no longer existed. It didn't matter what it was I was looking for, the place was no more. And not merely gone, it'd been replaced by this idiotic Star Wars high-tech hotel-a-thon. I was too late. My dreams of the once-Dolphin Hotel had been nothing more than dreams of Kiki, long vanished out the door. Perhaps there was someone crying for me. But that too was gone. Nothing was left. What could you possibly hope to find here, kid?

You said it, I thought. Or maybe I had my mouth open and actually said it to myself. There's nothing left here. Not one thing left for you.

I clamped my lips tight and stared at the bottle of soy sauce on the counter.

You live by yourself for a stretch of time and you get to staring at different objects. Sometimes you talk to yourself. You take meals in crowded joints. You develop an intimate relationship with your used Subaru. You slowly but surely become a has-been.

I left the bar and headed back to the hotel. I'd walked a fair bit, but it wasn't hard finding my way back. I had only to look up to see the new Dolphin Hotel towering above everything else. Like the three wise men guided by a star to Jerusalem or Bethlehem or wherever it was, I steered straight for the main attraction.

After a bath, toweling my hair dry, I gazed out over the Sapporo cityscape. When I stayed at the old Dolphin, hadn't there been a small office building outside my window? What kind of office, I never did figure out, but it was a company and people were busy. That had been my view day after day. What ever became of that company? There'd been a nice-looking woman working there. Where was she now?

I had nothing to do, so I shuffled around the room before flicking on the TV. It was the same old nausea- inducing fare. Not even original nausea-inducing fare. It was phony, syn­thetic, but being synthetic, it wasn't entirely repugnant. If I didn't turn the thing off, though, I felt sure I'd be seeing the results of some real nausea.

I pulled on some clothes and went up to the lounge on the twenty-sixth floor. I sat at the bar and ordered a vodka-and-soda with lemon. One whole wall of the lounge was window, providing a sweeping panorama of Sapporo at night. A Star Wars alien city set. Otherwise, it was a comfortable, quiet place, with real crystal glasses that had a nice ring.

Besides myself, there were only three other customers. Two middle-aged men talking in a hush at a back table. Some very important matter by the look of things. A plot to assassinate Darth Vader? And sitting at a table directly to their right, a girl of twelve or thirteen, plugged in to a Walk­man, sipping a drink through a straw. She was a pretty girl. Her long hair, unnaturally straight, draped silkily against the edge of the table. She tapped her fingers on the tabletop, keeping time to the rhythm she was hearing. Her long fin­gers made a more childlike impression than the rest of her. Not that she was trying to act like an adult. No, not dis­agreeable or arrogant, but aloof.

Yet, in fact, the girl wasn't looking at anything. She was completely oblivious to her surroundings. She was wearing jeans and white Converse All Stars and a sweatshirt embla­zoned with genesis, sleeves rolled up to her elbows, and she seemed to be concentrating entirely on the music. Sometimes she'd move her lips to form fragments of lyrics.

«Lemonade,» the bartender volunteered, as if to excuse the presence of a minor. «The girl's waiting for her mother.»

«Hmm,» I answered, noncommital. Certainly, you don't go into a hotel bar after ten at night and expect to find a young girl sitting by herself with a drink and a Walkman. But if the bartender hadn't broached the subject, I probably wouldn't have thought anything was out of the ordinary. The girl just seemed a part of the place.

I ordered another drink and made small talk with the bar­tender. The weather, the view, assorted topics. Then noncha­lantly I dropped the line that, hey, this place sure has changed, hasn't it? To which the bartender strained a smile and admitted that, until recently, he'd been working at a hotel in Tokyo, so he scarcely knew anything about Sap­poro. And at that point, a new customer walked in, termi­nating our fruitless conversation.

I drank a total of four vodka-and-sodas. I could have drunk any number more but decided to call it quits. The girl was still in her seat, grafted to the Walkman. Her mother hadn't shown, and the ice in her glass had melted, which she didn't seem to notice. Yet when I got up from the counter, she looked up at me for two or three seconds, and smiled. Or perhaps it was the slightest trembling of her lips. But to me, it looked like she smiled. Which—I know it sounds strange—really shook me up. I felt as if I'd been chosen. A charge shot through me; my body seemed to lift up a few centimeters.

A bit disarmed, I boarded the elevator and returned to my room. A smile from a twelve-year-old girl? How could any­thing so innocent have set me off so much? She could have been my daughter.

And Genesis—what a stupid name for a band.

But because the girl had that sweatshirt on, the name seemed somehow symbolic. Genesis.

Why do rock groups have overblown names like that?

I fell back onto the bed with my shoes still on. Closed my eyes and the young girl's image came to me. Walkman. White fingers tapping tabletop. Genesis. Melted ice.

Genesis.

With my eyes shut, I could feel the alcohol swimming around inside me. I pulled off my work boots, got out of my clothes, and crawled under the covers. I was too tired, too drunk, to feel much of anything. I waited for the woman next to me to say, «Had a bit too much, have we?» But there was no such conversation.

Genesis.

I reached out to turn out the light. Will my dreams take me to the Dolphin Hotel? I wondered in the dark.

When I awoke the next morning, I felt a hopeless empti­ness. No dream, no hotel. Zilch.

My work boots lay at the foot of the bed where they'd fallen. Two tired puppies.

Outside my window the sky hung low and gray. It looked like snow, which added to my malaise. The clock read five after seven. I punched the remote control and watched the morning news as I lay in bed. Something about an upcoming election. Fifteen minutes later I got up and went to the bath­room to wash and shave, humming the overture to The Marriage of Figaro as a wake-me-up. Or was it the overture to The Magic Flute? I racked my brain, but couldn't get it straight. I cut my chin shaving, then popped a button from my cuff getting into my shirt. The signs for the day were not good.

At breakfast, I saw the young girl I'd seen in the bar, sit­ting with a woman I took to be her mother. Wearing the same genesis sweatshirt but at least without the Walkman. She'd hardly touched her bread or scrambled eggs, seemed absolutely bored drinking her tea. Her mother was a small­ish woman in her early forties. Hair pulled into a tight bun, eyebrows exactly like her daughter's, slender, refined nose, camel-colored sweater that looked like it was cashmere over a white blouse. She wore her clothes well, clothes that suit a woman accustomed to the attentions of others. There was a touching world-weariness in the way she buttered her toast.

As I passed by their table, the girl glanced up at me. Then smiled. A more definitive smile than last night's. Unmistak­ably, a smile.

I ate my breakfast alone and tried to think, but after that smile I couldn't focus. No matter what came to mind, the thoughts spun around uselessly. In the end, I stared at the pepper shaker and didn't think at all.

7

There was nothing for me to do. Nothing I should do, and nothing I wanted to do. I'd come all this way to the Dolphin  Hotel,  but the  Dolphin  Hotel  that I wanted had vanished from the face of the earth. What to do? I went down to the lobby, planted myself in one of the magnificent sofas, and tried to come up with a plan for the day. Should I go sightseeing? Where to? How about a movie? Nah, nothing I wanted to see. And why come all the way to Sapporo to see a movie? So, what to do? Nothing to do.

Okay, it's the barbershop, I said to myself. I hadn't been to a barber in a month, and I was in need of a cut. Now that's making good use of free time. If you don't have any­thing better to do, go to the barber.

So I made tracks for the hotel barbershop, hoping that it'd be crowded and I'd have to wait my turn. But of

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