Russian Rambles

with superb weather on both the festal days. On Sunday morning every one went to church, as usual. The small church behind the Lyceum, where Pushkin was educated, with its un-Russian spire, ranks as a Court church; that in the Old Palace across the way being opened only on special occasions, now that the Court is not in residence. Outside, the choir sat under the golden rain of acacia blossoms and the hedge of fragrant lilacs until the last moment, the sunshine throwing into relief their gold-laced black cloth vestments and crimson belts. They were singers from one of the regiments stationed in town, and crimson was the regimental color. The church is accessible to all classes, and it was crowded. As at Easter, every one was clad in white or light colors, even those who were in mourning having donned the bluish-gray which serves them for festive garb. In place of the Easter candle, each held a bouquet of flowers. In the corners of the church stood young birch-trees, with their satin bark and feathery foliage, and boughs of the same decked the walls. There is a law now which forbids this annual destruction of young trees at Pentecost, but the practice continues, and the tradition is that one must shed as many tears for his sins as there are dewdrops on the birch bough which he carries, if he has no flowers. Peasant women in clean cotton gowns elbowed members of the Court in silks; fat merchants, with well-greased, odorous hair and boots, in hot, long-skirted blue cloth coats, stood side by side with shabby invalid soldiers or smartly uniformed officers. Tiny peasant children seated themselves on the floor when their little legs refused further service, and imitated diligently all the low reverences and signs of the cross made by their parents. Those of larger growth stood with the preternatural repose and dignity of the adult Russian peasant, and followed the liturgy independently. One little girl of seven, self-possessed and serenely unconscious, slipped through the crowd to the large image of the Virgin near the altar, grasped the breast-high guard-rail, and kissed the holy picture in the middle of her agile vault. When some members of the imperial family arrived, the crowd pressed together still more closely, to make a narrow passage to the small space reserved for them opposite the choir. After the ever beautiful liturgy, finely expressed special prayers were offered, during which the priest also carried flowers.

Another church service on the following day-a day when public offices are closed and business ceases- completed the religious duties of the festival. In the afternoon, the whole town began to flock to the Imperial Park surrounding the Old Palace,-people of the upper circles included,-the latter from motives of curiosity, of course. Three bands of the Guards furnished the music. On the great terrace, shaded by oak-trees hardly beyond the bronze-pink stage of their leafage, played the hussars. Near the breakfast gallery, with its bronze statues of Hercules and Flora, which the common people call 'Adam and Eve' (the Ariadne on Naxos, in a neighboring grotto, is popularly believed to be 'a girl of seven years, who was bitten by a snake while roaming the Russian primeval forest, and died'), were the cuirassiers. The stryelki (sharpshooters) were stationed near the lake, the central point for meetings and promenades during the lovely 'white nights;' where boats of every sort, from a sail-boat or a Chinese sampan to an Astrakhan fishing-boat or a snowshoe skiff, are furnished gratis all summer, with a sailor of the Guard to row them, if desired. Round and round and round, unweariedly, paced the girls. They were bareheaded and in slippered feet, as usual, but had abandoned the favorite ulster, which too often accompanies extremities thus unclad, to display their gayest gowns. The young men gazed with intense interest. Here and there a young fellow in 'European clothes' was to be seen conversing with the more conservative young merchants, who retained the wrinkled boots confining full trousers, the shirt worn outside the trousers, the cloth vest, and the blue cloth long coat of traditional cut.

It was like a scene from the theatre. Across the lake, dotted with boating parties, stretched lawns planted with trees chosen for their variety of foliage, from the silver willow to the darkest evergreens, while the banks were diversified with a boat-house, a terraced grotto, a Turkish kiosk with a bath, bridges, and so on. Of the immense palace which stood so near at hand the graceful breakfast gallery alone was visible, while high above the waving crests of the trees the five cupolas of the palace church, in the shape of imperial crowns, seemed to float in the clear blue sky like golden bubbles. The lawns within the acacia-hedged compartments were dazzling with campanulas, harebells, rose campions, and crimson and yellow columbine, or gleamed with the pale turquoise of forget-me-nots. We had only to enter the adjoining park surrounding the Alexander Palace, built for Alexander I. by his grandmother, Katherine II., to find the Field of the Cloth of Gold realized by acres of tall double Siberian buttercups, as large and as fragrant as yellow roses.

