angles, 217-218

as art of showing likeness of people, 216

candid portrait, 220-221

couples, 225

environmental, 136, 218-220

facial expression, 216-217

group portrait, 224-227

hand placement, 217

hard lighting, 156

high-angle shots, 217

lens selection, 217-218

mug shot, 217

negative space, 333

perspective, 120-121

posed portrait, 220, 222-223

profile, 217

portrait photography (continued)

soft lighting, 156

storytelling in, 215-216

3/4 angle, 217 posed portrait

background, 222

basic description of, 220

composition, 223

inspiring subject for, 222

lighting, 222

scene selection considerations, 222 postproduction editing

black-and-white image conversion, 97-98

brightening/darkening areas, 297-298

contrast adjustment, 304-305

cropping, 301

dark reflection removal, 296

distortion, 302

lighting, 305-306

perspective, 300-303

pixels, duplicating, 295-296

resizing and repositioning elements, 302-303

rotating images, 301

sharpened image, 306-308

software, 293

spot removal, 296

straightening images, 300

tattoo removal, 297

trying something new through, 319

unwanted elements and flaws, removing,

294-300

primary additive color, 86 primary points, 52 problem background, 146–149 product photography. See also still-life photography

hard lighting, 156

sense of product enhancement, 251

soft lighting, 156

solid background for, 141

sweat beads, 251

texture bubbles, 251 profile, portrait, 217 prop, background, 149 purple, characteristics associated with, 87

quality of light, 155–156, 160

raccoon eyes, 173 rear curtain sync, 271 Recollections: Three Decades of

Photography (Sexton), 236 recycle time, 155 red

characteristics associated with, 87

complementary color, 311 red color channel, 95 reflection

in still-life photography, 250

vignette, 122

reflective material, 161–162 reflector

light modifiers, 161

light source, 155

Rembrandt lighting pattern, 165–166 Remove Distortion tool (Photoshop), 302 repeating elements, 13 repeating patterns, 64–65, 201–202 repetition

reinforcing subject or intended message with, 204-205

rhythm, 200

simple composition, 202

symmetry, 201

vanishing pattern, 200 resizing and repositioning elements,

302-303 rhythm, 200 rim light, 167–168 ring flash, 237

rise and fall technique, 207–208 rotating images, 301 rule of thirds

area of most importance, 71

basic description of, 52, 69

focal point, 105

golden points, 71, 73

horizon line, 71 sense of closure, 76 sense of environment, 74 sense of narrative, 76 subject between center and right third, 74 subject size consideration, 72–74 supporting elements, 72 sweet spots, 70 symmetrical scene, 75 unbalanced relationship, 75 unusual angles, 129 rules of composition background, 68 balance, 82–84 chaotic composition, 80 foreground, 68 leading lines, 79 midground,68 simple composition, 80 space, 76–79 staggering objects, 78-79

S curve, 56

saturation property of color, 86

scale

achieving balance through, 197-199

composition technique, 20

developing sense of, 11 Scrim Jim, 160 seasonal lighting, 174 secondary focal point

distracting elements in, 115-116

leading lines, 115 secondary points, 52–53 selective focus

focal point, 109-113

to reveal specific detail, 110 sequence pattern, 63–64 Sexton, John (Recollections: Three Decades

of Photography), 236 shadow

hard, 155

in landscape photography, 234

Shadows/Highlights tool (Photoshop), 306 shapes

abstract art, 285

allowing space for, 77-78

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