September 14, 2010
I caught up on everyone’s new chapters last night. Good shit, guys. I also added a little something to the info dump scene. Still think it needs to be broken out into the chapel scene. Maybe I’ll look at that today if Joe can’t get to it.
I just have to write the Adam v. Oasis scene which will end with Clayton Theel killing some draculas on the verge of breaking into the maternity ward, saving Adam et al., and I think we’ll be ready to put the finale together.
My plan is to add all the new stuff to the existing manuscript once I write this last scene and have my folks meet up with Clayton. Then we can dive into the finale.
One more scene before we hit the finale, will have Randall, Jeff, Jenny and the kids meet up and decide to head for the roof because Clay can flag down a television helicopter. On the way, Clay can hear human screams in the maternity ward, and he can go and get Adam, Stacie, and their baby. Then all our characters are together heading for the roof, draculas chasing them because the army is storming the place, etc.
Who’s writing the next Jenny/Randall/Clayton scene?
Also, should we talk start talking about who writes what for the final scenes?
Blake
• • •
So can we get the pediatrics kids into a helicopter and off to safety? I’m all in favor of killing young children in my fiction (“With that scene in
The plan was for him to get them out through the main entrance, but Randall has to go back because Jenny was grabbed by a dracula, and their own escape is cut off, forcing the roof plan. But if we can get the kids out with a helicopter on the roof (which then has no room for the others), I can still have Randall chainsawing draculas left and right as he leads the kids to safety, but get us closer to the finale quicker.
Jeff
• • •
Do it, and hells yes, save the kids. Have Randall put them on a helicopter…(so they can be sick and die in peace…love that line)…
Here’s the part of Joe’s outline that I agree with…
After this, I think it changes a little. Let’s have Randall getting the kids on the chopper, along with Stacie’s baby, after she’s killed and Adam wounded (another heartbreaking, scene…Adam saying goodbye to his daughter).
While Randall gets the kids onto the chopper, Clay and Adam go down to the room with the grenades, and we have Adam’s death scene as he takes out a tons of draculas.
Back on the roof, Randall is wounded and dying. Jenny stays with him.
WHAT IS CLAY DOING? HOW DOES THIS END FOR HIM? I’M NOT SURE IF HE’S JUMPING ONTO THE HELICOPTER SKIDS ANYMORE WITH HE ADAM GOING BACK INTO THE HOSPITAL.
Adam blows up, making meat confetti. Jenny tell Randall she loves him. He dies. Just as she’s surrounded, the army drops a bomb.
Shanna sees the explosion. Watches the helicopter come. Clay isn’t on it. She weeps. Meets another survivor. Young guy. He’s calm and a bit flirtatious.
DOES CLAY SURVIVE? REUNION WITH SHANNA?
Survivor gets baby. It’s Mort.
Thoughts?
Blake
• • •
Sounds fantastic. And Randall’s chainsaw and screams of “Die, draculas, die!!!” could attract the other survivors, helping to bring our group together.
Jeff
• • •
Real suspense there, Blake — even though I knew he’d survive.
I’m gonna dive back in 1st thing tomorrow.
Paul
• • •
Thanks, Paul, glad it clicked for you…let’s shoot to have the finale set up by say Thursday, and I can then get working on assembling everything we’ve got so far into the manuscript. I think I know what I need to do…Jeff, Paul, can you guys have your characters (and Jenny) poised for the finale by then? I think I’ve got the biggest part to write, so we’re pretty close already.
Blake
• • •
Clay and Randall/Jenny need to hook up relatively quickly, since otherwise my characters would think to go down to the lobby, not up to the roof. (An intercom message might work, but Randall is holding a loud chainsaw, and Clay wouldn’t know that the draculas can’t understand his message.)
If Paul sets up the idea that Clay is going to the roof, and ends his bit with Clay on the third floor, seeing Randall put his chainsaw through a random dracula, I can take it to wherever Blake wants me to leave off.
As for POV after that, the actual “children in the helicopter” rescue needs to be Randall’s POV, since it’s his big moment of redemption. That scene will end with Clay pointing out that Randall has been bitten.
I think the scene with Clay threatening to shoot him should be Jenny’s POV.
Jeff
• • •
I think we need to bring in some of the characters perhaps seeing lights from the helicopter sweeping across the building, maybe the roadblock out in the parking lot a little earlier…I may try to work that in when I assemble everything.
Blake
• • •
Cell phones work. Clay could call the TV station, have them land the copter.
Joe
September 15, 2010
Sayonara, Adam.
I added a scene with Shanna in the parking lot with the army and a mysterious Dr. Driscoll. You may or may not like the implication I’m making toward the end of her scene. If not, we’ll cut it. It’s only a few lines.
Paul
• • •
I went in and changed Shanna’s sudden embrace of gunnydom to a refusal to carry one. She was too upset with killing Marge.
I carried some of that over to Adam’s final moments. He realizes none of the people these creatures came from chose to be this way, and so he forgives them before he blows them all to smithereens.
Paul
• • •
Can’t wait to catch up on this, guys. Working on another deadline. Sorry I’ve been out of the loop for a bit.
