little dog with all my force within the door, cursing her.
Now I would not go back the long way to the ship, but struck a match, and went lighting up girandoles, cressets, candelabra, into a confusion of lights among great numbers of pale-tinted pillars, rose and azure, with verd-antique, olive, and Portoro marble, and serpentine. The mansion was large, I having to traverse quite a desert of embroidered brocade-hangings, slender columns, and Broussa silks, till I saw a staircase doorway behind a Smyrna portiere, went up, and wandered some time in a house of gilt-barred windows, with very little furniture, but palatial spaces, solitary huge pieces of faience of inestimable age, and arms, my footfalls quite stifled in the Persian carpeting. I passed through a covered-in hanging-gallery, with one window-grating overlooking an inner court, and by this entered the harem, which declared itself by a greater luxury, bric-a-bracerie, and profusion of manner. Here, descending a short curved stair behind a portiere, I came into a marble-paved sort of larder, in which was an old negress in blue dress, her hair still adhering, and an infinite supply of sweetmeats, French preserved foods, sherbets, wines, and so on. I put a number of things into a pannier, went up again, found some of those exquisite pale cigarettes which drunken in the hollow of an emerald, also a jewelled two-yard-long chibouque, and tumbaki: and with all descended by another stair, and laid them on the steps of a little raised kiosk of green marble in a corner of the court; went up again, and brought down a still-snowy yatak to sleep on; and there, by the kiosk-step, ate and passed the night, smoking for several hours in a state of languor. In the centre of the court is a square marble well, looking white through a rankness of wild vine, acacias in flower, weeds, jasmines, and roses, which overgrew it, as well as the kiosk and the whole court, climbing even the foursquare arcade of Moorish arches round the open space, under one of which I