Lectures on Russian literature

His early inclinations were to the side of the radicals; he leaned more or less toward the Westernizers. He also consorted with a secret society (though apparently did not actually become its member) of young men who had adopted the socialistic theories of Saint-Simon and Fourier. These young men gathered at the house of an official of the State Department, Mikhail Petra-shevski, and read aloud and discussed the books of Fourier, talked socialism, and criticized the government. After the upheavals of 1848 in several European countries, there was a wave of reaction in Russia; the government was alarmed and cracked down upon all dissenters. The Petrashevskians were arrested, among them Dostoevski. He was found guilty of 'having taken part in criminal plans, having circulated the letter of Belinski [to Gogol]

full of insolent expressions against the Orthodox Church and the Supreme Power, and of having attempted, together with others, to circulate anti-Government writings with the aid of a private printing press.' He awaited his trial in the Fortress of St. Paul and Peter, of which the commander was a General Nabokov, an ancestor of mine. (The correspondence which passed between this General Nabokov and Tsar Nicholas in regard to their prisoner makes rather amusing reading.) The sentence was severe—eight years of hard labor in Siberia (this was later commuted to four by the Tsar)—but a monstrously cruel procedure was followed before the actual sentence was read to the condemned men: They were told they were to be shot; they were taken to the place assigned for the execution, stripped to their shirts, and the first batch of prisoners were tied to the posts. Only then the actual sentence was read to them. One of the men went mad. A deep scar was left in Dostoevski's soul by the experience of that day. He never quite got over it.

The four years of penal servitude Dostoevski spent in Siberia in the company of murderers and thieves, no segregation having been yet introduced between ordinary and political criminals. He described them in his Memoirs from the House of Death (1862). They do not make a pleasant reading. All the humiliations and hardships he endured are described in detail, as also the criminals among whom he lived. Not to go completely mad in those surroundings, Dostoevski had to find some sort of escape. This he found in a neurotic Christianism which he developed during these years. It is only natural that some of the convicts among whom he lived showed, besides dreadful bestiality, an occasional human trait. Dostoevski gathered these manifestations and built upon them a kind of very artificial and completely pathological idealization of the simple Russian folk. This was the initial step on his consecutive spiritual road. In 1854 when Dostoevski finished his term he was made a soldier in a battalion garrisoned in a Siberian town. In 1855 Nicholas I died and his son Alexander became Emperor under the name of Alexander II. He was by far the best of the nineteenth-century Russian rulers. (Ironically he was the one to die at the hands of the revolutionaries, torn literally in two by a bomb thrown at his feet. ) The beginning of his reign 69

Vladimir Nabokov: Lectures on Russian literature

brought a pardon to many prisoners. Dostoevski was given back his officer's commission. Four years later he was allowed to return to Petersburg.

During the last years of exile, he had resumed literary work with The Manor of Stepanchikovo (1859) and the Memoirs from the House of Death. After his return to Petersburg, he plunged into literary activity. He began at once publishing, together with his brother Mikhail, a literary magazine Vremia (Time). His Memoirs from the House of Death and yet another work, a novel, The Humiliated and the Insulted (1861), appeared in this magazine. His attitude toward the Government had completely changed since the days of his youthful radicalism. 'Greek-Catholic Church, absolute monarchy, and the cult of Russian nationalism,' these three props on which stood the reactionary political slavophilism were his political faith. The theories of socialism and Western liberalism became for him the embodiments of Western contamination and of satanic sin bent upon the destruction of a Slavic and Greek-Catholic world. It is the same attitude that one sees in Fascism or in Communism — universal salvation.

His emotional life up to that time had been unhappy. In Siberia he had married, but this first marriage proved unsatisfactory. In 1862-1863 he had an affair with a woman writer and in her company visited England, France, and Germany. This woman whom he later characterized as 'infernal' seems to have been an evil character. Later she married Rozanov, an extraordinary writer combining moments of exceptional genius with manifestations of astounding naivete. (I knew Rozanov, but he had married another woman by that time.) This woman seems to have had a rather unfortunate influence on Dostoevski, further upsetting his unstable spirit. It was during this first trip abroad to Germany that the first manifestation of his passion for gambling appeared which during the rest of his life was the plague of his family and an insurmountable obstacle to any kind of material ease or peace to himself.

After his brother's death, the closing of the review which he had been editing left Dostoevski a bankrupt, and burdened by the care of his brother's family, a duty which he immediately and voluntarily assumed. To cope with these overwhelming burdens Dostoevski applied himself feverishly to work. All his most celebrated writings, Crime and Punishment (1866), The Gambler (1867), The Idiot (1868), The Possessed (1872), The Brothers Karamazov (1880), etc., were written under constant stress: he had to work in a hurry, to meet deadlines with hardly any time left to re-read what he had written, or rather what he had dictated to a stenographer he had been obliged to hire. In his stenographer he at last found a woman full of devotion and with such practical sense that by her help he met his deadlines and gradually began to extricate himself from his financial mess. In 1867 he married her. This marriage was on the whole a happy one. For four years, from 1867 to 1871, they had achieved some financial security and were able to return to Russia. From then on to the end of his days Dostoevski enjoyed comparative peace. The Possessed was a great success. Soon after its publication he was offered the editorship of Prince Meshcherski's very reactionary weekly, the Citizen. His last work, The Brothers Karamazov, of which he wrote only the first volume and was working on the second when he died, brought him the greatest fame of all his novels.

But even more publicity fell to the lot of his address at the unveiling of the Pushkin memorial in Moscow in 1880. It was a very great event, the manifestation of the passionate love Russia bore Pushkin. The foremost writers of the time took part in it. But of all the speeches the most popular success fell to Dostoevski. The gist of his speech was Pushkin as the embodiment of the national spirit of Russia, which subtly understands the ideals of other nations but assimilates and digests them in accordance with its own spiritual setup. In this capacity Dostoevski saw the proof of the all-embracing mission of the Russian people, etc. When read, this speech does not explain the great success it enjoyed. But if we consider the fact that it was a time when all Europe was allying itself against Russia's rise in power and influence, we can better understand the enthusiasm Dostoevski's speech provoked in his patriotic listeners.

A year later, in 1881, and but a short time before the assassination of Alexander II, Dostoevski died, enjoying general recognition and esteem.

Through French and Russian translations, Western influence, sentimental and gothic-Samuel Richardson (1689-1761), Ann Radcliffe (1764-1823), Dickens (1812-1870), Rousseau (1712-1778), Eugene Sue (1804-1857)- combines in Dostoevski's works with a religion of compassion merging on melodramatic sentimentality.

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Vladimir Nabokov: Lectures on Russian literature

We must distinguish between 'sentimental' and 'sensitive.' A sentimentalist may be a perfect brute in his free time. A sensitive person is never a cruel person. Sentimental Rousseau, who could weep over a progressive idea, distributed his many natural children through various poorhouses and workhouses and never gave a hoot for them. A sentimental old maid may pamper her parrot and poison her niece. The sentimental politician may remember Mother's Day and ruthlessly destroy a rival. Stalin loved babies. Lenin sobbed at the opera, especially at the Traviata. A whole century of authors praised the simple life of the poor, and so on. Remember that when we speak of sentimentalists, among them Richardson, Rousseau, Dostoevski, we mean the non-artistic exaggeration of familiar emotions meant to provoke automatically traditional compassion in the reader.

Dostoevski never really got over the influence which the European mystery novel and the sentimental novel made upon him. The sentimental influence implied that kind of conflict he liked—placing virtuous people in pathetic situations and then extracting from these situations the last ounce of pathos. When after his return from Siberia his