All these vast cities have given way and gone, even as my native potteries and the Black Country have gone, and the lives that were caught, crippled, starved, and maimed amidst their labyrinths, their forgotten and neglected maladjustments, and their vast, inhuman, ill-conceived industrial machinery have escaped—to life. Those cities of growth and accident are altogether gone, never a chimney smokes about our world today, and the sound of the weeping of children who toiled and hungered, the dull despair of overburdened women, the noise of brute quarrels in alleys, all shameful pleasures and all the ugly grossness of wealthy pride have gone with them, with the utter change in our lives. As I look back into the past I see a vast exultant dust of housebreaking and removal rise up into the clear air that followed the hour of the green vapors, I live again the Year of Tents, the Year of Scaffolding, and like the triumph of a new theme in a piece of music—the great cities of our new days arise. Come Caerlyon and Armedon, the twin cities of lower England, with the winding summer city of the Thames between, and I see the gaunt dirt of old Edinburgh die to rise again white and tall beneath the shadow of her ancient hill; and Dublin too, reshaped, returning enriched, fair, spacious, the city of rich laughter and warm hearts, gleaming gaily in a shaft of sunlight through the soft warm rain. I see the great cities America has planned and made; the Golden City, with ever-ripening fruit along its broad warm ways, and the bell-glad City of a Thousand Spires. I see again as I have seen, the city of theaters and meeting-places, the City of the Sunlight Bight, and the new city that is still called Utah; and dominated by its observatory dome and the plain and dignified lines of the university façade upon the cliff, Martenabar the great white winter city of the upland snows. And the lesser places, too, the townships, the quiet resting-places, villages half forest with a brawl of streams down their streets, villages laced with avenues of cedar, villages of garden, of roses and wonderful flowers and the perpetual humming of bees. And through all the world go our children, our sons the old world would have made into servile clerks and shopmen, plough drudges and servants; our daughters who were erst anaemic drudges, prostitutes, sluts, anxiety-racked mothers or sere, repining failures; they go about this world glad and brave, learning, living, doing, happy and rejoicing, brave and free. I think of them wandering in the clear quiet of the ruins of Rome, among the tombs of Egypt or the temples of Athens, of their coming to Mainington and its strange happiness, to Orba and the wonder of its white and slender tower. … But who can tell of the fullness and pleasure of life, who can number all our new cities in the world?—cities made by the loving hands of men for living men, cities men weep to enter, so fair they are, so gracious and so kind. …
Some vision surely of these things must have been vouchsafed me as I sat there behind Melmount’s couch, but now my knowledge of accomplished things has mingled with and effaced my expectations. Something indeed I must have foreseen—or else why was my heart so glad?
Book the Third
The New World
I
Love After the Change
I
So far I have said nothing of Nettie. I have departed widely from my individual story. I have tried to give you the effect of the change in relation to the general framework of human life, its effect of swift, magnificent dawn, of an overpowering letting in and inundation of light, and the spirit of living. In my memory all my life before the Change has the quality of a dark passage, with the dimmest side gleams of beauty that come and go. The rest is dull pain and darkness. Then suddenly the walls, the bitter confines, are smitten and vanish, and I walk, blinded, perplexed, and yet rejoicing, in this sweet, beautiful world, in its fair incessant variety, its satisfaction, its opportunities, exultant in this glorious gift of life. Had I the power of music I would make a worldwide motif swell and amplify, gather to itself this theme and that, and rise at last to sheer ecstasy of triumph and rejoicing. It should be all sound, all pride, all the hope of outsetting in the morning brightness, all the glee of unexpected happenings, all the gladness of painful effort suddenly come to its reward; it should be like blossoms new opened and the happy play of children, like tearful, happy mothers holding their firstborn, like cities building to the sound of music, and great ships, all hung with flags and wine bespattered, gliding down through cheering multitudes to their first meeting with the sea. Through it all should march Hope, confident Hope, radiant and invincible, until at last it would be the triumph march of Hope the conqueror, coming with trumpetings and banners through the wide-flung gates of the world.
And then out of that luminous haze of gladness comes Nettie, transfigured.
So she came again to me—amazing, a thing incredibly forgotten.
She comes back, and Verrall is in her company. She comes back into my memories now, just as she came back then, rather quaintly at first—at first not seen very clearly, a little distorted by intervening things, seen with a doubt, as I saw her through the slightly discolored panes of crinkled glass in the window of the Menton post-office and grocer’s shop. It was on the second day after the Change, and I had been sending telegrams for Melmount, who was making arrangements for his departure for Downing Street. I saw the two of
