Then yawned and turned his head away:

'It's time for something new,' he muttered,

'I've suffered ballets long enough,

But now Didelot is boring stuff.'

22

While all those cupids, devils, serpents

Upon the stage still romp and roar,

And while the weary band of servants

Still sleeps on furs at carriage door;

And while the people still are tapping,

Still sniffling, coughing, hissing, clapping;

And while the lamps both in and out

Still glitter grandly all about;

And while the horses, bored at tether,

Still fidget, freezing, in the snow,

And coachmen by the fire's glow

Curse masters and beat palms together;

Onegin now has left the scene

And driven home to change and preen.

23

Shall I abandon every scruple

And picture truly with my pen

The room where fashion's model pupil

Is dressed, undressed, and dressed again?

Whatever clever London offers

To those with lavish whims and coffers,

And ships to us by Baltic seas

In trade for tallow and for trees;

Whatever Paris, seeking treasure,

Devises to attract the sight,

Or manufactures for delight,

For luxury, for modish pleasure

All this adorned his dressing room,

Our sage of eighteen summers' bloom.

24

Imported pipes of Turkish amber,

Fine china, bronzesall displayed;

And purely to delight and pamper,

Perfumes in crystal jars arrayed;

Steel files and combs in many guises,

Straight scissors, curved ones, thirty sizes

Of brushes for the modern male

For hair and teeth and fingernail.

Rousseau (permit me this digression)

Could not conceive how solemn Grimm*

Dared clean his nails in front of him,

The brilliant madcap of confession.

In this case, though, one has to say

That Freedom's Champion went astray.

Вы читаете Eugene Onegin
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