Quentin Bell. Victorian Artists (London: Routledge and Kegan Paul, 1967) Graham Reynolds. Victorian Painting (London: Studio Vista, 1966)
26 В ПОИСКАХ НОВЫХ НОРМ Robert Schmutzler. Art Nouveau — Jugendstil (Teufen: Niggli, 1962)
Roger Fry. Cezanne: A Study of his Development (London: Hogarth Press, 1927; нов. изд., Chicago U.P., 1989)
William Rubin, ed. Cezanne. The Late Work (London: Thames and Hudson, 1978)
John Rewald. Cezanne: The Watercolours (London: Thames and Hudson, 1983)
John Russell. Seurat (London: Thames and Hudson, 1965)
Richard Thomson. Seurat (Oxford: Phaidon, 1985; переизд. 1990)
Ronald Pickvance. Van Gogh in Aries (New York: Metropolitan Museum of Art, 1984)
Он же. Van Gogh in Saint Remy and Auvers (New York: Metropolitan Museum of Art, 1986)
Michel Hoog. Gauguin (London: Thames and Hudson, 1987)
Gauguin (Paris: Grand Palais; Chicago: Art Institute; Washington: National Gallery of Art, 1988)
Nicolas Watkins. Bonnard (London: Phaidon, 1994)
Gotz Adriani. Toulouse-Lautrec (London: Thames and Hudson, 1987)
Он же. Post-Impressionism: From Van Gogh to Gauguin (New York: Museum of Modern Art, 1956; 3-е изд., London: Secker and Warburg, 1978)
27 ЭКСПЕРИМЕНТАЛЬНОЕ ИСКУССТВО. Robert Rosenblum. Cubism and Twentieth-Century Art (London: Thames and Hudson, 1960; переработ. изд., New York: Abrams, 1992)
John Golding. Cubism: A History and an Analysis, 1907–1914 (London: Faber, 1959; 3-е изд., 1988)
Bernard S. Myers. Expressionism (London: Thames and Hudson, 1963)
Walter Grosskamp, ed. German Art in the Twentieth Century: Painting and Sculpture 1905– 1985 (London: Royal Academy, 1985)
Hans Maria Wingler. The Bauhaus (Cambridge, Mass.: MIT Press, 1969)
H. Bayer, W. Gropius, I. Gropius, Hrsg. Bauhaus 1919–1928 (Teufen: Niggli, 1959)
William J.R. Curtis. Modern Architecture since 1900 (Oxford: Phaidon, 1980; 2-е изд., 1989; переизд. London, 1994)
Robert Hughes. The Shock of the New: Art and the Century of Change (London: BBC, 1980; переработ. и расширен. изд., 1991)
William Rubin, ed. «Primitivism» in 20th Century Art: Affinity of the tribal and the Modern (2 vols., New York: Museum of Modern Art, 1984)
Reinhold Heller. Munch: His Life and Work (London: John Murray, 1984)
C.D. Zigrosser. Prints and Drawings of Kathe Kollwitz (London: Constable; New York: Dover, 1969)
Werner Haftmann. Emil Nolde. (5 Aufl., Koln: Du Mont Schauberg, 1966)
Richard Calvocoressi, ed. Oskar Kokoschka 1886–1980 (London: Tate Gallery, 1987)
Peter Vergo. Art in Vienna 1898–1918: Klimt, Kokoschka, Schiele and their Contemporaries (London: Phaidon, 1975; 3-е изд., 1993, переизд. 1994)
Paul Overy. Kandinsky: The Language of the Eye (London: Elek, 1969)
Hans Kroethel, Joan K. Benjamin. Kandinsky: Catalogue Raisonne of the Oil Paintings (2 vol., London: Sotheby's, 1982-4)
Will Grohmann. Wassily Kandinsky: Life and Work (New York: Abrams, 1958)
Sixten Ringbom. The Sounding Cosmos (Abo: Academia, 1970)
Jack Flam. Matisse: The Man and his Art, 1869–1918 (London: Thames and Hudson, 1986)
John Elderfield, ed. Henri Matisse (New York: Museum of Modern Art, 1992)
Pablo Picasso: A Retrospective (New York: Museum of Modern Art, 1980)
Timothy Hilton. Picasso (London: Thames and Hudson, 1975)
Richard Verdi. Klee and Nature (London: Zwemmer, 1984)
Margaret Plant. Paul Klee: Figures and Faces (London: Thames and Hudson, 1978)
Ulrich Luckhardt. Lyonel Feininger (Munchen: Prextel, 1989)
Pontus Hulten, Natalia Dumitresco, Alexandre Istrati. Brancusi (London: Faber, 1988)
John Milner. Mondrian (London: Phaidon, 1992)
Norbert Lynton. Ben Nicholson (London: Phaidon, 1993)
Le Douanier Rousseau (New York: Museum of Modern Art, 1985)
Susan Compton, ed. British Art in the Twentieth Century: The Modern Movement (London: Royal Academy, 1987)
Joan M. Marter. Alexander Calder, 1898–1976 (Cambridge U.P., 1991)
Alan Bowness, ed. Henry Moore: Sculptures and Drawings (6 vols., London: Lund Humphries, 1965-7)
Susan Compton, ed. Chagall (London: Royal Academy, 1985)
David Sylvester, ed. Rene Magritte, Catalogue Raisonne (2 vols., Houston: The Menil Foundation; London: Philip Wilson, 1992–1993)
Yves Bonnefoy. Giacometti (New York: Abbeville, 1991)
Robert Descharnes. Dali de Gala: Le monde de Salvador Dali (Paris: Bibliotheque de arts, 1962); русск. перевод: Р. Дешарн, Н. Дешарн.
Сальвадор Дали. Лозанна: Эдита, 1996) Dawn Ades. Salvador Dali (London: Thames and Hudson, 1982)
28 ИСТОРИЯ БЕЗ КОНЦА John Elderfield. Kurt Schwitters (London: Thames and Hudson, 1985)
Irving Sandler. Abstract Expressionism: The Triumph of American Painting (London: Pall Mall, 1970)
Ellen G. Landau. Jackson Pollock (London: Thames and Hudson, 1989)
James Johnson Sweeney. Pierre Soulages (Neuchatel: Ides et Calendes, 1972)
Douglas Cooper. Nicolas de Stael (London: Weidenfeld and Nicolson, 1962)
Patrick Waldburg, Herbert Read, Giovanni de San Luzzaro, eds. Complete Works of Marino Marini (New York: Tudor Publishing, 1971)
Marilena Pasquali, ed. Giorgio Morandi 1890–1964 (London: Electa, 1989)
Hugh Adams. Art of the Sixties (Oxford: Phaidon, 1978)
Charles Jencks, Maggie Keswick. Architecture Today (London: Academy, 1988)
Lawrence Gowing. Lucian Freud (London: Thames and Hudson, 1982)
Naomi Rosenblum. A World History of Photography (New York: Abbeville, 1989)
Henri Cartier-Bresson, photographe (Paris: Delpire, 1980)
