already calling him. He was wearing a black coat and pinstripe trousers. Here goes the cabaret, thought Smiley.
'I've been trying to get in touch with you. , Did you not receive my message?' said Maston.
'I did, but I couldn't possibly have spoken to you.'
'I don't quite follow.'
'Well, I don't believe Fennan committed suicide — I think he was murdered. 1 couldn't say that on the telephone?'
Maston took off his spectacles and looked at Smiley in blank astonishment.
'Murdered? Why?'
'Well, Fennan wrote his letter at 10.30 last night, if we are to accept the time on his letter as correct.'
'Well?'
'Well, at 7.55 he rang up the exchange and asked to be called at 8.30 the next morning?'
'How on earth do you know that?'
'I was there this morning when the exchange rang. I took the call thinking it might be from the Department.'
'How can you possibly say that it was Fennan who ordered the call?'
'I had enquiries made. The girl at the exchange knew Ferman's voice well; she was sure it was he, and that he rang at five to eight last night.'
'Ferman and the girl knew each other, did they?'
'Good heavens no. They just exchanged pleasantries occasionally.'
'And how do you conclude from this that he was murdered?'
'Well, I asked his wife about this call .. ?'
'And?'
'She lied. Said she ordered it herself. She claimed to be frightfully absent-minded — she gets the exchange to ring her occasionally, like tying a knot in a handkerchief, when she has an important appointment. And another thing — just before shooting himself he made some cocoa. He never drank it.'
Maston listened in silence. At last he smiled and got up.
'We seem to be at cross purposes,' he said. 'I send you down to discover why Fennan shot himself. You come back and say he didn't.
We're not policemen, Smiley.'
'No. I sometimes wonder what we are?'
'Did you hear of anything that affects our position here — anything that explains his actions at all? Anything to substantiate the suicide letter?'
Smiley hesitated before replying. He had seen it coming.
'Yes. I understood from Mrs. Fennan that her husband was very upset after the interview.' He might as well hear the whole story. 'It obsessed him, he couldn't sleep after it. She had to give him a sedative. Her account of Ferman's reaction to my interview entirely substantiates the letter.' He was silent for a minute, blinking rather stupidly before him. 'What I am trying to say is that I don't believe her. I don't believe Fennan wrote that letter, or that he had any intention of dying.' He turned to Maston. 'We simply cannot dismiss the inconsistencies. Another thing,' he plunged on, 'I haven't had an expert comparison made but there's a similarity between the anonymous letter and Fennan's suicide note. The type looks identical. It's ridiculous I know but there it is. We must bring the police in — give them the facts.'
'Facts?' said Maston. 'What facts? Suppose she did lie — she's an odd woman by all accounts, foreign, Jewish. Heaven knows the tributaries of her mind. I'm told she suffered in the war, persecuted and so forth. She may see in you the oppressor, the inquisitor. She spots you're on to something, panics and tells you the first lie that comes into her head. Does that make her a murderess?'
'Then why did Fennan make the call? Why make himself a nightcap?'
'Who can tell?' Maston's voice was richer now, more persuasive. 'If you or I, Smiley, were ever driven to that dreadful point where we were determined to destroy ourselves, who can tell what our last thoughts on earth would be? And what of Fennan? He sees his career in ruins, his life has no meaning. Is it not conceivable that he should wish, in a moment of weakness or irresolution, to hear another human voice, feel again the warmth of human contact before he dies? Fanciful, sentimental, perhaps; but not improbable in a man so overwrought, so ob- sessed that he takes his own life.'
Smiley had to give him credit — it was a good performance and he was no match for Maston when it came to this. Abruptly he felt inside himself the rising panic of frustration beyond endurance. With panic came an uncontrollable fury with this posturing sycophant, this obscene sissy with his greying hair and his reasonable smile. Panic and fury welled up in a sudden tide, flooding his breast, suffusing his whole body. His face felt hot and red, his spectacles blurred and tears sprang to his eyes, adding to his humiliation.
Maston went on, mercifully unaware: 'You cannot expect me to suggest to the Home Secretary on this evidence that the police have reached a false conclusion; you know how tenuous our police liaison is. On the one hand we have your suspicions: that in short Fennan's behaviour last night was not consistent with the intent to die. His wife has apparently lied to you. Against that we have the opinion of trained detectives, who found nothing disturbing in the circumstances of death, and we have Mrs. Fennan's statement that her husband was upset by his interview. I'm sorry, Smiley, but there it is.' There was complete silence. Smiley was slowly recovering himself, and the process left him dull and inarticulate. He peered myopically before him, his pouchy, lined face still pink, his mouth slack and stupid. Maston was waiting for him to speak, but he was tired and suddenly utterly disinterested. Without a glance at Maston he got up and walked out. He reached his own room and sat down at the desk. Mechanically he looked through his work. His in-tray contained little — some office circulars and a personal letter addressed to G. Smiley Esq., Ministry of Defence. The handwriting was unfamiliar; he opened the envelope and read the letter.
'Dear Smiley,
It is essential that I should lunch with you tomorrow at the Compleat Angler at Marlow. Please do your best to meet me there at one o'clock. There is something I have to tell you. Yours, Samuel Fennan.'
The letter was handwritten and dated the previous day, Tuesday, 3rd January. It had been postmarked in Whitehall at 6.00 P.M.
He looked at it stodgily for several minutes, holding it stiffly before him and inclining his head to the left. Then he put the letter down, opened a drawer of the desk and took out a single clean sheet of paper. He wrote a brief letter of resignation to Maston, and attached Ferman's invitation with a pin. He pressed the bell for a secretary, left the letter in his out-tray and made for the lift. As usual it was stuck in the basement with the registry's tea trolley, and after a short wait he began walking downstairs. Halfway down he remembered that he had left his mackintosh and a few bits and pieces in his room. Never mind, he thought, they'll send them on.
He sat in his car in the car park, staring through the drenched windscreen.
He didn't care, he just damn well didn't care. He was surprised certainly. Surprised that he had so nearly lost control. Interviews had played a great part in Smiley's life, and he had long ago come to consider himself proof against them all: disciplinary, scholastic, medical and religious. His secretive nature detested the purpose of all interviews, their oppressive intimacy, their inescapable reality. He remembered one deliriously happy dinner with Ann at Quaglinos when he had described to her the Chameleon-Armadillo system for beating the interviewer.
They had dined by candlelight; white skin and pearls — they were drinking brandy — Ann's eyes wide and moist, only for him; Smiley playing the lover and doing it wonderfully well; Ann loving him and thrilled by their harmony.
'... and so I learned first to be a chameleon?'
'You mean you sat there burping, you rude toad?'
'No, it's a matter of colour. Chameleons change colour?'
'Of course they change colour. They sit on green leaves and go green. Did you go green, toad?'
His fingers ran lightly over the tips of hers.
'Listen, minx, while I explain the Smiley Chameleon-Armadillo technique for the impertinent interviewer.' Her face was very close to his and she adored him with her eyes.
'The technique is based on the theory that the interviewer, loving no one so well as himself, will be attracted by his own image. You therefore assume the exact social, temperamental, political and intellectual colour of your
