Tough Cookie

shoulder, and murmured that I would be right back.

The snow seemed to be letting up a bit as I made my way to the Cinnamon Stop. The cafe was still hopping with business, though, and a video showing a freestyle snowboarding competition was drawing oohs and aahs from the enthralled crowd. I shouted my request to Cinda, who was steaming milk for a latte. Did she have an extra machine in the back where I could watch a film?

She gave me a puzzled look, then cried “Sure!” and muttered something to the waiter I recognized as Ryan. He pointed to a door and I waded through the boisterous crowd to join him.

“You need help with a video?” Ryan asked.

“Yeah, my friend’s pregnant and about to pop. My Lamaze teacher gave me a childbirth video,” I improvised blithely, “and I need to see if it’s in good enough shape to show.”

Ryan shrugged, as if my lie were the most ridiculous thing he’d ever heard, which it probably was. He turned on the VCR while I struggled to open the camera, first with my fingernails, then with a pair of scissors from Cinda’s desk. When the latch finally gave, the shears snapped. Ryan took the cassette and showed me how to operate Cinda’s VCR.

Fast-forwarded, Nate Bullock’s tape was spotty with visual static. When the film opened with the first shot, the snow-capped rustic sign for Elk Valley and Elk Ridge, I grabbed the remote control from Ryan and hit “Stop.”

Ryan turned to me. “Lamaze at a ski resort? What is this, ‘Cliffhanger Childbirth’?”

I opened the office door to usher him out. “It’s women’s stuff. Not a place you want to go, Ryan.”

He muttered something like You can say that again and zipped out. Worried about Rorry in the present, and what this video was going to show me about the past, I took a nervous breath. Then I hit the Play button.

Nate Bullock’s garbled-but-familiar PBS voice gave me a jolt. I couldn’t make out a word of what he was saying. From the tone of it, it sounded like an introduction. After the shot of the sign, his next shot was of the path beyond it. Next the camera panned to his companion, whom I couldn’t quite make out. Rorry was right about one thing: She was a female. The woman had a snowboard slung under her arm. Nate went from a long shot to a close-up.

I cried out: A conservative form-fitting navy-blue ski suit, no psychedelic outfits. A short cap of brown hair, no spill of pink curls. No jewelry. But her athleticism, her pretty face with its freckle-sprayed pixie nose, her bright, lopsided smile: All these were unmistakable.

Cinda Caldwell.

Barton Reed’s words in the hospital echoed in my brain: Said she was hurt, but that was crap. Just chickened out. Of course, Cinda was the most famous female snowboarder in Killdeer. Young, pretty, and as adept at snowboarding as anyone. She was the best. Got hurt. Wanted to be famous. Never happened.

No, it never happened, I thought as I watched. Nate expertly clicked off the camera and then resumed taping from the valley. Cinda was far above, on the right edge of Elk Ridge. Nate zoomed in on her doing a smooth right to left, then left to right maneuver on the steep white slope. Cinda’s flowing movements were as effortless and breathtaking as big-wave surfing.

Nate’s garbled voice came on again; the tape clicked off. The next time Cinda appeared she was up higher, near the top edge of the steep, forest-lined bowl that Arthur had pointed out to Marla and me the day before. Nate zoomed in. Poised unafraid at the edge of the bowl, Cinda’s face was happy but determined. Then her concentration broke. She stared, puzzled, into the distance. A look of horror spread over her face, and she gestured to the camera.

“Over there,” I could lip-read her saying. She pointed and mouthed the words again. Nate lowered the camera. You could hear him yelling. Then the camera rose and panned vertiginously. I blinked and realized I was looking through treetops at Bighorn Overlook. In the distance, Cinda screamed. Her voice sounded as if she were underwater.

A small noise made me jump. The office door had opened. Cinda, her flaming pink hair backlit by the cafe’s bright lamps, stood rigidly in the oblong of light. She stared at the initials on the camera case in my hands, then lifted her eyes to meet mine.

She said, “What are you going to do with that? Get me killed, too?”

CHAPTER 21

No,” I said immediately. “At least, I’m trying not to. Is this film why you quit snowboarding? You were afraid?”

“Yes. Still am. Not to mention feeling guilty about Nate.”

I took a deep breath. “And do you feel afraid because you saw who pushed Fiona Wakefield over the cliff?”

She sighed. “Yes. But all I saw was people struggling on Bighorn Overlook. Does the tape show what happened?”

“I haven’t gotten that far.”

Cinda closed the door, muffling the noise of the cafe behind her. “What are you planning on doing?”

I shrugged and glanced at my watch. Desperate as I was to see the rest of the tape, my fear of interruption and my desire to protect evidence, not to mention my need to do the last PBS program, dictated that I not view any more of the tape just then. I needed to find out what Cinda knew, and then I needed to split. Fast. “I haven’t got immediate plans,” I answered noncommitally.

“Goldy, please. Don’t turn in that tape. It’ll be the end of me. I was hoping you could figure out what happened, and leave me out of it—” She bit her lip.

“What are you talking about?” I stared at her. “Leave you out of it? You were so eager to get me to figure things out, you left the articles and ordered The Stool Pigeon Murders and the avalanche book, didn’t you?” She nodded bleakly. “For crying out loud, Cinda, you took my frigging library card?”

“It dropped out of your wallet here a few weeks ago. I’d been meaning to give it back to you. But then you got involved looking into Portman’s death. And I thought, well, Goldy’s the one who’s supposed to be so good at solving crimes, why not let her solve this one?”

“Did you call me pretending to be a journalist named Reggie Dawson?”

She grimaced. “Of course not.” She sighed. “Look, I know you’re angry, but please, think about what I’ve gone through since the avalanche. That day changed my life, for the worse. Who killed Fiona Wakefield? And did whoever do it see me up on the ridge? Did Nate tell anyone that I was the one he was filming? Does anyone know I’m the one who started the avalanche that killed Nate Bullock?”

“What do you think?” I asked her. Again, I was aware of the tape in her VCR. I was also aware that I suddenly did not trust Cinda Caldwell.

“I followed Jack Gilkey’s criminal trial,” she was saying. “I don’t think Gilkey knew I was the one snowboarding in the out-of-bounds area on Elk Ridge. But Gilkey, or whoever pushed his wife off the overlook, knew some snowboarder was on Elk Ridge. It was in the papers when Nate died. In jail, Gilkey befriended my old buddy Barton Reed. Maybe it was just to be friendly, but Gilkey asked Barton a million questions about scofflaw snowboarders in Killdeer. Barton wrote me about his new friend; told me the two of them would be out soon; we could all go snowboarding. I wrote back that I hadn’t done any boarding since my knees gave out the year before.”

“Why didn’t you tell me all this last week, when you were so upset that Barton had made a threat against someone in law enforcement?”

The freckled skin around Cinda’s pale eyes crinkled in sudden fury. “Oh, sure. And then have the cops ask me, ‘How do you happen to know so much about Fiona Wakefield’s death, Ms. Caldwell?’ And I say, ‘Well, Officer, I think I saw something just before I caused an avalanche in an out-of-bounds area, an avalanche that killed a PBS star!’ Do you think that kind of confession would