Gogol has it and use 'peasant' where he has krestyanin.

Before their emancipation in 1861, Russian peasants were bound to the land and were the property of the landowner. The value of an estate, and thus the 'worth' of its owner, was determined by the number of peasant 'souls,' or adult male serfs, living on it. The peasants worked the master's land and also paid him rent for their own plots, usually in kind. If they knew a trade, they could earn money practicing it and pay quitrent to the master. They remained bound to the land, however, and if they traveled to work, had to have a passport procured for them by their master. Landowners were not required to pay taxes, but their peasants were, and it was up to the landowner to collect them. He was responsible for turning in the tax money for as many souls as had been counted in the latest census. There could be a considerable lapse of time between censuses (the action of Dead Souls is set in the period between the seventh official census of 1815 and the eighth, taken in 1833). During that time a number of peasants would die, but the master remained responsible for the tax on them until they were stricken from the rolls at the next census. It was also possible for a landowner to obtain money from the government by mortgaging some or all of the peasants of whom he was the certified owner.

This translation has been made from the Russian text of the Soviet Academy of Sciences edition, volumes 6 and 7 (Leningrad, 1951). We have preferred the earlier (1855) redaction of volume 2 as being both briefer and more complete. We give the unrevised version of 'The Tale of Captain Kopeikin' in chapter 10 of volume 1.

Volume One

Chapter One

Through the gates of the inn in the provincial town of N. drove a rather handsome, smallish spring britzka, of the sort driven around in by bachelors: retired lieutenant colonels, staff captains, landowners possessed of some hundred peasant souls—in short, all those known as gentlemen of the middling sort. In the britzka sat a gentleman, not handsome, but also not bad-looking, neither too fat nor too thin; you could not have said he was old, yet neither was he all that young. His entrance caused no stir whatever in town and was accompanied by nothing special; only two Russian muzhiks standing by the door of the pot-house across from the inn made some remarks, which referred, however, more to the vehicle than to the person sitting in it. 'See that?' said the one to the other, 'there's a wheel for you! What do you say, would that wheel make it as far as Moscow, if it so happened, or wouldn't it?' 'It would,' replied the other. 'But not as far as Kazan I don't suppose?' 'Not as far as Kazan,' replied the other. And with that the conversation ended. Then, as the britzka drove up to the inn, it met with a young man in white twill trousers, quite narrow and short, and a tailcoat with presumptions to fashion, under which could be seen a shirtfront fastened with a Tula-made pin shaped like a bronze pistol.[1] The young man turned around, looked at the carriage, held his hand to his peaked cap, which was almost blown off by the wind, and went on his way.

As the carriage drove into the yard, the gentleman was met by a tavern servant, or floorboy, as they are called in Russian taverns, lively and fidgety to such a degree that it was even impossible to tell what sort of face he had. He ran outnimbly, a napkin in his hand, all long himself and in a long half-cotton frock coat with its back almost up to his nape, tossed his hair, and nimbly led the gentleman up along the entire wooden gallery to show him his God-sent chambers. The chambers were of a familiar kind, for the inn was also of a familiar kind, that is, precisely one of those inns in provincial towns where for two roubles a day the traveler is given a comfortable room, with cockroaches peeking like prunes from every corner, and the door to the adjoining quarters always blocked by a chest of drawers, where a neighbor settles, a taciturn and quiet man, yet an extremely curious one, interested in knowing every little detail about the traveler. The external facade of the inn answered to its inside: it was very long, of two stories; the lower had not been stuccoed and was left in dark red little bricks, darkened still more by evil changes of weather, and a bit dirty anyway; the upper was painted with eternal yellow paint; below there were shops selling horse collars, ropes, and pretzels. In the corner shop, or, better, in its window, sat a seller of hot punch with a red copper samovar and a face as red as the samovar, so that from a distance one might have thought there were two samovars in the window, if one samovar had not had a pitch-black beard.

