In the black mirror of a riverBetween the city and the mist.Elusive Pushkin! Persevering,I still pick up Tatiana's earring,Still travel with your sullen rake.I find another man's mistake,I analyze alliterationsThat grace your feasts and haunt the greatFourth stanza of your Canto Eight.This is my task — a poet's patienceAnd scholiastic passion blent:Dove-droppings on your monument.
How mobile is the bed on thesenights of gesticulating trees when the rain clatters fast,the tin-toy rain with dapper hooftrotting upon an endless roof, traveling into the past.Upon old roads the steeds of rainSlip and slow down and speed again through many a tangled year;but they can never reach the lastdip at the bottom of the past because the sun is there.1956
That Sunday morning, at half past ten,Two cars crossed the creek and entered the glen.In the first was Art Longwood, a local florist,With his children and wife (now Mrs. Deforest).In the one that followed, a ranger sawArt's father, stepfather and father-in-law.The three old men walked off to the cove.Through tinkling weeds Art slowly drove.Fair was the morning, with bright clouds afar.Children and comics emerged from the car.Silent Art, who could state at a thing all day,Watched a bug climb a stalk and fly away.Pauline had asthma, Paul used a crutch.They were cute little rascals but could not run much.«I wish», said his mother to crippled Paul,«Some man would teach you to pitch that ball».Silent Art took the ball and tossed it high.It stuck in a tree that was passing by.And the grave green pilgrim turned and stopped.The children waited, but no ball dropped.«I never climbed trees in my timid prime»,Thought Art; and forthwith started to climb.Now and then his elbow or knee could be seenIn a jigsaw puzzle of blue and green.Up and up Art Longwood swarmed and shinned,And the leaves said yes to the questioning wind.What tiaras of gardens! What torrents of light!How accessible ether! How easy flight!