afraid, and I don't at all like serious faces; I don't like serious conversations. Let's be quiet sooner.
LOPAKHIN. You know, I get up at five every morning, I work from morning till evening, I am always dealing with money--my own and other people's--and I see what people are like. You've only got to begin to do anything to find out how few honest, honourable people there are. Sometimes, when I can't sleep, I think: 'Oh Lord, you've given us huge forests, infinite fields, and endless horizons, and we, living here, ought really to be giants.'
LUBOV. You want giants, do you ? . . . They're only good in stories, and even there they frighten one.
EPIKHODOV enters at the back of the stage playing his guitar. Thoughtfully: Epikhodov's there.
ANYA. [
GAEV. The sun's set, ladies and gentlemen.
TROFIMOV. Yes.
GAEV [
VARYA. [
ANYA. Uncle, you're doing it again!
TROFIMOV. You'd better double the red into the middle.
GAEV. I'll be quiet, I'll be quiet.
LUBOV. What's that?
LOPAKHIN. I don't know. It may be a bucket fallen down a well somewhere. But it's some way off.
GAEV. Or perhaps it's some bird . . . like a heron.
TROFIMOV. Or an owl.
LUBOV. [
FIERS. Before the misfortune the same thing happened. An owl screamed and the samovar hummed without stopping.
GAEV. Before what misfortune?
FIERS. Before the Emancipation. [
LUBOV. You know, my friends, let's go in; it's evening now. [
ANYA. It's nothing, mother.
TROFIMOV. Some one's coming.
TRAMP. Excuse me, may I go this way straight through to the station?
GAEV. You may. Go along this path.
TRAMP. I thank you from the bottom of my heart. [
VARYA screams, frightened.
LOPAKHIN. [
LUBOV. [
TRAMP. I am deeply grateful to you! [
VARYA. [
LUBOV. What is to be done with such a fool as I am! At home I'll