the shore of the haunted isle, the name by which it was distinguished by those who knew not how to classify the new goddess who was supposed to inhabit it, and who were as much puzzled by this new specimen in their theology, as Linnaeus himself could have been by a nondescript in botany. Alas! the varieties in moral botany far exceed the wildest anomalies of those in the natural. However it was, the stranger returned to the isle. But he had to traverse many paths, where human foot but his had never been, and to rend away branches that seemed to tremble at a human touch, and to cross streams into which no foot but his had ever been dipped, before he could discover where Immalee had concealed herself.

Concealment, however, was not in her thoughts. When he found her, she was leaning against a rock; the ocean was pouring its eternal murmur of waters at her feet; she had chosen the most desolate spot she could find;⁠—there was neither flower or shrub near her;⁠—the calcined rocks, the offspring of volcano⁠—the restless roar of the sea, whose waves almost touched her small foot, that seemed by its heedless protrusion at once to court and neglect danger⁠—these objects were all that surrounded her. The first time he had beheld her, she was embowered amid flowers and odours, amid all the glorious luxuries of vegetable and animal nature; the roses and the peacocks seemed emulous which should expand their leaves or their plumes, as a shade to that loveliness which seemed to hover between them, alternately borrowing the fragrance of the one, and the hues of the other. Now she stood as if deserted even by nature, whose child she was; the rock was her resting-place, and the ocean seemed the bed where she purposed to rest; she had no shells on her bosom, no roses in her hair⁠—her character seemed to have changed with her feelings; she no longer loved all that is beautiful in nature; she seemed, by an anticipation of her destiny, to make alliance with all that is awful and ominous. She had begun to love the rocks and the ocean, the thunder of the wave, and the sterility of the sand⁠—awful objects, the incessant recurrence of whose very sound seems intended to remind us of grief and of eternity. Their restless monotony of repetition, corresponds with the beatings of a heart which asks its destiny from the phenomena of nature, and feels the answer is⁠—“Misery.”

Those who love may seek the luxuries of the garden, and inhale added intoxication from its perfumes, which seem the offerings of nature on that altar which is already erected and burning in the heart of the worshipper;⁠—but let those who have loved seek the shores of the ocean, and they shall have their answer too.

There was a sad and troubled air about her, as she stood so lonely, that seemed at once to express the conflict of her internal emotions, and to reflect the gloom and agitation of the physical objects around her; for nature was preparing for one of those awful convulsions⁠—one of those abortive throes of desolation, that seems to announce a more perfect wrath to come; and while it blasts the vegetation, and burns up the soil of some visited portion, seems to proclaim in the murmur of its receding thunders, that it will return in that day, when the universe shall pass away as a scroll, and the elements melt with fervent heat, and return to fulfil the dreadful promise, which its partial and initiatory devastation has left incomplete. Is there a peal of thunder that does not mutter a menace, “For me, the dissolution of the world is reserved, I depart, but I shall return?” Is there a flash of lightning that does not say, visibly, if not audibly, “Sinner, I cannot now penetrate the recesses of your soul; but how will you encounter my glare, when the hand of the judge is armed with me, and my penetrating glance displays you to the view of assembled worlds?”

The evening was very dark; heavy clouds, rolling on like the forces of an hostile army, obscured the horizon from east to west. There was a bright but ghastly blue in the heaven above, like that in the eye of the dying, where the last forces of life are collected, while its powers are rapidly forsaking the frame, and feeling their extinguishment must shortly be. There was not a breath of air to heave the ocean⁠—the trees drooped without a whisper to woo their branches or their buds⁠—the birds had retired, with that instinct which teaches them to avoid the fearful encounter of the elements, and nestled with cowering wings and drooping heads among their favourite trees. There was not a human sound in the isle; the very rivulet seemed to tremble at its own tinklings, and its small waves flowed as if a subterranean hand arrested and impeded their motion. Nature, in these grand and terrific operations, seems in some degree to assimilate herself to a parent, whose most fearful denunciations are preceded by an awful silence, or rather to a judge, whose final sentence is felt with less horror than the pause that intervenes before it is pronounced.

Immalee gazed on the awful scene by which she was surrounded, without any emotion derived from physical causes. To her, light and darkness had hitherto been the same; she loved the sun for its lustre, and the lightning for its transitory brilliancy, and the ocean for its sonorous music, and the tempest for the agitation which it gave to the trees, under whose bending and welcoming shadow she danced, in time kept by the murmur of their leaves, that hung low, as if to crown their votarist. And she loved the night, when all was still, but what she was accustomed to call the music of a thousand streams, that made the stars rise from their beds, to sparkle and nod

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