shoddiness has a tang of madness about it, Chernyshevski unwittingly parodies Nekrasov’s device and carries it to absurdity by cramming into the depressions two-syllable words normally accented not on the first syllable (as “Volga”) but on the second, and doing it thrice in one line—surely a record: “Remote hills, remote palms, surprised girl of the north” (verses to his wife, 1875). Let us repeat: all this leaning toward a line created in the image and likeness of definite socio-economic gods was unconscious on Chernyshevski’s part, but it is only by making this tendency clear that one can understand the true background of his strange theory. With all this he had no understanding of the real, violinic essence of the anapaest; neither did he understand the iamb, the most flexible of all measures when it comes to transforming stresses into scuds, into those rhythmical deviations from the meter which according to his memories from the seminary seemed to Chernyshevski unlawful; finally he did not understand the rhythm of Russian prose; it is only natural, therefore, that the very method he applied to prove his theory had its revenge on him: in the passages of prose he quoted he divided the number of syllables by the number of stresses and got the result of three, not the two he would have got, he said, had the binary meter been more becoming to the Russian language; but he did not take into account the main thing: the paeons! For in the very passages he quotes, whole pieces of sentences follow the scudded rhythm of blank verse, the most blue-blooded of all meters; i.e., precisely the iamb!
I am afraid that the cobbler who visited Apelles’ studio and criticized what he did not understand was a mediocre cobbler. Is all really well from the mathematical point of view in those learned economic works of his, whose analysis demands an almost superhuman curiosity on the part of the investigator? Are they really deep, those commentaries of his on Mill (in which he strove to reconstruct certain theories “in keeping with the new plebeian element in thought and life”)? Do all the boots he made really fit? Or is it merely an old man’s coquetry which prompts him twenty years later to recall complacently the errors in his logarithmic calculations concerning the effect of certain agricultural improvements on the grain harvest? Sad, all of this, very sad. Our overall impression is that materialists of this type fell into a fatal error: neglecting the nature of the thing itself, they kept applying their most materialistic method merely to the relations between objects, to the void between objects and not to the objects themselves; i.e., they were the naivest of metaphysicians precisely at that point where they most wanted to be standing on the ground.
Once in his youth there had been an unfortunate morning: he was called on by a book peddler he knew, old, long-nosed Vasiliy Trofimovich, bent like a babajaga beneath the weight of a huge canvas sack full of prohibited and semiprohibited books. Not knowing foreign languages, hardly able to spell out Roman letters and weirdly pronouncing the titles in a thick peasant way, he guessed instinctively the degree of seditiousness of this or that German. That morning he sold Nikolay Gavrilovich (both of them squatting on their haunches beside a pile of books) a still uncut volume of Feuerbach.
In those days Andrey Ivanovich Feuerbach was preferred to Egor Fyodorovich Hegel.
Only a few years earlier the smell of Gogol’s Petrushka had been explained away by the fact that everything existing was rational. But the time for hearty Russian Hegelianism was now past. The molders of opinion were incapable of understanding Hegel’s vital truth: a truth that was not stagnant, like shallow water, but flowed like blood, through the very process of cognition. The simpleton Feuerbach was much more to Chernyshevski’s taste. There is always a danger, however, that one letter will fall out of the cosmic, and this danger was not evaded by Chernyshevski in his article “Communal Ownership,” when he began to operate with Hegel’s tempting triad, giving such examples as: the gasiformity of the world is the thesis, while the softness of the brain is the synthesis; or, even stupider: a cudgel turning into a carbine. “There lies concealed in the triad,” says Strannolyubski, “a vague image of the circumference controlling all life of the mind, and the mind is confined inescapably within it. This is truth’s merry-go-round, for truth is always round; consequently, in the development of life’s forms a certain pardonable curvature is possible: the hump of truth; but no more.”
Chernyshevski’s “philosophy” goes back through Feuerbach, to the Encyclopedists. On the other hand, applied Hegelianism, working gradually left, went through that same Feuerbach to join Marx, who in his
I have put it into blank verse so it would be less boring.
Steklov is of the opinion that with all his genius, Chernyshevski cannot rank with Marx, in relation to whom he stands as the Barnaul craftsman Polzunov stands to Watt. Marx himself (“that petty bourgeois to the marrow of his bones” according to the testimony of Bakunin, who could not stand Germans) referred once or twice to the “remarkable” writings of Chernyshevski, but he left more than one contemptuous note in the margins of the chief work on economics
Lenin considered Chernyshevski to be “the one truly great writer who managed to remain on a level of unbroken philosophical materialism from the fifties right up until 1888” (he knocked one year off). Once, on a windy