While the visiting gentleman was examining his room, his belongings were brought in: first of all a white leather trunk, somewhat worn, indicating that this was not its first time on the road. The trunk was brought in by the coachman Selifan, a short man in a sheepskin coat, and the lackey Petrushka, a fellow of about thirty in a roomy secondhand frock coat, evidently from his master's back, a somewhat stern fellow by the look of him, with a very large nose and lips. After the trunk, a small mahogany chest inlaid with Karelian birch was brought in, a boot-tree, and a roast chicken wrapped in blue paper. When all this had been brought in, the coachman Selifan went to the stables to potter with the horses, while the lackey Petrushka began to settle himself in a small anteroom, a very dark closet, where he had already managed to drag his overcoat and with it a certain smell of his own, which had also been imparted to the sack of various lackey toiletries brought in after it. In this closet, he fixed a narrow, three-legged bed to the wall and covered it with a small semblance of a mattress, beaten down and flat as a pancake, and perhaps as greasy as a pancake, which he had managed to extort from the innkeeper.

While the servants were settling and pottering, the gentleman went to the common room. What these common rooms are, every traveler knows very well: the same walls painted with oil paint, darkened above by pipe smoke, and shiny below from the backs of various travelers, and still more of indigenous merchants, for merchants came here on market days in sixes and sevens to drink their well-known two cups of tea; the same besooted ceiling; the same sooty chandelier with its multitude of glass pendants that danced and jingled each time the floorboy ran across the worn oilcloth deftly balancing a tray on which sat numerous teacups, like birds on the seashore; the same oil paintings all over the wall—in short, the same as everywhere; with the only difference that one painting portrayed a nymph with such enormous breasts as the reader has probably never seen. Such sports of nature occur, however, in various historical paintings, brought to our Russia no one knows at what time, from where, or by whom, on occasion even by our grand dignitaries, lovers of art, who bought them up in Italy on the advice of the couriers that drove them around. The gentleman took off his peaked cap and unwound from his neck a rainbow-hued woolen scarf, such as married men are provided with by their wives, with their own hands, who furnish them with suitable instructions on how to wrap oneself up, while for bachelors—I cannot say for certain who makes them, God alone knows, I myself have never worn such scarves. Having unwound the scarf, the gentleman ordered dinner to be served. While he was being served various dishes usual in taverns, such as: cabbage soup with puff pastry, preserved over many weeks purposely for travelers, brains and peas, sausages and cabbage, roast poulard, pickles, and eternal sweet puff pastries, always ready to please; while all this was being served, warmed up or simply cold, he made the servant, that is, the floorboy, tell him all sorts of rubbish—about who had kept the tavern before and who kept it now, and did it bring in much income, and was their master a great scoundrel, to which the floorboy gave the customary answer: 'Oh, he is, sir. A great crook.' As in enlightened Europe, so in enlightened Russia there are now quite a lot of respectable people who cannot have a meal in a tavern without talking with the servant and sometimes even making an amusing joke at his expense. However, the visitor's questions were not all idle; he inquired with extreme precision as to who was the governor of the town, who was the head magistrate, who was the prosecutor—in short, he did not skip a single important official; but with still greater precision, even almost concern, he inquired about all the important landowners: how many peasant souls each one had, how far from town he lived, even what his character was and how often he came to town; he inquired attentively into the condition of the area: whether there were any diseases in their province—epidemics of fever, some deadly agues, smallpox, and the like, and all this so thoroughly and with such precision that it showed more than mere curiosity alone. The gentleman's manners had something solid about them, and he blew his nose with an exceeding loudness. It is not known how he did it, only his nose sounded like a trumpet. This apparently quite innocent virtue, however, gained him great esteem on the part of the tavern servant, who, each time he heard this sound, tossed his hair, drew himself up more respectfully, and, bowing his head from on high, asked: was anything required? After dinner the gentleman took himself a cup of coffee and sat on the sofa, propping his back against a pillow, which in Russian taverns are stuffed not with springy wool, but instead with something extremely

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