shoulder rather tentatively. He goes upstairs and
Nicky wanders to the piano. He plays absently, and
Bunty enters.
Bunty |
I want to talk to you. |
Nicky |
Still playing.
All right.
|
Bunty |
Perhaps you’d stop playing for a minute. |
Nicky |
Won’t you let me woo you with a little Scriabine? |
Bunty |
Please stop. |
Nicky |
Rising.
I’m unappreciated—that’s what it is.
There is a slight pause—he goes over to her.
I say, Bunty—
|
Bunty |
What? |
Nicky |
Before you say anything awful to me, I am sorry for being rude just now. |
Bunty |
So you ought to be. |
Nicky |
Will you forgive me? |
Bunty |
Yes, I forgive you. |
Nicky |
I’ve been irritable all the evening. |
Bunty |
Give me a cigarette, Nicky. |
Nicky |
Here. |
|
They both smoke. |
Bunty |
Thanks. |
Nicky |
What did you want to talk to me about? |
Bunty |
Lots of things—us! |
Nicky |
Hardening.
Oh, I see!
|
Bunty |
Don’t you think it’s rather silly—being engaged? |
Nicky |
No, not at all. |
Bunty |
I do. |
Nicky |
Just because we bickered a bit tonight? |
Bunty |
No, not only because of that. |
Nicky |
Why then? |
Bunty |
Can’t you see? |
Nicky |
No. |
Bunty |
Well, we’re not very suited to each other, are we? |
Nicky |
Why do you suddenly say that? |
Bunty |
Because I’ve only just realized it. |
Nicky |
I’m sorry. |
Bunty |
It’s not your fault particularly. |
Nicky |
I’m glad. |
Bunty |
It’s circumstances and surroundings. |
Nicky |
Oh, that can be altered quite easily. We’ll change the shape of the house—we’ll take all that wall away and turn that into a studio—you love studios, don’t you?—then we’ll transform the drawing-room into an enormous aviary. |
Bunty |
It’s practically that now! |
Nicky |
And then we’ll— |
Bunty |
Shut up, Nicky! |
Nicky |
I’m only trying to be amenable. |
Bunty |
Are you, really? |
Nicky |
Yes, I’m putting up a sort of defense, Bunty. I have a feeling that you’re going to be unpleasant, and I want to establish myself comfortably before you start. |
Bunty |
I don’t want to be unpleasant—only honest. |
Nicky |
You won’t let the two run together, will you? |
Bunty |
With vehemence.
You’re hopeless, hopeless, hopeless!
|
Nicky |
Yes—I think I am, rather. |
Bunty |
In a way I’m glad—it makes it easier. |
Nicky |
Does it? |
Bunty |
You’re not in love with me, really—you couldn’t be! |
Nicky |
Please don’t say that. |
Bunty |
Why don’t you face things properly? |
Nicky |
One generally has to in the end. I like to put it off for as long as possible. |
Bunty |
That’s cowardly. |
Nicky |
Don’t be pompous, darling. |
Bunty |
You’re a great help, I must say. |
Nicky |
Why should I help to destroy my own happiness? |
Bunty |
That’s self-pity and self-deception. |
Nicky |
Why are you going on like this? |
Bunty |
Because I tell you—I’ve realized the truth. |
Nicky |
I suppose you’ve taken a hatred to mother! |
Bunty |
No, not a hatred. |
Nicky |
You don’t like her. |
Bunty |
Not very much. |
Nicky |
Why not? She likes you. |
Bunty |
She detests me. |
Nicky |
Nonsense! Why should she? |
Bunty |
Because I’m young. |
Nicky |
What a filthy thing to say! |
Bunty |
It’s true. |
Nicky |
It’s nothing of the sort. |
Bunty |
You’re so stupid sometimes. |
Nicky |
Thank you. |
Bunty |
Don’t let’s start bickering again. |
Nicky |
We won’t discuss mother any more then. |
Bunty |
You started it. |
Nicky |
I wish I could make you understand her like I do. I mean she’s awfully irritating, I know—but deep down she’s marvelous in spite of everything. |
Bunty |
Coldly.
Everything?
|
Nicky |
Vehemently.
Yes, everything! Don’t be a beast, Bunty; just try to see her point a little, even if you do dislike her. She is terribly silly about being “young,” I know, but she’s been used to so much admiration and flattery and everything always, she feels she sort of can’t give it up—you do see that, don’t you? And she hasn’t really anything in the least comforting to fall back upon. She’s not clever—real kind of brain cleverness—and father’s no good, and I’m no good, and all the time she’s wanting life to be as it was instead of as it is. There’s no harm in her anywhere—she’s just young inside. Can’t you imagine the utter foulness of growing old? ’Specially if you’ve been lovely and attractive like she was. The beautiful Flo Lancaster! She used to be known as that. I can remember her when I was quite small, coming up to say good night to me, looking too perfectly radiant for words—and she used to come to the school, too, sometimes, and everyone used to go mad over her, and I used to get frightfully proud and excited—
|
Bunty |
I’ve never heard you talk like this before. |
Nicky |
I don’t think I ever have. |
Bunty |
I like you better clear cut, not blurred by sentiment. |
|
Nicky looks at her for a moment in amazement. |
Nicky |
To describe you as hard would be inadequate—you’re metallic! |
Bunty |
I can see straight. |
Nicky |
Politely.
Can you?
|
Bunty |
Yes. We could never be happy together. |
Nicky |
Perhaps not. |
Bunty |
Shall we just—finish—then? |
Nicky |
Certainly, I’m sorry we were too modern to have an engagement ring; you’d have been able to give it back to me so beautifully. |
Bunty |
Don’t be ridiculous! |
Nicky |
Better than being blurred by sentiment. |
|
Bunty lights another cigarette and, kicking off her shoes, perches on the club fender and proceeds to warm her feet at the fire.
Enter Clara Hibbert.
|
Clara |
My dear, I’m shattered—and I’m going straight to bed—probably for several weeks. |
Bunty |
Why? |
Clara |
Shshsh! He’s coming. |
Bunty |
Who’s coming? |
Clara |
Bruce Fairlight. I’ve been teaching him mahjong. These master brains—agony, dear— |
|
Enter Bruce Fairlight. |
Bruce |
Very interesting, that game. |
Clara |
Weakly.
I thought you’d like it.
|
Bruce |
It’s interesting psychologically! The concentration and suspense— |
|
Enter Florence, Helen, Pawnie and Tom. Tom is grasping a whisky and soda—Pawnie is eating a biscuit. |
Pawnie |
I’m quite exhausted; it must be the country air— |
Florence |
—it was too lovely, because I started with two red dragons in my hand— |
Helen |
I wondered who had them— |
Pawnie |
One more tune, Nicky, before we go to bed— |
Florence |
Yes, just one— |
Nicky |
Looking at Bunty.
I’ll play “I love you”—such a romantic tune.
|
|
He puts on the gramophone. |
Bunty |
Do. |
Helen |
What time’s everyone going up in the morning? |
Florence |
The ten-o’clock’s the best—we’ll have breakfast at nine downstairs. |
Pawnie |
Confidentially.
Do you know that in London I can never do more than nibble a piece of thin toast, and whenever I’m away I eat enormously!
|
Nicky |
How very peculiar! |
Pawnie |
Your tone revolts me, Nicky. You must never be irascible with your old friends. |
Nicky |
I haven’t got any. |
Helen |
Nicky! |
Nicky |
Sorry, Helen. |
|