Yeovil crumpled the paper in his hand and went out into the sunlit street.  A sudden roll of drums and crash of brass music filled the air.  A company of Bavarian infantry went by, in all the pomp and circumstance of martial array and the joyous swing of rapid rhythmic movement.  The street echoed and throbbed in the Englishman’s ears with the exultant pulse of youth and mastery set to loud Pagan music.  A group of lads from the tea-shop clustered on the pavement and watched the troops go by, staring at a phase of life in which they had no share.  The martial trappings, the swaggering joy of life, the comradeship of camp and barracks, the hard discipline of drill yard and fatigue duty, the long sentry watches, the trench digging, forced marches, wounds, cold, hunger, makeshift hospitals, and the blood-wet laurels—these were not for them.  Such things they might only guess at, or see on a cinema film, darkly; they belonged to the civilian nation.

The function of afternoon tea was still being languidly observed in the big drawing-room when Yeovil returned to Berkshire Street.  Cicely was playing the part of hostess to a man of perhaps forty-one years of age, who looked slightly older from his palpable attempts to look very much younger.  Percival Plarsey was a plump, pale-faced, short-legged individual, with puffy cheeks, over-prominent nose, and thin colourless hair.  His mother, with nothing more than maternal prejudice to excuse her, had discovered some twenty odd years ago that he was a well-favoured young man, and had easily imbued her son with the same opinion.  The slipping away of years and the natural transition of the unathletic boy into the podgy unhealthy-looking man did little to weaken the tradition; Plarsey had never been able to relinquish the idea that a youthful charm and comeliness still centred in his person, and laboured daily at his toilet with the devotion that a hopelessly lost cause is so often able to inspire.  He babbled incessantly about himself and the accessory futilities of his life in short, neat, complacent sentences, and in a voice that Ronald Storre said reminded one of a fat bishop blessing a butter-making competition.  While he babbled he kept his eyes fastened on his listeners to observe the impression which his important little announcements and pronouncements were making.  On the present occasion he was pattering forth a detailed description of the upholstery and fittings of his new music-room.

“All the hangings, violette de Parme, all the furniture, rosewood.  The only ornament in the room is a replica of the Mozart statue in Vienna.  Nothing but Mozart is to be played in the room.  Absolutely, nothing but Mozart.”

“You will get rather tired of that, won’t you?” said Cicely, feeling that she was expected to comment on this tremendous announcement.

“One gets tired of everything,” said Plarsey, with a fat little sigh of resignation. “I can’t tell you how tired I am of Rubenstein, and one day I suppose I shall be tired of Mozart, and violette de Parme and rosewood.  I never thought it possible that I could ever tire of jonquils, and now I simply won’t have one in the house.  Oh, the scene the other day because some one brought some jonquils into the house!  I’m afraid I was dreadfully rude, but I really couldn’t help it.”

He could talk like this through a long summer day or a long winter evening.

Yeovil belonged to a race forbidden to bear arms.  At the moment he would gladly have contented himself with the weapons with which nature had endowed him, if he might have kicked and pommelled the abhorrent specimen of male humanity whom he saw before him.

Instead he broke into the conversation with an inspired flash of malicious untruthfulness.

“It is wonderful,” he observed carelessly, “how popular that Viennese statue of Mozart has become.  A friend who inspects County Council Art Schools tells me you find a copy of it in every class-room you go into.”

It was a poor substitute for physical violence, but it was all that civilisation allowed him in the way of relieving his feelings; it had, moreover, the effect of making Plarsey profoundly miserable.

XII: The Travelling Companions

The train bearing Yeovil on his visit to Torywood slid and rattled westward through the hazy dreamland of an English summer landscape.  Seen from the train windows the stark bare ugliness of the metalled line was forgotten, and the eye rested only on the green solitude that unfolded itself as the miles went slipping by.  Tall grasses and meadow-weeds stood in deep shocks, field after field, between the leafy boundaries of hedge or coppice, thrusting themselves higher and higher till they touched the low sweeping branches of the trees that here and there overshadowed them.  Broad streams, bordered with a heavy fringe of reed and sedge, went winding away into a green distance where woodland and meadowland seemed indefinitely prolonged; narrow streamlets, lost to view in the growth that they fostered, disclosed their presence merely by the water-weed that showed in a riband of rank verdure threading the mellower green of the fields.  On the stream banks moorhens walked with jerky confident steps, in the easy boldness of those who had a couple of other elements at their disposal in an emergency; more timorous partridges raced away from the apparition of the train, looking all leg and neck, like little forest elves fleeing from human encounter.  And in the distance, over the tree line, a heron or two flapped with slow measured wing-beats and an air of being bent on an immeasurably longer journey than the train that hurtled so frantically along the rails.  Now and then the meadowland changed itself suddenly into

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