corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism.

Tell me about it. Everything you know. I gotta know something about metahemeralism.'

'I'm sorry. I don't know what that is.'

'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing.

'Donne. Walton. Metahemeralism. That's the problem as I see it.'

'Bunny, I don't think 'metahemeralism' is even a word.'

'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.'

'Is it in the dictionary?'

'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?'

And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended.

He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in.

'This is a nice paper, Bun -,' Charles said cautiously.

'Thanks, thanks.'

'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?'

'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.'

Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?'

'Triple-spaced it,' said Bunny proudly.

'These lines are about an inch apart.'

'Looks kind of like free verse, doesn't it?'

Henry made a funny little snorting noise through his nose.

'Looks kind of like a menu,' he said.

All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail. But Bunny wasn't worried: the approaching trip to Italy, now close enough to cast the dark shadow of the Tower of Pisa over his bed at night, had thrown him into a state of high agitation and he was anxious to leave Hampden as soon as possible and dispense with his familial obligations so that he could embark.

Brusquely he asked me, since I didn't have anything to do, would I come over and help him pack? I said I would, and arrived to find him dumping the contents of entire drawers into suitcases, clothes everywhere. I reached up and carefully took a framed Japanese print from the wall and laid it down on his desk: 'Don't touch that,' he shouted, dropping his nightstand drawer on the floor with a bang and darting over to snatch up the print. 'That thing's two hundred years old.' As a matter of fact, I knew that it was no such thing, since I happened a few weeks before to have seen him carefully razoring it from a book in the library; I said nothing, but I was so irritated that I left immediately, amidst what gruff excuses his pride permitted him. Later, after he had gone, I found an awkward note of apology in my mailbox, wrapped around a paperback copy of the poems of Rupert Brooke and a box of Junior Mints.

Henry departed quickly and quietly. One night he told us he was leaving and the next day he was gone. (To St Louis? ahead to Italy? none of us knew.) Francis left the day after that and there were many elaborate and prolonged goodbyes – Charles, Camilla, and I standing by the side of the road, noses raw and ears half-frozen, while Francis shouted at us with the window rolled down and the motor idling and great clouds of white smoke billowing all around the Mustang for what must have been a good forty-five minutes.

Perhaps because they were the last to leave, I hated to see the twins go most of all. After Francis's horn honks had faded into the snowy, echoless distance, we walked back to their house, not saying much, taking the path through the woods. When Charles turned on the light, I saw that the place was heartbreakingly neat – sink empty, floors waxed, and a row of suitcases by the door.

The dining halls had closed at noon that day; it was snowing hard and getting dark and we didn't have a car; the refrigerator, freshly cleaned and smelling of Lysol, was empty. Sitting around the kitchen table we had a sad, makeshift dinner of canned mushroom soup, soda crackers, and tea without sugar or milk.

The main topic of conversation was Charles and Camilla's itinerary – how they would manage the baggage, what time they should call the taxi in order to make a six-thirty train. I joined in this travel-talk but a deep melancholy that would not lift for many weeks had already begun to settle around me; the sound of Francis's car, receding and then disappearing in the snowy, muffled distance, was still in my ears, and for the first time I realized how lonely the next two months would really be, with the school closed, the snow deep, everyone gone.

They'd told me not to bother seeing them off the next morning, they were leaving so early, but all the same I was there again at five to tell them goodbye. It was a clear, black morning, encrusted with stars; the thermometer on the porch of Commons had sunk to zero. The taxi, idling in a cloud of fume, was already waiting in front. The driver had just slammed the lid on a trunkful of luggage and Charles and Camilla were locking the door behind them. They were too worried and preoccupied to take much pleasure at my presence. Both of them were nervous travelers: their parents had been killed in a car accident, on a weekend drive up to Washington, and they were edgy for days before they had to go anywhere themselves.

They were running late, as well. Charles put down his suitcase to shake my hand. 'Merry Christmas, Richard. You will write, won't you?' he said, then ran down the walk to the cab. Camilla – struggling with two enormous carpetbags – dropped them both in the snow and said: 'Dammit, we'll never get all this luggage on the train.'

She was breathing hard, and deep circles of red burned high on her bright cheeks; in all my life I had never seen anyone so maddeningly beautiful as she was at that moment. I stood blinking stupidly at her, the blood pounding in my veins, and my carefully I rehearsed plans for a goodbye kiss forgotten, when unexpectedly she flew up and threw her arms around me. Her hoarse breath ™ was loud in my ear and her cheek was like ice when she put it against mine a moment later; when I took her gloved hand, I felt the quick pulse of her slender wrist beneath my thumbs.

The taxi honked and Charles put his head out the window.

'Come on,' he shouted.

I carried her bags down to the sidewalk and stood under the street lamp as they pulled away. They were turned around in the back seat and waving to me through the rear window and I stood watching them, and the ghost of my own distorted reflection receding in the curve of the dark glass, until the cab turned a corner and disappeared.

I stood in the deserted street until 1 could no longer hear the sound of the motor, only the hiss of the powdery snow that the wind kicked up in little eddies on the ground. Then I started back to campus, hands deep in pockets and the crunch of my feet unbearably loud. The dorms were black and silent, and the big parking lot behind the tennis court was empty except for a few faculty cars and a lone green truck from Maintenance. In my dorm the hallways were littered with shoe boxes and coat hangers, doors ajar, everything dark and quiet as the grave. I was as depressed as I have ever been in my life. I pulled down the shades and lay down on my unmade bed and went back to sleep.

I had so few belongings it was possible to take them in one trip.

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