2899'>3

3

3

3

3

’For us the most important of all the arts is cinema,’ Lenin is reported to have said.42 He

’For us the most important of all the arts is cinema,’ Lenin is reported to have said.42 He

’For us the most important of all the arts is cinema,’ Lenin is reported to have said.42 He

42

43

cinemas were established in requisitioned churches and village halls. Trotsky said the c

cinemas were established in requisitioned churches and village halls. Trotsky said the c

cinemas were established in requisitioned churches and village halls. Trotsky said the c

44

45

’The theatre is a game. The cinema is life’, wrote one Soviet critic in 1927.46 It was the

’The theatre is a game. The cinema is life’, wrote one Soviet critic in 1927.46 It was the

’The theatre is a game. The cinema is life’, wrote one Soviet critic in 1927.46 It was the

46

47

48

Kinok

kino

oko

kinoki,

49

This manipulative element was the fundamental difference between the kinoki and what

This manipulative element was the fundamental difference between the kinoki and what

This manipulative element was the fundamental difference between the kinoki and what

kinoki

cinema verite

cinema verite

kinoki

The Man with a Movie Camera

The Man with a Movie Camera

Vertov, like all the Soviet avant-garde directors, wanted cinema to change the way its vi

Vertov, like all the Soviet avant-garde directors, wanted cinema to change the way its vi

Vertov, like all the Soviet avant- garde directors, wanted cinema to change the way its vi

emotions in the audience. To demonstrate his theory he intercut a single neutral close-u

emotions in the audience. To demonstrate his theory he intercut a single neutral close-u

emotions in the audience. To demonstrate his theory he intercut a single neutral close-u

50

51

Montage required a different kind of acting, capable of conveying the meaning of the film

Montage required a different kind of acting, capable of conveying the meaning of the film

Montage required a different kind of acting, capable of conveying the meaning of the film

The Delsarte-Dalcroze system had been brought to Russia by Prince Sergei Volkonsky in the

The Delsarte-Dalcroze system had been brought to Russia by Prince Sergei Volkonsky in the

The Delsarte-Dalcroze system had been brought to Russia by Prince Sergei Volkonsky in the

Kam-argo

diverted from what he saw as his professional duty by an order from the court.52 The one real

diverted from what he saw as his professional duty by an order from the court.52 The one real

diverted from what he saw as his professional duty by an order from the court.52 The one real

52

53

54

Many of the most important Soviet directors of the avant-garde graduated from the Kulesho

Many of the most important Soviet directors of the avant-garde graduated from the Kulesho

Many of the most important Soviet directors of the avant-garde graduated from the Kulesho

style moderne

* Diaghilev was dismissed when Volkonsky left the Imperial Theatre. Diaghilev’s dismi

* Diaghilev was dismissed when Volkonsky left the Imperial Theatre. Diaghilev’s dismi

* Diaghilev was dismissed when Volkonsky left the Imperial Theatre. Diaghilev’s dismi

+ The theory was not dissimilar to Gordon Craig’s conception of the actor as a ‘superma

+ The theory was not dissimilar to Gordon Craig’s conception of the actor as a ‘superma

+ The theory was not dissimilar to Gordon Craig’s conception of the actor as a ‘superma

Inside the Film Factory: New Approaches to Russian and Soviet Cinema

ancestry. In 1915 he went to Petrograd to study to become a civil engineer. It was there in

ancestry. In 1915 he went to Petrograd to study to become a civil engineer. It was there in

ancestry. In 1915 he went to Petrograd to study to become a civil engineer. It was there in

Watches on chains were jolted out of waistcoat pockets. Cigarette cases flew out of side

Watches on chains were jolted out of waistcoat pockets. Cigarette cases flew out of side

Watches on chains were jolted out of waistcoat pockets. Cigarette cases flew out of side

55

Eisenstein would use these images in his own cinematic re-creation of the scene in Octobe

Eisenstein would use these images in his own cinematic re-creation of the scene in Octobe

Eisenstein would use these images in his own cinematic re-creation of the scene in Octobe

October

Ten Days That Shook the World.

Enthused by the Bolshevik seizure of power, Eisenstein joined the Red Army as an engineer

Enthused by the Bolshevik seizure of power, Eisenstein joined the Red Army as an engineer

Enthused by the Bolshevik seizure of power, Eisenstein joined the Red Army as an engineer

Strike

October,

56

social injustice… but directly and completely with what is surely the prototype of every so

social injustice… but directly and completely with what is surely the prototype of every so

social injustice… but directly and completely with what is surely the prototype of every so

57

An ant hill of raw fresh-faced recruits moved along measured-out paths with precision and d

An ant hill of raw fresh-faced recruits moved along measured-out paths with precision and d

An ant hill of raw fresh-faced recruits moved along measured-out paths with precision and d

perpetuum mobile,

corps de ballet

58

Eisenstein would try to re-create this sense of poetry in the crowd scenes which dominate hi

Eisenstein would try to re-create this sense of poetry in the crowd scenes which dominate hi

Eisenstein would try to re-create this sense of poetry in the crowd scenes which dominate hi

Strike

October.

In 1920, on his return to Moscow, Eisenstein joined Proletkult as a theatre director and

In 1920, on his return to Moscow, Eisenstein joined Proletkult as a theatre director and

In 1920, on his return to Moscow,

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