Fabrizio was very agreeably surprised when, after one hundred and thirty-five days of confinement in a distinctly narrow cell, the good chaplain Don Cesare came to him one Thursday to take him for an airing on the dungeon of the Torre Farnese: he had not been there ten minutes before, unaccustomed to the fresh air, he began to feel faint.
Don Cesare made this accident an excuse to allow him half an hour’s exercise every day. This was a mistake: these frequent airings soon restored to our hero a strength which he abused.
There were several serenades; the punctilious governor allowed them only because they created an engagement between the Marchese Crescenzi and his daughter Clelia, whose character alarmed him; he felt vaguely that there was no point of contact between her and himself, and was always afraid of some rash action on her part. She might fly to the convent, and he would be left helpless. At the same time, the General was afraid that all this music, the sound of which could penetrate into the deepest dungeons, reserved for the blackest Liberals, might contain signals. The musicians themselves, too, made him suspicious; and so no sooner was the serenade at an end than they were locked into the big rooms below the governor’s palazzo, which by day served as an office for the staff, and the door was not opened to let them out until the following morning, when it was broad daylight. It was the governor himself who, stationed on the Slave’s Bridge, had them searched in his presence and gave them their liberty, not without several times repeating that he would have hanged at once any of them who had the audacity to undertake the smallest commission for any prisoner. And they knew that, in his fear of giving offence, he was a man of his word, so that the Marchese Crescenzi was obliged to pay his musicians at a triple rate, they being greatly upset at thus having to spend a night in prison.
All that the Duchessa could obtain, and that with great difficulty, from the pusillanimity of one of these men was that he should take with him a letter to be handed to the governor. The letter was addressed to Fabrizio: the writer deplored the fatality which had brought it about that, after he had been more than five months in prison, his friends outside had not been able to establish any communication with him.
On entering the citadel, the bribed musician flung himself at the feet of General Fabio Conti, and confessed to him that a priest, unknown to him, had so insisted upon his taking a letter addressed to Signor del Dongo that he had not dared to refuse; but, faithful to his duty, he was hastening to place it in His Excellency’s hands.
His Excellency was highly flattered: he knew the resources at the Duchessa’s disposal, and was in great fear of being hoaxed. In his joy, the General went to submit this letter to the Prince, who was delighted.
“So, the firmness of my administration has brought me my revenge! That proud woman has been suffering for more than six months! But one of these days we are going to have a scaffold erected, and her wild imagination will not fail to believe that it is intended for young del Dongo.”
XX
One night, about one o’clock in the morning, Fabrizio, leaning upon his windowsill, had slipped his head through the door cut in his screen and was contemplating the stars and the immense horizon which one enjoyed from the summit of the Torre Farnese. His eyes, roaming over the country in the direction of the lower Po and Ferrara, noticed quite by chance an extremely small but quite brilliant light which seemed to be shining from the top of a tower. “That light cannot be visible from the plain,” Fabrizio said to himself, “the bulk of the tower prevents it from being seen from below; it will be some signal for a distant point.” Suddenly he noticed that this light kept on appearing and disappearing at very short intervals. “It is some girl speaking to her lover in the next village.” He counted nine flashes in succession. “That is an I,” he said, “I being the ninth letter of the alphabet.” There followed, after a pause, fourteen flashes: “That is N”; then, after another pause, a single flash: “It is an A; the word is ‘Ina.’ ”
What were his joy and surprise when the next series of flashes, still