She laughed. 'In the fourth century b. c., the sailing of the entire Attic fleet was delayed just because a soldier sneezed.'
'You've been talking too much to Henry.'
She was silent for a moment. Then she said: 'Do you know what Henry made us do, a couple of days after that thing in the woods?'
'What?'
'He made us kill a piglet.'
I was not shocked so much by this statement as by the eerie calm with which she delivered it. 'Oh, my God,' I said.
'We cut its throat. Then we took turns holding it over each other, so it bled on our heads and hands. It was awful. I nearly got sick.'
It seemed to me that the wisdom of deliberately covering oneself with blood – even pig blood – immediately after committing a murder was questionable, but all I said was: 'Why did he want to do that?'
'Murder is pollution. The murderer defiles everyone he comes into contact with. And the only way to purify blood is through blood. We let the pig bleed on us. Then we went inside and washed it off. After that, we were okay.'
'Are you trying to tell me,' I said, 'that '
'Oh, don't worry,' she said hastily. 'I don't think he plans on doing anything like that this time.'
'Why? Didn't it work?'
She failed to catch the sarcasm of this. 'Oh, no,' she said. 'I think it worked, all right.'
'Then why not do it again?'
'Because I think Henry has got the idea that it might upset you.'
There was the fumble of a key in the lock, and a few moments later Charles plunged through the door. He shouldered his coat off and let it fall in a heap on the rug.
'Hello, hello,' he sang, lurching inside and shedding his jacket in the same fashion. He had not come into the living room, but made an abrupt turn into the hallway which led to bedrooms and bath. A door opened, then another. 'Milly, my girl,' I heard him call. 'Where are you, honey?'
'Oh, dear,' said Camilla. Out loud, she said: 'We're in here, Charles.'
Charles reappeared. His tie was now loosened and his hair was wild. 'Camilla,' he said, leaning against the doorframe, 'Camilla,' and then he saw me.
'You,' he said, not too politely. 'What are you doing here?'
'We're just having some tea,' said Camilla. 'Would you like some?'
'No.' He turned and disappeared into the hall again. 'Too late.
Going to bed.'
A door slammed. Camilla and I looked at each other. I stood up.
'Well,' I said, 'better be heading home.'
There were still search parties, but the number of participating townspeople had shrunk dramatically, and almost no students remained at all. The operation had turned tight, secretive, professional.
I heard the police had brought in a psychic, a fingerprint expert, a special team of bloodhounds trained at Dannemora.
Perhaps because I imagined that I was tainted with a secret pollution, imperceptible to most but perhaps discernible to the nose of a dog (in movies, the dog is always the first to know the suave and unsuspected vampire for what it is), the thought of the bloodhounds made me superstitious and I tried to stay as far away from dogs as I could, all dogs, even the dopey Labrador mutts who belonged to the ceramics teacher and were always r running around with their tongues hanging out, looking for a j IB game of Frisbee. Henry – imagining, perhaps, some trembling Kassandra gibbering prophecies to a chorus of policemen – was far more concerned about the psychic. 'If they're going to find us out,' he said, with glum certainty, 'that's how it's going to happen.'
'Certainly you don't believe in that stuff.'
He gave me a look of indescribable contempt.
'You amaze me,' he said. 'You think nothing exists if you can't see it.'
The psychic was a young mother from upstate New York. An electrical shock from some jumper cables had put her into a coma from which she emerged, three weeks later, able to 'know' things by handling an object or touching a stranger's hand. The police had used her successfully in a number of missing-person cases. Once she had found the body of a strangled child by merely pointing to an area on a surveyor's map. Henry, who was so superstitious that he sometimes left a saucer of milk outside his door to appease any malevolent spirits who might happen to wander by, watched her, fascinated, as she walked alone on the edge of campus – thick glasses, suburban car coat, red hair tied up in a polka-dot scarf.
'It's unfortunate,' he said. 'I don't dare risk meeting her. But I should like to talk to her very much.'
The majority of our classmates, however, were thrown into an uproar by the information – accurate or not, I still don't know – that the Drug Enforcement Agency had brought in agents and was conducting an undercover investigation. Theophile Gautier, writing about the effect of Vigny's Chatterton on the youth of Paris, said that in the nineteenth-century night one could practically hear the crack of the solitary pistols: here, now, in Hampden, the night was alive with the flushing of toilets. Pillheads, cokeheads staggered around glassy-eyed, dazed at their sudden losses. Someone flushed so much pot down one of the toilets in the sculpture studio they had to get somebody in from the Water Department to dig up the septic tank.
About four-thirty on Monday afternoon, Charles showed up at my room. 'Hello,' he said. 'Want to get something to eat?'
'Where's Camilla?'
'Somewhere, I don't know,' he said, his pale glance skittering across my room. 'Do you want to come?'
'Well… sure,' I said.
He brightened. 'Good. I've got a taxi downstairs.'
The taxi driver – a florid man named Junior who'd driven Bunny and me into town that first fall afternoon, and who in three days would be driving Bunny back to Connecticut for the last time, this time in a hearse – looked back at us in the rear-view mirror as we pulled out onto College Drive. 'You boys going to the Brassiere?' he said.
He meant the Brasserie. It was the little joke he always had with us. 'Yes,' I said.
'No,' said Charles quite suddenly. He was slouched down childishly low against the door, staring straight ahead and drumming on the armrest with his fingers. 'We want to go to 1910 Catamount Street.'
'Where's that?' I said to him.
'Oh, I hope you don't mind,' he said, almost looking at me but not quite. 'Just feel like a change. It's not far and besides, I'm sick of the food at the Brasserie, aren't you?'
The place where we wound up – a bar called the Farmer's Inn was not remarkable for its food, or its decor – folding chairs and Formica tables – or for its sparse clientele, which was mostly rural, drunken, and over sixty-five. It was, in fact, inferior to the Brasserie in every respect but one, which was that really very sizable shots of off- brand whiskey could be got at the bar for fifty cents each.
We sat at the end of the bar by the television set. A basketball game was on. The barmaid – in her fifties, with turquoise eye shadow and lots of turquoise rings to match – looked us over, our suits and ties. She seemed startled by Charles's order of two double whiskeys and a club sandwich. 'What the hey,' she said, in a voice like a macaw. 'They're letting you boys have a snort now and then, huh?'
I didn't know what she meant – was this some dig at our clothes, at Hampden College, did she want to see our IDs?
Charles, who only the moment before had been sunk in gloom, glanced up and fixed her with a smile of great warmth and sweetness. He had a way with waitresses. They always hovered over him in restaurants and went to all kinds of special trouble on his behalf.
This one looked at him – pleased, incredulous – and barked with laughter. 'Well, ain't that a kick,' she said hoarsely, reaching with a heavily ringed hand for the Silva-Thin burning in the ashtray beside her. 'And here I thought you Mormon kids that went around wasn't even suppose to drink Coca-Cola.'
As soon as she sauntered back to the kitchen to turn in our order ('Bill!' we heard her saying, behind the swinging doors.
'Hey, Bill! Listen to this!'), the smile faded from Charles's face.
