backlighting for emphasis of, 61

composition technique, 20

distracting backgrounds, 144

emphasizing, 61

in environmental portrait, 220

forms versus, 58-59

as golden point, 54

how to portray, 59-60

outline as representation of, 59

in relationship to each other, 59-60

sense of balance and flow around, 60

in soft composition, 210 sharpened image editing, 306–308 sharpening filters (Photoshop), 307 shift technique, 207 short lighting, 165, 167 shutter release cable, 322 shutter speed

defined, 2, 37

exposure relationship, 39

in low-light conditions, 39

motion blur, 39, 268

night photography, 245

in normal lighting conditions, 39

setting the, 39

slowing down/speeding up, 39

sports photography, 276

for sunny-day shooting, 39 side shots, 277 sidelighting

sunrise and sunset, 171-172

for texture emphasis, 62–63 simple composition

abstract art, 286

black-and-white images for, 100

monochromatic color scheme for, 88

repetition, 202

rules of composition, 80 single subject, shooting multiple ways

backlighting, 334

compositional frame, 332

single subject, shooting multiple ways (continued)

foreground detail, 331

high-angle shot, 325

highlighting the subject, 327

intimate portrait, 330

low-angle shot, 326-327

narrowing in on subject, 329

negative space, finding, 333

showing more scenery, 327 site. See Web site size relationships, 28 slimming effect, 167 soft box, 161

soft composition, 210–211 soft light

forest photography, 244

hard light versus, 156

mixed with high contrast, 160

mixed with low contrast, 160 software, postproduction editing, 293 solid background, 139, 141–142, 151 space

active, 265

basic description of, 76

emphasis in environment, 77

emphasis in subject, 77

focal point, 107-108

headroom, 67

illusion of depth, 78

leading lines allowance, 79

merging elements for, 78

negative, 105

rules of composition, 76-79

showing shape of subject, 77-78

staggered elements, 78–79 specular surface, 171 split lighting pattern, 165–166 sports photography

aerial shots, 277

aperture, 276

climactic moments, 277

depth of field, 276

digital noise, 276

facial expressions, 277

familiarity with sport, 277

ISO setting, 276

lighting, 276

motion blur, minimizing, 277-278

overview, 275

shutter speed, 276

side shots, 277

telephoto lens for, 276 spot metering, 42 spot removal, 296 spotted light source, 154 square format, 191 staggered elements

in dramatic composition, 78-79

group portrait, 226

object size and spatial relationship, 78

sense of distance, 78 star trail, 269 still-life photography

contrast, 250

dramatic composition, 248-249

flowers, 252-255

food,255-257

lighting, 249-250

mimicry, 249

overview, 247

reflective surfaces, 250

seeing objects as fine art, 248

sense of selling objects through, 249–251 stopping down, 113 stops, 37 storytelling, in portrait photography,

215-216

straight photography, 319 straightening images, 300 streaking lights, 268–269 strobe light source, 154–155, 163 studio photography, 47 subject

backgrounds merged with, 145-146

basic description of, 11

centering the, 129

composition representation, 11

elements in scene relating to, 11

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