Once off the gondola, I surveyed the bistro. Smoke curled out of the two chimneys. Late-day skiers straggled out to catch one last run.
The two lower-level barn-type doors were partially open. My entry with my toolbag raised the eyebrows of the pair of grizzled, hulking workers. Both were so swaddled in scarves, hats, heavy gloves, layers of sweatshirts, and what looked like padded dungarees, that they were unrecognizable.
“I’m one of the cooks,” I explained to one as I squeezed past the first stinking canister. He nodded apathetically and turned back to his work, while I scuttled along the tunnellike, neon-lit hallway. It was dank and cold. I was surprised at how depressingly subterranean the concrete basement was, at how tired and raggedly clad the workers had been. The bistro’s storage area was as unglamorous a workplace as the bare trailer park was a living area. As I bustled into a freezer-lined room and tucked the cassette between boxes of frozen chocolate cakes, I wondered if the rich folks who played on the manicured slopes outside had any idea of the economic underside of their vacations. The workers labor all day and night, dress and eat poorly, and are crammed into freezing trailers at the edge of town. Not something for the resort owners to be proud of.
I rushed up the steps and, panting, came through the uncrowded kitchen, where the six-person evening staff was bemoaning the fact that one of the two walk-in refrigerators was out of order. It would take twice as long to prep for the evening meal, they complained, as they set about cutting leeks, carrots, onions, and celery into julienne. I set my bag down and asked one of the cooks if Jack Gilkey was here. No, Jack had gone to Denver to see Mrs. Druckman in the hospital. The food for the show lay prepped on a sideboard, the cook added. He pointed to a counter. The other cooks began to snigger, and I thought I caught one of them saying, “At least he isn’t here to take the credit for our work, the way he usually does.”
I slipped into my jacket and uniform for the show, then inspected Jack’s—or his subordinates’—impressively organized foodstuffs, all labeled: a loaf of Julian’s crusty golden-brown five-grain bread sat next to the yeast, molasses, and other ingredients. The cereal and its ingredients were similarly laid out. Beside these was a platter lined with grilled Canadian bacon and plump sausage links. At the end of the counter, a crystal plate was adorned with concentric circles of fresh sliced ruby red strawberries, golden pineapple, and emerald green kiwi, all dotted with fat blueberries and raspberries. My stomach reflected on the long-ago peanut butter and jelly, and sent up a distress signal.
Jack had left me a note:
Hopefully, Nate’s video would tell all.
I scurried out to the hot line with the first batch of ingredients. Would the bistro audience be disappointed to be receiving only oatmeal, bread, Canadian bacon, and fruit for their nine bucks? I didn’t know. Boots Faraday, now apparently a regular at the show, was seated serenely by the fireplace. So, unfortunately, was Cinda Caldwell. My heart lurched.
Arthur strode toward me, clipboard in hand. He appraised me menacingly. I felt myself blushing. Finally he said, “I suppose you know the chef’s gone to see the owner in the hospital.” He made it sound as if I had put Eileen there.
“Not to worry, Arthur. Jack left everything done.”
Arthur narrowed his eyes skeptically, then handed me the visual they would post for the menu. There was the usual Front Range PBS logo, followed by:
“You have to put that it’s Julian Teller’s five-grain bread.”
“This is public TV,” Arthur replied stiffly. “No advertising.” Before I could protest, he added: “Are you going to tell me what Rorry Bullock was
Startled, I answered, “She was seeing how the other half lives, Arthur.” When he
Arthur’s groan of protest attracted stares. Then he grunted assent and whisked morosely away. Fifteen minutes until showtime: I concentrated on transporting ingredients. The crowd grew more boisterous with each minute. A tech handed me the mike wire and I threaded it through my jacket.
And so I did the show. Without a single calamity or disaster. I realized I hadn’t thought of a single sexy thing to say about the food except that molasses was reputed as an aphrodisiac, and oats were widely used in the diet of the British Isles, and didn’t the Brits, after all, know lusty, ribsticking food? Finally, after nibbling on the bread, swishing my hips about, and taking an eye-rolling bite of the oatmeal, I beamed at the camera and crooned, “That’s comfort food for you. And doesn’t everyone want to be comforted and loved at this time of year?”
To my astonishment, and to Arthur’s consternation, the audience broke into spontaneous applause. Tears welled in my eyes as I smiled at the camera and Arthur made his wild
The kitchen staff was clustered around a problem with the oven. I barely noticed them as I made my way to the clothing closet by the broken refrigerator. Feeling triumphant, I took off my apron and hung it up, then bent to unbutton my jacket. Then I sensed a movement behind me and my blood ran cold.
Skiers’ Swiss Cereal
1 cup rolled oats
1 teaspoon very finely chopped orange zest
? teaspoon cinnamon
2 tablespoons dried tart cherries
2 cups skim milk
Brown or granulated sugar
Cream, butter, or milk
The night before you plan to serve the dish, in a glass bowl, combine the oats, zest, cinnamon, and cherries. Stir well, then stir in the milk. Cover with plastic wrap and refrigerate.
The next morning, place the mixture in a medium-sized saucepan and bring it to a simmer. Lower the heat
