I’m saying how frightened I was and he’s taking it all in; and

shit I can drink like any man, you know, I mean, I can drink, I

don’t fold, and I say I can outdrink him and he don’t think so

but I fucking do because he stops but he keeps ordering them

for me and I know I’m going to be crashing soon so I’m not

concerned, there’s nothing I have to do but sleep, alone,

warm , inside, and we get to his place and I ask for his keys and

he says he’ll open it because it’s hard and he opens it, it’s a lot o f

locks, it’s locks that slip and slide and look like they have jaw s,

they m ove and slide and spring and jum p, and the door finally

gets open and he says he’ll take me up and inside the door

there’s steps but first he locks the locks from inside, he locks

them with his keys and he says see this is how you do it when

you come in, don’t forget now, and he pockets the keys and I

think I have to remember to get them so when he leaves I’ll be

able to lock the door behind him, it’s unfamiliar to me and I

don’t want to forget, and then there’s the steps, these huge,

wood steps, these towering flights, these creaky, knotted

steps, these splintery steps, there’s maybe a hundred o f them,

it’s so high up you can’t see the top, so you go up the first

twenty or something and there’s a big, em pty room, more like

a baseball field, it’s not like an apartment building where

there’s other people on the first landing, there’s no one there

and it’s em pty, and there’s another twenty or thirty steps and

it’s knottier and there’s holes in the middle o f the steps and

you’re trying to get up them without looking like a fool or

falling and there’s another floor that’s some cavernous room

with canvases and boxes and it’s brown, all brown, stretched

canvases and paintings wrapped in brown paper for shipping

and huge standing spirals o f brown twine like statues and

brown masking tape and these vast rolls o f heavy brown tape,

the kind o f tape you have to wet and you use it to reinforce

heavy boxes, and there’s brown boxes, cartons, unfolded and

folded and there’s brown crates, it’s a kind o f dead brown

room, the air’s brown, not just dark but brown as if it’s

colored brown, as if the air itself is brown, and the walls and

the floor and everything in it is dull brown and it’s not a room

in the normal sense, in the human sense, it’s more like an

airstrip, and you keep climbing and then there’s this next

floor, it’s big like a fucking commercial garage or something

and it’s completely covered in paint, oil paint, you could park

a hundred cars in it but the whole floor is thick with dried red

paint, oil paint or acrylics you know, like the blob’s all dead

and it died in here, the paint’s fucking deep on the floor, it’s

shocking pinks and royal blues and yellows so bright they hurt

your eyes, I don’t mean the floor is painted like someone put

paint on a brush and used the brush to paint the floor or a wall

Вы читаете Mercy
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×