25

For one may be a man of reason

And mind the beauty of his nails.

Why argue vainly with the season?

For custom's rule o'er man prevails.

Now my Eugene, Chadyev's* double,

From jealous critics fearing trouble,

Was quite the pedant in his dress

And what we called a fop, no less.

At least three hours he peruses

His figure in the looking-glass;

Then through his dressing room he'll pass

Like flighty Venus when she chooses

In man's attire to pay a call

At masquerade or midnight ball.

26

Your interest piqued and doubtless growing

In current fashions of toilette,

I might describe in terms more knowing

His clothing for the learned set.

This might well seem an indiscretion,

Description, though, is my profession;

But pantaloons, gilet, and frock

These words are hardly Russian stock;

And I confess (in public sorrow)

That as it is my diction groans

With far too many foreign loans;

But if indeed I overborrow,

I have of old relied upon

Our Academic Lexicon.

27

But let's abandon idle chatter

And hasten rather to forestall

Our hero's headlong, dashing clatter

In hired coach towards the ball.

Before the fronts of darkened houses,

Along a street that gently drowses,

The double carriage lamps in rows

Pour forth their warm and cheerful glows

And on the snow make rainbows glitter.

One splendid house is all alight,

Its countless lampions burning bright;

While past its glassed-in windows flitter

In quick succession silhouettes

Of ladies and their modish pets.

28

But look, Onegin's at the gateway;

He's past the porter, up the stair,

Through marble entry rushes straightway,

Then runs his fingers through his hair,

Вы читаете Eugene Onegin
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