Listen, Mozart: Let's dine together at the Golden Lion. Mozart A capital idea. But let me first go home a moment: I must tell my wife she's not to wait for me. He goes Salieri           Don't fail me now. — Nay, now can I no longer fight with fate: my destiny's to stop him — else we perish, we all, the priests, the ministers of music, not I alone with my dull-sounding fame.... What worth are we if Mozart lives and reaches new summits still? Will this exalt our art? Nay: art will sink so soon as he departs: he will leave us no successor — will have served no useful purpose. Like a seraph swooping, he brought us certain songs from Paradise, only to stab us, children of the dust, with helpless wingless longing, and fly off! — So fly away! — the sooner now, the better. Here's poison: the last gift of my Isora. For eighteen years I've kept it, let it season — and often life would seem to me a wound too bitter to be borne — I have often sat with some unwary enemy at table, yet never did that inward whisper win me; though I'm no coward and feel insult deeply, and care not much for life. Still did I tarry, tormented by the thirst for death, yet brooding: why should I die? Perchance the future yet holds unexpected benefits; perchance I may be visited by Orphic rapture, my night of inspiration and creation; perchance another Haydn may achieve some great new thing — and I shall live in him… While I was feasting with some hated guest, perchance, I'd muse, I'll find an enemy more hateful still; perchance a sharper insult may come to blast me from a prouder eminence — then you will not be lost, Isora's gift! And I was right! At last I have encountered my perfect enemy: another Haydn has made me taste divine delight!. The hour draws nigh at last. Most sacred gift of love: You'll pass to-night into the cup of friendship. <12 декабря 1940> SCENE 2. A PRIVATE ROOM IN A TAVERN, WITH A PIANO. Mozart and Salieri at table. Salieri What makes you look so gloomy? Mozart           Gloomy? No. Salieri Mozart, there's surely something on your mind. The dinner's good, the wine is excellent, but you, you frown and brood. Mozart                                 I must confess it:             I'm worried about my Requiem. Salieri                   Oh, you're writing a Requiem? Since when? Mozart           Three weeks or so. But the queer part… didn't I tell you? Salieri                         No. Mozart                                 Well, listen: three weeks ago I got home rather late — they told me someone had been there to see me.
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