quiet you down. But a pig can’t kill a wolf. The w o lfs the

monster prick, then the pigs come and turn the w o lf into a girl,

then it’s payback time and the w o lf rises again. In the day

when the w o lf sleeps there are still fires; anything can suddenly

go up in flames and you can’t tell the difference at first between

a fire and a summer day, the sun on the garbage, the hot air

making the ghetto buildings swell, the brick bulging,

deformed and in places melting, all the solid brick w avy in the

heat. At night the crowd rises, the w o lf rises, the great

predator starts a long, slow walk toward the bullets waiting

for it. The violence is in the air; not symbol; not metaphor; it’s

thick and tasty; the air’s charged with it; it crackles around

your head; then you stay in or go out, depending on— can you

stand being trapped inside or do you like the open street? I

sleep days. It’s safer. I sleep in daylight. I stay awake nights. I

keep an eye out. I don’t like to be unconscious. I don’t like the

w ay you get limp. I don’ t like how you can’t hear what goes

on around you. I don’t like that you can’t see. I don’t like to be

waiting. I don’t like that you get no warning. I don’t like not to

know where I am. I don’t like not to know m y name. I sleep in

the day because it’s safer; at night, I face the streets, the crowd,

the predator, any predator, head on. I’d rather be there. I want

to see it coming at me, the crowd or anything else or anyone. I

want it to look at me and I want a chance. There’s gangs

everywhere. There’s arson or fires or w o lf packs or packs o f

men; men and gangs. The men outside m y door are banging;

they want to come in; big group fuck; they tear me apart; b oys’

night out. It’s about eight or nine at night and I’m going out

soon, it’s a little too early yet, I hear them banging on the door

with knives and fists, I can’t get out past them, there’s only one

w ay out; I can’t get past them. Once night comes it’s easy to

seal you in. Night comes and you have the rules o f the grave,

different rules from daylight, they can do things at night,

everyone can, they can’t do in the day; they will break the door

down, no one here calls the police, I don’t have a gun, I have

one knife, a pathetic thing, I sleep with it under m y pillow. I

figure if someone’s right on top o f me I can split him apart

with it. I figure if he’s already on top o f me because I didn’t

hear him and didn’t see him because I was unconscious and I

wake up and he’s there I can stick it in him or I can cut his

throat. I figure it gives me time to come to, then I try for his

throat, but if I’m too late, if I can’t get it, i f he’s som ehow so I

can’t get his throat, then I can get his back. O r I can finish

m yself o ff i f there’s no other w ay; I think about it each time I

lie down to sleep, if I can do it, draw the knife across m y

throat, fast, I try to prepare m yself to do it, in m y mind I make

a vo w and I practice the stroke before I sleep. I think it’s better

Вы читаете Mercy
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