Hitch-22

adaptation of the Hays Office—the so-called principle of uncertainty whereby the act of measuring something has the effect of altering the measurement—is of such importance. In my case the difference is often made by publicity. For example, and to boast of one of my few virtues, I used to derive pleasure from giving my time to bright young people who showed promise as writers and who asked for my help. Then some profile of me quoted someone who disclosed that I liked to do this. Then it became something widely said of me, whereupon it became almost impossible for me to go on doing it, because I started to receive far more requests than I could respond to, let alone satisfy. Perception modifies reality: when I abandoned the smoking habit of more than three decades I was given a supposedly helpful pill called Wellbutrin. But as soon as I discovered that this was the brand name for an antidepressant, I tossed the bottle away. There may be successful methods for overcoming the blues but for me they cannot include a capsule that says: “Fool yourself into happiness, while pretending not to do so.” I should actually want my mind to be strong enough to circumvent such a trick. I try to deny myself any illusions or delusions, and I think that this perhaps entitles me to try and deny the same to others, at least as long as they refuse to keep their fantasies to themselves. Karl Marx phrased this most perfectly by saying that critics should “pluck the flowers from the chain, not so that men may wear the chain without consolation, but so that they may break the chain, and cull the living flower.” So I was “a touch appalled” (as I once did hear Ronald Dworkin drawlingly say) when I read the following, in the memoir of my beloved friend Christopher Buckley. It’s drawn from a speech that was delivered at his father’s funeral:

We must do what we can to bring hammer blows against the bell jar that protects the dreamers from reality. The ideal scenario is that pounding from without we can effect resonances, which will one day crack through to the latent impulses of those who dream within, bringing to life a circuit that will spare the republic.

There’s a bit of metaphor mixture there—and an odd recurrence of that same “bell jar” that has shadowed me for so long—but I was beginning to swell with admiration for it until I noticed that it was a Buckleyism being cited by Henry Kissinger (during whose speech at the memorial I had stepped out into the rainswept street rather than be counted as “among” his audience). Hardest of all, as one becomes older, is to accept that sapient remarks can be drawn from the most unwelcome or seemingly improbable sources, and that the apparently more trustworthy sources can lead one astray.

Gore Vidal, for instance, once languidly told me that one should never miss a chance either to have sex or to appear on television. My efforts to live up to this maxim have mainly resulted in my passing many unglamorous hours on off-peak cable TV. It was actually Vidal’s great foe William F. Buckley who launched my part-time television career, by inviting me on to Firing Line when I was still quite young, and giving me one of the American Right’s less towering intellects as my foil. The response to the show made my day, and then my week. Yet almost every time I go to a TV studio, I feel faintly guilty. This is pre-eminently the “soft” world of dream and illusion and “perception”: it has only a surrogate relationship to the “hard” world of printed words and written-down concepts to which I’ve tried to dedicate my life, and that surrogate relationship, while it, too, may be “verbal,” consists of being glib rather than fluent, fast rather than quick, sharp rather than pointed. It means reveling in the fact that I have a meretricious, want-it-both-ways side. My only excuse is to say that at least I do not pretend that this is not so.

Another question one is frequently asked about one’s life—and probably has to ask oneself—is: Under what conditions would you lose, or “give” it? I start with a slight bias against the question, which itself has some Hays Office and Heisenberg difficulties. Every November of my boyhood, we put on red poppies and attended highly patriotic services in remembrance of those who had “given” their lives. But on what assurance did we know that these gifts had really been made? Only the survivors—the living—could attest to it. In order to know that a person had truly laid down his life for his friends, or comrades, one would have to hear it from his own lips, or at least have heard it promised in advance. And that presented another difficulty. Many brave and now dead soldiers had nonetheless been conscripts. The known martyrs—those who actually, voluntarily sought death and rejoiced in the fact—had been the kamikaze pilots, immolating themselves to propitiate a “divine” emperor who looked (as Orwell once phrased it) like a monkey on a stick. Their Christian predecessors had endured torture and death (as well as inflicted it) in order to set up a theocracy. Their modern equivalents would be the suicide murderers, who mostly have the same aim in mind. About people who set out to lose their lives, then, there seems to hang an air of fanaticism: a gigantic sense of self-importance unattractively fused with a masochistic tendency to self-abnegation. Not wholesome.

