“On Skakki’s ship, of course. Will you look at that road! Straight as an arrow and hardly a rock out of place. The Romans were amazing builders. Unfortunately, they didn’t have a speck of sympathy for nature. A road had to go from here to there by the shortest way possible, and if a tree was in the way, they cut it down. If there was a hillock, they leveled it. That’s why the Romans aren’t here anymore. Nature doesn’t take kindly to being pushed around.”

They continued walking, with the Bard stepping sure-footedly on the slippery moss with hardly any help from his staff. The air changed as they neared the inlet, becoming cooler and mixed with the smell of seaweed. In the distance Jack heard surf. “Perhaps there won’t be room for the Tanners,” he said hopefully.

“I sailed on this ship with Olaf,” the old man said. “He could ferry a herd of horses with it—well, to be accurate, he could steal a herd of horses with it. Our cargo isn’t large, and we’ll only have you, me, Thorgil, and Seafarer for passengers. There’s plenty of room for the Tanners.”

Wonderful, thought Jack. Ymma, Ythla, and Thorgil crammed in together like a box full of spiders. Not to mention Sven the Vengeful, Eric Pretty-Face, and that new fellow, Schlaup. Thorgil said Schlaup could lift an ox over his head with one hand.

Northmen loved picking fights better than swilling ale, and they were extremely fond of ale. Jack remembered how Olaf had kept order with blows and threats, and wondered whether Skakki was tough enough. “Isn’t Brother Aiden going?” the boy asked. By now they had reached the path that led from the road to the sea.

“Aiden would die rather than set foot on a Northman ship,” said the Bard. “He saw his friends murdered by some of the very people we’re going to travel with.”

Jack, too, had seen Northmen run berserk, and the memory still haunted his dreams.

A tongue of land formed a shallow bay and made an ideal place to anchor. It was well hidden from view, and on either side was a beach of clean white sand. The Bard found a rock to sit on. “Swallows have reported seeing Skakki’s ship a week to the south. You can stop furrowing your brow, Jack. He’s trading amber and sea ivory this time, not slaves.”

“This time,” Jack said bitterly.

“I’ve told the villagers we’re taking an Irish merchant vessel and have been vague about where it’s to be anchored,” the old man said. “You understand that we can’t let them catch sight of the crew. You and Thorgil will have to do all the loading.”

“What about the Tanners?” said Jack.

“I’d rather they didn’t know who we’re sailing with until it’s too late.”

They sat for a while, watching the waves break beyond the tongue of land. Green sandpipers scurried along the beach, running for safety when the water foamed in. A flock of black-and-white eider ducks sailed overhead.

Brother Aiden had told Jack that eider ducks had once befriended St. Cuthbert. They had attended his sermons, and the mother eiders trusted him so much, they had let him pick up their chicks. When St. Cuthbert became abbot of the Holy Isle, he forbade anyone to hunt the birds. But a wicked monastery servant had killed one and thrown the evidence into the sea. The very next day the sea had coughed up bones and feathers onto the chapel doorstep. For even the sea, Brother Aiden said, knew better than to lie to a saint.

Jack had heard many stories about St. Cuthbert and animals. Otters kept him warm when he meditated, sea eagles dropped fish when he was hungry. Once, the saint scolded a pair of ravens for stealing thatch, and they brought him a lump of fat to oil his boots with, by way of apology. It was Christian magic and, as far as Jack could see, not that different from the Bard’s magic.

The old man said the life force flowed in streams deep in the earth. If you understood its workings, you could call it forth—or rather it chose to listen to your call. This was where the power to do magic came from. Jack didn’t understand much of this explanation, but he knew the power was difficult to control. And sometimes things happened that weren’t supposed to happen.

“I could see the paths in the hazel wood last night,” Jack said aloud.

“That’s excellent,” said the Bard.

“But I don’t know how I did it.”

The Bard smiled. “Quite a lot of what we do is a mystery, even to us.” Jack’s heart warmed to the word us. “Learning magic is like knocking at the same door again and again. For a long time no one answers. You imagine that the tenant is at the other end of the garden pulling weeds, or perhaps he’s in bed. After a while you decide no one’s at home. You turn to go, but knock one last time and lo! The door opens.”

“Does that mean I can see the paths whenever I want now?”

“It means you won’t be kept waiting as long next time.” The old man reached into a sack tied to his belt and removed his silver flute. “I thought it was time you practiced this. Have you ever played a flute?”

Jack’s mind went back to the years before the Bard had arrived. When John the Fletcher had shot a swan, he’d made whistles from the hollow wing bones. All the village children had received such gifts, but only Jack had shown talent. He’d been able to create a tune with the crude instrument while the others had been satisfied with blasting one another’s eardrums. When the huntsman had seen Jack’s ability, he’d made him a real flute out of apple wood.

The boy had been transported by its music. He’d played and played until Father, who thought such activities were a waste of time and probably wicked, had cast the instrument into the fire.

Jack was swept with anger as he remembered. He reminded himself that Father had changed since the trip to Bebba’s Town. There were fewer lectures on sin and more opportunities for fun. But still, the memory of that beautiful instrument burning—

“An acorn for your thoughts,” the Bard remarked.

“Oh! I’m sorry!” Jack was startled out his reverie. “I have played a flute, sir, but not one so fine.”

“There are none finer. This was made for Amergin. We won’t call bats now because it’s unfair to drag them into the sunlight. Let’s start with field mice.”

“Field mice?” echoed Jack.

“You never know when you might need something chewed. Watch where my fingers go and listen to the sound.” The Bard put the flute to his lips and his fingers covered seven of the eight holes. Jack heard a faint squeaking, such as one might detect near a haystack on a summer day. The old man repeated it several times, with the boy watching intently, before handing the flute over.

The first sound came out as an alarming buzz.

“Stop!” cried the Bard, covering his ears. “You’re calling up hornets!” He demonstrated the method again, and gradually, Jack got the idea. It wasn’t the same as playing a harp. It was more like talking to one person in a crowded room. He or she could pick out your voice from all the others because only you were trying to communicate. In this case, the field mice were like a single, listening ear among a thousand ears in the forest.

Jack looked down to see dozens of beady little eyes observing him from the leaf litter. Some mice had crept onto his feet and a few bold ones had climbed onto his lap. Jack kept playing, elated and a little frightened, until the Bard gently took the flute from his hands.

“That’s enough, lad. We must let them go before a hawk discovers them.” The old man waved his hand and the tiny creatures pattered away. The sun had turned toward the west and the predicted thunderclouds had begun to build. They hurried home along the moss-covered Roman road. 

Chapter Fourteen

SCHLAUP

A week had passed and the inlet was wrapped in fog so thick, dawn barely penetrated it. Jack and Thorgil had traveled by the light of a horn lantern, and now they waited together on the chilly sand. Thorgil was barely able to sit still for excitement. “We’re going to take ship again. I’m going home. Isn’t it wonderful?” she said.

Jack pulled his woolen cloak tighter. Water droplets beaded his hair. His backside was as wet as a frog’s bottom.

“Well, isn’t it wonderful?”

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