in that asinine squabble, and behind these fooleries and masked by them, marched Fate⁠—until at last the clowning of the booth opened and revealed⁠—hunger and suffering, brands burning and swords and shame.⁠ ⁠… These men had come to fame and power in that atmosphere, and to me that day there was the oddest suggestion in them of actors who have suddenly laid aside grotesque and foolish parts; the paint was washed from their faces, the posing put aside.

Even when the presentation was not frankly grotesque and degrading it was entirely misleading. When I read of Laycock, for example, there arises a picture of a large, active, if a little wrongheaded, intelligence in a compact heroic body, emitting that “Goliath” speech of his that did so much to precipitate hostilities, it tallies not at all with the stammering, high-pitched, slightly bald, and very conscience-stricken personage I saw, nor with Melmount’s contemptuous first description of him. I doubt if the world at large will ever get a proper vision of those men as they were before the Change. Each year they pass more and more incredibly beyond our intellectual sympathy. Our estrangement cannot, indeed, rob them of their portion in the past, but it will rob them of any effect of reality. The whole of their history becomes more and more foreign, more and more like some queer barbaric drama played in a forgotten tongue. There they strut through their weird metamorphoses of caricature, those premiers and presidents, their height preposterously exaggerated by political buskins, their faces covered by great resonant inhuman masks, their voices couched in the foolish idiom of public utterance, disguised beyond any semblance to sane humanity, roaring and squeaking through the public press. There it stands, this incomprehensible faded show, a thing left on one side, and now still and deserted by any interest, its many emptinesses as inexplicable now as the cruelties of medieval Venice, the theology of old Byzantium. And they ruled and influenced the lives of nearly a quarter of mankind, these politicians, their clownish conflicts swayed the world, made mirth perhaps, made excitement, and permitted⁠—infinite misery.

I saw these men quickened indeed by the Change, but still wearing the queer clothing of the old time, the manners and conventions of the old time; if they had disengaged themselves from the outlook of the old time they still had to refer back to it constantly as a common starting-point. My refreshed intelligence was equal to that, so that I think I did indeed see them. There was Gorrell-Browning, the Chancellor of the Duchy; I remember him as a big round-faced man, the essential vanity and foolishness of whose expression, whose habit of voluminous platitudinous speech, triumphed absurdly once or twice over the roused spirit within. He struggled with it, he burlesqued himself, and laughed. Suddenly he said simply, intensely⁠—it was a moment for everyone of clean, clear pain, “I have been a vain and self-indulgent and presumptuous old man. I am of little use here. I have given myself to politics and intrigues, and life is gone from me.” Then for a long time he sat still. There was Carton, the Lord Chancellor, a white-faced man with understanding, he had a heavy, shaven face that might have stood among the busts of the Caesars, a slow, elaborating voice, with self-indulgent, slightly oblique, and triumphant lips, and a momentary, voluntary, humorous twinkle. “We have to forgive,” he said. “We have to forgive⁠—even ourselves.”

These two were at the top corner of the table, so that I saw their faces well. Madgett, the Home Secretary, a smaller man with wrinkled eyebrows and a frozen smile on his thin wry mouth, came next to Carton; he contributed little to the discussion save intelligent comments, and when the electric lights above glowed out, the shadows deepened queerly in his eye-sockets and gave him the quizzical expression of an ironical goblin. Next him was that great peer, the Earl of Richover, whose self-indulgent indolence had accepted the role of a twentieth-century British Roman patrician of culture, who had divided his time almost equally between his jockeys, politics, and the composition of literary studies in the key of his role. “We have done nothing worth doing,” he said. “As for me, I have cut a figure!” He reflected⁠—no doubt on his ample patrician years, on the fine great houses that had been his setting, the teeming racecourses that had roared his name, the enthusiastic meetings he had fed with fine hopes, the futile Olympian beginnings.⁠ ⁠… “I have been a fool,” he said compactly. They heard him in a sympathetic and respectful silence.

Gurker, the Chancellor of the Exchequer, was partially occulted, so far as I was concerned, by the back of Lord Adisham. Ever and again Gurker protruded into the discussion, swaying forward, a deep throaty voice, a big nose, a coarse mouth with a drooping everted lower lip, eyes peering amidst folds and wrinkles. He made his confession for his race. “We Jews,” he said, “have gone through the system of this world, creating nothing, consolidating many things, destroying much. Our racial self-conceit has been monstrous. We seem to have used our ample coarse intellectuality for no other purpose than to develop and master and maintain the convention of property, to turn life into a sort of mercantile chess and spend our winnings grossly.⁠ ⁠… We have had no sense of service to mankind. Beauty which is godhead⁠—we made it a possession.”

These men and these sayings particularly remain in my memory. Perhaps, indeed, I wrote them down at the time, but that I do not now remember. How Sir Digby Privet, Revel, Markheimer, and the others sat I do not now recall; they came in as voices, interruptions, imperfectly assigned comments.⁠ ⁠…

One got a queer impression that except perhaps for Gurker or Revel these men had not particularly wanted the power they held; had desired to do nothing very much in the positions they had secured. They had found themselves in the cabinet, and until this

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