down to the candle which she has left behind, reads.  Enter FERAPONT; he wears an old shabby overcoat, with the collar turned up, and has a scarf over his ears.]
  ANDREY. Good evening, my good man.  What is it?
  FERAPONT. The Chairman has sent a book and a paper of some sort here .  .  .  [gives the book and an packet].
  ANDREY. Thanks.  Very good.  But why have you come so late?  It's past eight.
  FERAPONT. Eh?
  ANDREY [louder].  I say, you have come late.  It's past eight o'clock.
  FERAPONT. Just so.  I came before it was dark, but they wouldn't let me see you.  The master is busy, they told me.  Well, of course, if you are busy, I'm in no hurry [thinking that ANDREY has asked him a question].  Eh?
  ANDREY. Nothing [examines the book]. Tomorrow is Friday.  We don't have a meeting, but I'll come all the same .  .  .  and do my work. It's boring at home .  .  .  [a pause]. Dear old man, how strangely life changes and deceives you!  Today  I was so bored and had nothing to do, so I picked up this book -- old university lectures -- and I laughed.  .  .  . Good heavens!  I'm the secretary of the District Council of which Protopopov is the chairman.  I am the secretary, and the most I can  hope for is to become a member of the Board!  Me, a member of the local District Council, while I dream every night I'm professor at the University of Moscow -- a distinguished man, of whom all Russia is proud!
  FERAPONT. I can't say, sir.  .  .  .  I don't hear well.  .  .  .
  ANDREY. If you did hear well, perhaps I shouldn't talk to you.  I must talk to somebody, and my wife doesn't understand me.  My sisters I'm somehow afraid of -- I'm afraid they will laugh at me and make me ashamed.  .  .  .  I don't drink, I'm not fond  of restaurants, but how I'd enjoy sitting at Tyestov's or the Bolshoy Moskovsky at this moment, dear old man!
  FERAPONT. A contractor was saying at the Board the other day that there were some merchants in Moscow eating pancakes; one who ate forty, it seems, died.  It was either forty or fifty, I don't remember.
  ANDREY. In Moscow you sit in a huge room at a restaurant; you know no one and no one knows you, and at the same time you don't feel a stranger.  . . .  But here you know everyone and everyone knows you, and yet you are a stranger -- a stranger.  . .  .  A stranger, and lonely, .  .  .
  FERAPONT. Eh?  [a pause] And the same contractor says -- maybe it's not true -- that there's a rope stretched right across Moscow.
  ANDREY. What for?
  FERAPONT. I can't say, sir.  The contractor said so.
  ANDREY. Nonsense [reads].  Have you ever been to Moscow?
  FERAPONT [after a pause].  No, never. It wasn't God's will I should [a pause]. Mind if I go?
  ANDREY. You can go.  Take care of yourself. [FERAPONT goes out.] Take care [reading].  Come tomorrow morning and pick up some papers here.  .  .  .  Go.  .  .  .  [a pause].  He's gone [a ring].  Yes, it's work .  .  .  [stretches  and goes slowly into his own room].
  [Behind the scenes a nanny is singing, rocking a baby to sleep.  Enter MASHA and VERSHININ. While they are talking a maidservant is lighting a lamp and candles in the dining-room.]
  MASHA. I don't know [a pause].  I don't