Soldiers of the garrison strolled about quietly, as usual. The pet of the hussars was in great form, and his escort of admiring comrades was larger than ever. They thrust upon him half of their tidbits and sunflower seeds,- what masses of sunflower seeds and handbill cigarettes were consumed that day, not to mention squash seeds, by the more opulent!-and waited eagerly for his dimpled smile as their reward. When the bands were weary, the regimental singers ranged themselves in a circle, and struck up songs of love, of battle, and of mirth, amid the applause and laughter of the crowd. Now and then a soldier would step into the middle of the circle and dance. The slight, agile, square-capped stryelki spun round until their full-plaited black tunics stood out from their tightly belted waists like the skirts of ballet dancers. The slender, graceful hussars, with their yellow- laced scarlet jackets and tight blue trousers, flitted to and fro like gay birds. The best performer of all was a cuirassier, a big blond fellow, with ruddy cheeks and dazzling teeth. Planting his peakless white cloth cap with its yellow band firmly on his head, he stepped forward, grasping in each hand a serried pyramid of brass bells, which chimed merrily as he squatted, leaped, and executed eccentric steps with his feet, while his arms beat time and his fine voice rolled out the solo of a rollicking ballad, to which the rest of the company furnished the chorus as well as their laughter and delighted applause of his efforts permitted. His tightly fitting dark green trousers, tall boots, and jacket of white cloth trimmed with yellow set off his muscular form to great advantage. A comrade stood by, shaking the buntchuk, an ornamental combination of brass half-moons, gay horsetails, and bells,-the Turkish staff of command, which is carried as a special privilege by several Russian cavalry regiments. There is nothing that a company of Russians likes better than a spirited performance of their national dances, whether it be high-class Russians at a Russian opera in the Imperial Theatre, or the masses on informal occasions like the present. This soldier, who danced with joy in every fibre, was quite willing to oblige them indefinitely, and seemed to be made of steel springs. He stopped with great reluctance, and that only when his company was ordered peremptorily to march off to barracks at the appointed hour.

How many weddings resulted from that day's dress parade I know not. But I presume the traditional 'match- makers' did their duty, if the young men were sufficiently impressed by the girls' outfits to commission these professional proposers to lay their hearts and hands at the feet of the parents on the following day. They certainly could not have been hopelessly bewitched by any beauty which was on show. The presence of the soldiers, the singing, music, and dancing, framed in that exquisite park, combined to create a scene the impression of which is far beyond comparison with that of the same parade in the Summer Garden at St. Petersburg.

This grand terrace of the Old Palace is a favorite resort for mothers and children, especially when the different bands of the Guards' regiments stationed in the town furnish music. But not far away, in the less stately, more natural park surrounding the Alexander Palace, the property of the Crown Prince, lies the real paradise of the children of all classes. There is the playground, provided with gymnastic apparatus, laid out at the foot of a picturesque tower, one of the line of signal towers, now mostly demolished, which, before the introduction of the telegraph, flashed news from Warsaw to St. Petersburg in the then phenomenally short space of twenty-four hours. The children's favorite amusement is the 'net.' Sailors of the guard set up a full-rigged ship's mast, surrounded, about two feet from the ground, by a wide sweep of close-meshed rope netting well tarred. Boys and girls of ambition climb the rigging, swing, and drop into the net. The little ones never weary of dancing about on its yielding surface. A stalwart, gentle giant of a sailor watches over the safety of the merrymakers, and warns, teaches, or helps them, if they wish it.

Their nurses, with pendent bosoms and fat shoulders peeping through the transparent muslin of their chemises, make a bouquet of colors, with their gay sarafani, their many-hued cashmere caps attached to pearl-embroidered, coronet-shaped kokoshniki, and terminating in ribbons which descend to their heels, and are outshone in color only by the motley assemblage of beads on their throats.

Here, round the gymnastic apparatus and the net, one is able for the first time to believe solidly in the existence of Russian children. In town, in the winter, one has doubted it, despite occasional coveys of boys in military greatcoats, book-knapsacks of sealskin strapped to their shoulders to keep their backs straight, and officer- like caps. The summer garb of the lads from the gymnasia and other institutes consists of thin, dark woolen material or of coarse gray linen, made in the blouse or Russian shirt form, which portraits of Count Lyeff Nikolaevitch Tolstoy, the author, have rendered familiar to foreigners. It must not be argued from this fact that Count Tolstoy set the fashion; far from it. It is the ordinary and sensible garment in common use, which he has