The Magic Mountain

referred to any questionable performances at the Berghof, we have done so in what may have seemed a light and jesting tone; this without prejudice to our real opinion as to the levity, or otherwise, of the performances, and solely for the usual obscure reasons which prompt other people to adopt the same. But as a matter of fact, that tone was far less usual in our present sphere than it is elsewhere in the world. Hans Castorp had considered himself pretty well-informed on the subject of the above-named “fact of life” which has always and everywhere been such a favourite target for shafts of wit. And he may have been right in so considering. But now he found that the knowledge he had had down in the flat-land had been most inadequate, that he had actually been in a state of simple ignorance. For his personal emotions in the time of his stay up here⁠—upon the nature of which we have been at some pains to enlighten the reader, and which had been at moments so acute as to wring from the young man that cry of “Oh, my God!”⁠—had opened his eyes, had made him capable of hearing and comprehending the wild, the overstrained, the namelessly extravagant key in which all the “affairs” up here were set. Not that, even up here, they did not make jests on the subject. But up here, far more than down below, jests seemed out of place. They made one’s teeth to chatter, and took away one’s breath, they betrayed themselves too plainly for what they were, a thin and obvious disguise for a hidden extremity⁠—or rather, an extremity impossible to hide. Hans Castorp well remembered the mottled pallor of Joachim’s skin when, for the first and only time, he had innocently alluded to Marusja’s physical charms in the light tone he might have assumed at home. He remembered the chill withdrawal of the blood from his own face, the time he had drawn the curtain to shield Madame Chauchat from the sun; he knew that he had seen the same look on other faces up here, both before and since⁠—he usually remarked it in pairs, as, for example, on the faces of Frau Salomon and young Gänser, in the beginning of that relation between them so happily described by Frau Stöhr. Hans Castorp, we say, recalled all this, and realized that under such circumstances it would not only have been very hard for him not to “betray himself,” but that the effort would not have been worth his pains. In other words, not alone the noble simplicity which did him honour, but also a certain sympathetic something in the air urged him not to do violence to his feelings or make any secret of his condition.

Joachim had, as we know, early spoken of the difficulty of forming acquaintances up here. In reality this arose chiefly from the fact that the cousins formed a miniature group by themselves in the society of the cure; but also because the soldierly Joachim was bent on nothing else but speedy recovery, and hence objected on principle to any closer contact or more social relations with his fellow sufferers. It was a good deal this attitude of his that prevented his cousin from exposing his feelings more freely to the world at large. Even so, there came an evening when Joachim might behold his cousin the centre of a group composed of Hermine Kleefeld, Gänser, Rasmussen, and the youth of the monocle and the fingernail, making an impromptu speech on the subject of Frau Chauchat’s peculiar and exotic facial structure, and betraying himself by his unsteady voice and the excited glitter of his eyes, until his listeners exchanged glances, nudged each other, and tittered.

This was painful for Joachim; but the object of their mirth seemed insensible to his own self-betrayal; perhaps he felt that his state, if concealed and unregarded, would never come to any proof. He might count, however, on a general understanding of it, and as for the inevitable malice that went with it, he took that for granted. People, not only at his own table, but at neighbouring ones as well, enjoyed seeing him flush and pale when the glass door slammed. And even this gratified him; it was like an outward confirmation and assertion of his inner frenzy, which seemed to him calculated to forward his affair, and encourage his vague and senseless hopes. And so it too made him happy. It came to this: that people actually stood about in groups to observe the infatuated youth⁠—after dinner, on the terrace, or on a Sunday afternoon before the porter’s lodge, when the letters were distributed, for on that day they were not carried to the patients’ rooms. He was quite generally known to be very far gone, drunk as a lord and not caring who knew it. Frau Stöhr, Fräulein Engelhart, Hermine Kleefeld and her friend the tapir-faced girl, Herr Albin, the young man with the fingernail, and perhaps others among the guests⁠—would stand together and watch him, with the corners of their mouths drawn down, fairly chortling, whilst he, poor wight, his face aglow with the heat that from the first had never left him, with the glittering eye the gentleman rider’s cough had kindled, would gaze, forlornly and frantically smiling, in one certain direction.

It was really splendid of Herr Settembrini, under these circumstances, to go up to Hans Castorp, engage him in conversation, and ask him how he did. But it is doubtful whether the young man knew how to value and to be grateful for such benevolence and freedom from prejudice. One Sunday afternoon the guests were thronging about the porter’s lodge, stretching out their hands for letters. Joachim was among the foremost; but Hans Castorp had stopped in the rear, angling, in the fashion we have described, for a look from Clavdia Chauchat. She was standing near by, among a group of her tablemates, waiting until the press