The better and more realistic test would therefore seem to be: In what cause, or on what principle, would you risk your life? I reflect on the times when I nearly lost mine. One occasion—in Northern Ireland—I have already described on pages 147–148. If I had had a moment to think then, as my life ebbed away, my last thought would have been that I was dying while feeling, and doubtless looking, a bloody fool.[73] It also wouldn’t even have been in a “good cause,” which is how many people, including my father the Commander, most desire to picture their deaths. In my case it would have been journalistic ambition and youthful foolishness and also—since I had blundered my way into an ambush—what the British soldiers of the time rather unfeelingly called an “own goal.”

In Sarajevo in 1992, while being shown around the starved, bombarded city by the incomparable John Burns, I experienced four near misses in all, three of them in the course of one day. I certainly thought that the Bosnian cause was worth fighting for and worth defending, but I could not take myself seriously enough to imagine that my own demise would have forwarded the cause. (I also discovered that a famous jaunty Churchillism had its limits: the old war-lover wrote in one of his more youthful reminiscences that there is nothing so exhilarating as being shot at without result. In my case, the experience of a whirring, whizzing horror just missing my ear was indeed briefly exciting, but on reflection made me want above all to get to the airport. Catching the plane out with a whole skin is the best part by far.) Or suppose I had been hit by that mortar that burst with an awful shriek so near to me, and turned into a Catherine wheel of body-parts and (even worse) body-ingredients? Once again, I was moved above all not by the thought that my death would “count,” but that it would not count in the least.

I have sometimes discovered this sense, of my own relative unimportance, to be somewhat consoling. In Afghanistan a few years ago, I was stupid enough to get myself cut off and caught, in the outwardly lovely western city of Herat, hard by the Persian border, in a goons’ rodeo duel between two local homicidal potentates (the journalistic euphemism for this type is “warlord”; the image of the “goons’ rodeo” I have annexed from Saul Bellow). On me was not enough money, not enough food, not enough documentation, not enough medication, not enough bottled water to withstand even a two-day siege. I did not have a cellphone. Nobody in the world, I abruptly realized, knew where I was. I knew nobody in the town and nobody in the town knew (perhaps a good thing) who I was, either. And the local airport had been closed, so that the excrement-colored capital city of Kabul, so far away, seemed suddenly like Parnassus. As all this started to register with me, the square began to fill with those least alluring of all types: strident but illiterate young men with religious headgear, high-velocity weapons, and modern jeeps. I had the chance for one phone call, on a quavering line from the lobby of a terrible hotel. It went through, and an American Special Forces guy told me to wait just where I was. He told me later that when he first pulled up with his team, and saw me standing in the mob with a shopping bag of books and papers and a nervous grin, he thought I had “balls of brass.” He soon lost that impression, and came to appreciate what a danger and nuisance I was, to myself and others. But we still see each other, and correspond (and, heroic as he is, he once soberingly told me, concerning the American presence in Afghanistan: “We’re blondes out there, man. Dumb and innocent as the day is long”).

After a stay in the military post, where among other things I met an officer with the surname of Marx who told me he was a Michael Moore fan, and where not one of the narcotics “enforcement” team believed in the starkly deranged “war on drugs,” I got myself onto an evacuation plane that was at least pointed at the capital city. Gazing out the window at the deforested and browned-over hills that had once been vineyards, and exhaling with relief at my deliverance, I began to feel a really shocking agony in my upper jaw. Had I been clenching my teeth with anxiety over the past few days? The question soon became immaterial as I understood that something was really, deeply wrong with at least one of my fangs and tusks. I could either “do” Afghan dentistry or take the long and penitential flight home to Washington. I remember almost every second of it, mainly because I don’t cry all that easily and by the time I was in Dupont Circle, I was white with misery. Of the later pain I was forced to think: Is this the sort of pang that women speak about with childbirth, where the memory simply and mercifully obliterates the recollection